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3.9/10
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Four super heroes find themselves abducted by their arch nemesis and are forced to compete in a series of deadly challenges in order to save an abandoned town full of kidnapped innocent civi... Read allFour super heroes find themselves abducted by their arch nemesis and are forced to compete in a series of deadly challenges in order to save an abandoned town full of kidnapped innocent civilians.Four super heroes find themselves abducted by their arch nemesis and are forced to compete in a series of deadly challenges in order to save an abandoned town full of kidnapped innocent civilians.
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This was close to actually being a good movie, right from the start. Better writers could have easily tweaked it in several obvious places into a cult classic "B" movie, but either lacked the skills or motivation to bother. Lazy!
I kept watching for the payoff, but there was none. No sense, no reason, no satisfying ending.
Plot was initially intriguing, but quickly got to be predictable and boring by the end. I actually wanted all the superheroes to die lol. Too bad.
I kept watching for the payoff, but there was none. No sense, no reason, no satisfying ending.
Plot was initially intriguing, but quickly got to be predictable and boring by the end. I actually wanted all the superheroes to die lol. Too bad.
What looks like a fascinating concept on paper is executed in villainously poor fashion in All Superheroes Must Die, a micro-budget thriller that twists almost every convention of the oversaturated genre, but is drastically let down by innumerable plot holes, a jagged script and empty performances all round.
Sick to death of playing the speed bump to the good guys and their well-meaning plans, supervillian Rickshaw (James Remar) has knocked out and stolen the powers of Charge (Jason Trost), Shadow (Sophie Merkley), Cutthroat (X-Men First Class' Lucas Till) and The Wall (Lee Valmassy), the town's four resident superheroes. Meanwhile, he has rigged several town landmarks – and many more innocent civilians – to explosives, meaning the heroes have no choice but to play by his wicked rules.
Directed and written by lead actor Trost, the film can never seem to decide between being a serious look at the sacrifices made to be a hero, or a tongue-in-cheek satire of the suspension of disbelief required by the genre. It constantly flexes between sharp, intimate flashbacks showing the closeness of the group before becoming superheroes, and incredulously over-the- top delivery from Remar and Sean Whalen – as side villain Manpower – none of which hit their mark.
The rest of All Superheroes Must Die is a mish-mash of unexplained plot points and unprovoked character turns. The story jumps regularly, giving the impression that a short shoot forced pages to be ripped out of the script at will. And while some films of this nature do a fantastic job of stretching the production value, Superheroes looks every bit like a low budget cellar dweller, doing little to mitigate a collection of lacklustre individual parts, forming an utterly forgettable shell of an intriguing idea.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
Sick to death of playing the speed bump to the good guys and their well-meaning plans, supervillian Rickshaw (James Remar) has knocked out and stolen the powers of Charge (Jason Trost), Shadow (Sophie Merkley), Cutthroat (X-Men First Class' Lucas Till) and The Wall (Lee Valmassy), the town's four resident superheroes. Meanwhile, he has rigged several town landmarks – and many more innocent civilians – to explosives, meaning the heroes have no choice but to play by his wicked rules.
Directed and written by lead actor Trost, the film can never seem to decide between being a serious look at the sacrifices made to be a hero, or a tongue-in-cheek satire of the suspension of disbelief required by the genre. It constantly flexes between sharp, intimate flashbacks showing the closeness of the group before becoming superheroes, and incredulously over-the- top delivery from Remar and Sean Whalen – as side villain Manpower – none of which hit their mark.
The rest of All Superheroes Must Die is a mish-mash of unexplained plot points and unprovoked character turns. The story jumps regularly, giving the impression that a short shoot forced pages to be ripped out of the script at will. And while some films of this nature do a fantastic job of stretching the production value, Superheroes looks every bit like a low budget cellar dweller, doing little to mitigate a collection of lacklustre individual parts, forming an utterly forgettable shell of an intriguing idea.
*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
All Superheroes Must Die (AKA Vs) is a very low budget superhero drama directed by Jason Trost. The Premise is a villain (Rickshaw) played by James Remar somehow has removed the powers of 4 superheroes.He then forces them to attempt to save people he has put in harms way using teamwork and their own guile. They have to also fight other villains who still have their powers. This is an OK low budget film. The acting is average with the exception of James Remar who is actually good as the villain. He only appears via a video feed. I Could not get over the feeling this was like a poor mans Watchmen with a Joker type villain thrown in or the superhero version of SAW. Choreography is slightly below average and there are no CGI scenes. Movie is completely character driven with a few action sequences thrown in. Not for the typical superhero crowd but an OK low budget effort for the comic book reader population
Four heroes find themselves abducted by their arch-nemesis and are forced to compete in a series of challenges in order to save an abandoned town full of kidnapped innocent civilians.
Let me start by saying I love "The FP" and consider it a work of genius. Well-acted, well-scripted, well-shot, funny and so on. A truly great film. And I think we can learn something about filmmaking by comparing that film with this one, another Jason Trost joint.
With "The FP", a short was made. I assume this was used as a fund-raiser to get the full picture done right. That was a great idea and it worked. Here, we have what was a thrown together film -- if what the trivia on IMDb says is true, it was written in four days, shot in two weeks, there was no budget and time constraints meant the script had to be cut on the fly.
That is no way to make a movie. You do not necessarily need a budget, but you need to know what you are capable of and work with it. Here, we can tell it was rushed. The acting is only average, some of the lines seem out of place... and it just was not clever on the level of "FP". Another script revision or two, an extra day of shooting or two, it might have been worlds different.
Let me start by saying I love "The FP" and consider it a work of genius. Well-acted, well-scripted, well-shot, funny and so on. A truly great film. And I think we can learn something about filmmaking by comparing that film with this one, another Jason Trost joint.
With "The FP", a short was made. I assume this was used as a fund-raiser to get the full picture done right. That was a great idea and it worked. Here, we have what was a thrown together film -- if what the trivia on IMDb says is true, it was written in four days, shot in two weeks, there was no budget and time constraints meant the script had to be cut on the fly.
That is no way to make a movie. You do not necessarily need a budget, but you need to know what you are capable of and work with it. Here, we can tell it was rushed. The acting is only average, some of the lines seem out of place... and it just was not clever on the level of "FP". Another script revision or two, an extra day of shooting or two, it might have been worlds different.
Felt more like a college project film. Lackluster acting and poor writing. Not really sure what could have been here because it was so poorly presented. The actress that plays Shadow is absolutely worthless in this film. Just pass on this one.
Did you know
- TriviaBudget limitations led to the filmmakers having to rip pages out of the script left and right on set.
- GoofsIn the 'Bonus Round' room, the taunt 'You Loose' is written on the wall. This should of course be spelled 'You Lose'.
- Crazy creditsAfter the credits, Cutthroat opens his eyes (so not dead)
- ConnectionsFollowed by All Superheroes Must Die 2: The Last Superhero (2016)
- How long is All Superheroes Must Die?Powered by Alexa
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- Also known as
- Siêu Anh Hùng Lâm Nạn
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- Budget
- $20,000 (estimated)
- Runtime1 hour 18 minutes
- Color
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- 2.35 : 1
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By what name was All Superheroes Must Die (2011) officially released in Canada in English?
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