User reviews

Four heroes find themselves abducted by their arch-nemesis and are forced to compete in a series of challenges in order to save an abandoned town full of kidnapped innocent civilians.

Let me start by saying I love "The FP" and consider it a work of genius. Well-acted, well-scripted, well-shot, funny and so on. A truly great film. And I think we can learn something about filmmaking by comparing that film with this one, another Jason Trost joint.

With "The FP", a short was made. I assume this was used as a fund-raiser to get the full picture done right. That was a great idea and it worked. Here, we have what was a thrown together film -- if what the trivia on IMDb says is true, it was written in four days, shot in two weeks, there was no budget and time constraints meant the script had to be cut on the fly.

That is no way to make a movie. You do not necessarily need a budget, but you need to know what you are capable of and work with it. Here, we can tell it was rushed. The acting is only average, some of the lines seem out of place... and it just was not clever on the level of "FP". Another script revision or two, an extra day of shooting or two, it might have been worlds different.

Felt more like a college project film. Lackluster acting and poor writing. Not really sure what could have been here because it was so poorly presented. The actress that plays Shadow is absolutely worthless in this film. Just pass on this one.

With the success of super heroes in theaters it comes as no surprise that filmmakers are starting to churn out their own variations on the genre. The biggest issue is that without the recognition, most of these films just can't capture and audience. Filmmaker Jason Trost, who delivered the insanely fun The FP has thrown his own vision into the super hero genre with All Superheroes Must Die. With The FP showed he could think outside the box and deliver something different that still works, but can he score the same with his superhero vision?

All Super Heroes Must Die follows four super heroes who find themselves abducted by their Arch Nemesis and forced to compete in a series of challenges to save kidnapped innocent civilians. This movie not only works it takes the genre in a whole new direction. Imagine super heroes and throw them into the world of SAW and you have this film. The film is dark and gritty and plays up the torment as opposed to the super heroics giving it more of a punch than you would have thought. The costumes feel more like what real people would have put together if they became costumed heroes, all without coming across to silly. The inner dilemmas of the characters add to the already insane struggles they have to deal with causing their tasks to be that much harder to complete. The performances are pretty good for the most part, with only a few moments here and there that are a bit off. James Remar as the mastermind behind the torment eats of the screen playing this character way over the top, yet perfectly fits this world and his character.

This is one of the better attempts at this genre thinking outside the box to create a fun unique film. The mix of the genres really adds to the over concept to create a must see for anyone a fan of either genre. Horror fans, be on the lookout for Chromeskull himself Nick Principe in a villainous role as a part of a memorable fight scene. Trost is really doing a great job with these films and will no doubt be an up and coming force to be reckoned with and can't wait to see what he delivers next.

After watching the trailer for the film this strangely caught my curiosity. I read a review online suggesting that I checked it out, giving it all sorts of praises. This was the first and probably only time that I've ever gotten angry at a review.

I swear to Christ, this was the absolute WORST movie that I've ever seen in my entire life. It is worse than The Room, Plan 9 from outerspace, or even trolls 2. At least those three films were humorous so while indirectly, it had an appeal. A reason to watch them, and a reason to enjoy watching them.

The director had absolutely no idea what he was doing. The character development was so bad that if a character died I might have actually gained a slight amount of excitement because that means the story is one step closer to ending.

The director apparently constantly tore pages of the script due to budget concerns. This needed to have been dealt with BEFORE shooting. A script needs to go through AT LEAST four drafts. Many of which need to be rewritten for story purposes, fixing mistakes(not necessarily grammatical, but relationships, dialogues, and characters themselves) and the last few drafts being edited for budget concerns.

A certain aspect of filmmaking is about compromise. Compromising with what you have, and if you don't have a big budget then for the love of God, please don't try to act like your story is bigger than what it was. I seriously cannot understand the appeal for films like this. I've often seen people online saying how they enjoy superhero movies, especially the much smaller low-budget ones.

Go watch the 2010 James Gunn film Super starring Rainn Wilson and Ellen Page. That's a low-budget superhero film done right. 2009's Defendor. Anohter low-budget superhero film done right. These such films are movies that didn't try to be anything else other than what it was. The cast worked with what they had, and the directors knew the art of filmmaking well enough to at least make a halfway decent film.

The premise seems slightly creative, the first scene seemed like it would be promising but it just fell flat as if the director went "Y'know what, **** it. Let's just make up new obstacles. The first idea is put into the movie" I mean the "creativity" of this so called "mastermind" villain was so poorly done that I actually lost complete interest for any kind of unique "traps" the heroes could face.

Were these people ever truly superheroes? Because they did their job pretty badly. The "shocking"(and I say shocking in quotations out of pure sarcasm) revelation about one of the characters just makes the viewer feel annoyed or even frustrated.

This film is directed, starred, and produced by the same person. He clearly had no freaking idea what he was doing and was completely in over his head. This film is among the ranks of student films and fan films on YouTube. The fact that it even got anywhere is astounding. The fact that people actually like this is even more astounding. If you're thinking of seeing this movie, you should probably just watch a bunch of little kids playing "Superhero" because it's probably a lot more entertaining and creative than this piece of trash.

Before judging this film too harshly, remember it was made on a tiny budget and in a handful of days. It's basically a glorified student film, and if I were marking it, I'd give it an A. It's an interesting concept and the acting, while mediocre, shows promise, especially that of Jason Trost and Sophie Merkley. There's an awesome scene where the bitchy journalist guy from "Never Been Kissed" is dressed up as Uncle Sam and is armed with a flamethrower. It's worth a watch if only for that scene. James Remar is pretty good I guess, although it's hard to tell when he's basically a cackling, moustache-twirling level of villain. But in any case, this movie is a solid effort from writer/director Jason Trost. I'm looking forward to seeing what he offers to the genre world in coming years.

All Superheroes Must Die (AKA Vs) is a very low budget superhero drama directed by Jason Trost. The Premise is a villain (Rickshaw) played by James Remar somehow has removed the powers of 4 superheroes.He then forces them to attempt to save people he has put in harms way using teamwork and their own guile. They have to also fight other villains who still have their powers. This is an OK low budget film. The acting is average with the exception of James Remar who is actually good as the villain. He only appears via a video feed. I Could not get over the feeling this was like a poor mans Watchmen with a Joker type villain thrown in or the superhero version of SAW. Choreography is slightly below average and there are no CGI scenes. Movie is completely character driven with a few action sequences thrown in. Not for the typical superhero crowd but an OK low budget effort for the comic book reader population

I felt compelled to register just to review this "film" This is the lamest film ever. The actors are so bad, its like watching your friends make a lame movie, really its that bad. Plot is ridiculous, actors are terrible, the film has no redeeming qualities. Absolute garbage...... Why do people feel compelled to make movie like this, this is not art, its not entertaining of engaging in any way. These actors are straight out of college drama class. So apparently this review needs to be 10 lines long for me to submit it, so just to recap this film is in an insult to film makers all round the world, its played out and predictable, the actors are terrible the plot is a joke, i feel angry for watching this pathetic movie.

This is one of those movies that needed a bigger budget. Although that wouldn't have helped much either. The story is bland and there is almost no creative ideas in this movie. The fact that the characters in this movie is suppose to be superheroes is almost irrelevant to the plot. The movie "Alter Egos" executed the superheroes genre well. "Alter Egos" didn't rely on gimmicks but a clever and somewhat original script. And even if it's a superhero movie that didn't show much superpowers the story and direction of it all carried the movie. And the interactions amongst the characters. This one on the other hand just relies on gimmicks and fails on every level. The story doesn't make much sense and a lot of things are unexplained and very underdeveloped in a negative manner. The movie has that main character dude from "The FP" which was a alright movie and it's directed from the same director of "The FP". This one on the other hand is a complete disappointment and lacked the creativity and some clever moments that "The FP" had. Lucas Till is also in this but he doesn't really stand out. He should just stick with the superhero role in the "X-Men" movies. The premise is bland with the characters not being likable or developed enough. It's basically another Jigsaw like villain playing games with these so called superheroes. Except Jigsaw is more of a likable villain for someone that is a villain or can be a anti-hero to some. James Remar is alright but he plays a very detestable and despicable villain. If they were going in a direction where they wanted the villain disliked and unclear, they did a fine job on that area. Overall this is a awful superheroes movie that isn't even a superheroes movie. They lacked the budget which is fine in some cases but if they didn't have a good enough idea they shouldn't have even tried.

1/10

What looks like a fascinating concept on paper is executed in villainously poor fashion in All Superheroes Must Die, a micro-budget thriller that twists almost every convention of the oversaturated genre, but is drastically let down by innumerable plot holes, a jagged script and empty performances all round.

Sick to death of playing the speed bump to the good guys and their well-meaning plans, supervillian Rickshaw (James Remar) has knocked out and stolen the powers of Charge (Jason Trost), Shadow (Sophie Merkley), Cutthroat (X-Men First Class' Lucas Till) and The Wall (Lee Valmassy), the town's four resident superheroes. Meanwhile, he has rigged several town landmarks – and many more innocent civilians – to explosives, meaning the heroes have no choice but to play by his wicked rules.

Directed and written by lead actor Trost, the film can never seem to decide between being a serious look at the sacrifices made to be a hero, or a tongue-in-cheek satire of the suspension of disbelief required by the genre. It constantly flexes between sharp, intimate flashbacks showing the closeness of the group before becoming superheroes, and incredulously over-the- top delivery from Remar and Sean Whalen – as side villain Manpower – none of which hit their mark.

The rest of All Superheroes Must Die is a mish-mash of unexplained plot points and unprovoked character turns. The story jumps regularly, giving the impression that a short shoot forced pages to be ripped out of the script at will. And while some films of this nature do a fantastic job of stretching the production value, Superheroes looks every bit like a low budget cellar dweller, doing little to mitigate a collection of lacklustre individual parts, forming an utterly forgettable shell of an intriguing idea.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*

I love the dark feel of the film that was not like your typical "super hero" movie. It seems that some of the critics of this film didn't understand it. Anyone who was a fan of "watchmen" would enjoy and understand this picture.

These characters were not over the top and exaggerated, they were portrayed as real/average people that happen to have super hero problems. This isn't a story that is tied up in a nice little bow at the end, where most Hollywood movies do. This is an edgy story that mirrors the unfortunate reality of actual life. The acting was solid, the directing was clean, and the writing was creative.

Maybe I am guilty of understanding what it really takes to make a film happen, and understand the constraints of time, schedules, and how filmmakers have to often make hard decisions on the fly to make something as big as a film happen.

I still say good job, and I look forward to more.