Un Noël à Broadway

Although overall I enjoyed this movie, once again, Hallmark sacrifices reality for inclusivity. The movie takes place in 1958.

Over all, most of the acting was pretty good. I thought the lead actress is quite talented. As usual, the movie is pretty people wearing pretty clothes, and going to pretty places.

My biggest quibble is that one of the Rockettes is a Black woman who says she has been with the troupe for 10 years. The first African-American Rockette wasn't actually hired until 1988. I realize Hallmark is not the History Channel, but they are trying too hard to "be all things to all people".

In 1977, my wife and I had our first trip to Las Vegas. I can't remember the casino, but I think it may have been seizures. Ann Margaret was performing. We ordered two tickets, and then got to the show only a few minutes before it was supposed to start. We were guided down to the very front, and sat at a table right in front of the stage. So we got to watch Ann Margaret up close and personal. She is a singular talent and it was a pleasure to watch her in this movie.

The chemistry of the two main characters was terrific and believable. And watching the Rockettes was fun. I don't think enough people understand how incredibly talented these women are. The competition for each spot is intense. Loved it.

Hallmark hit the mark again with this holiday movie. A much different story line than the usual Hallmark plot. Focusing on the Rockettes really was a nice change while still developing the relationship between the two lead actors. Both Ginna and Derek were excellent in the movie as were the supporting actors. It was great to see Ann-Margaret, who one could actually believe, was a Rockette! She really looks great. Adding in Eve Plumb from the Brady Bunch was another nice touch. Carolyn McCormick as Maggie's mother was wonderful as well.

Personally, I remember as a child in the '50's seeing the Christmas Spectacular and the Rockettes at Radio City. I know some reviewers pointed out some historical inaccuracies, which you can do in most Hallmark movies that take place in the path, but that didn't detract from this wonderful movie. Hallmark has had some winners this season. Three Wise Men and a Baby, Time for Him to Come Home for Christmas and Ghosts of Christmas Always come to mind. I'll add this movie to my list!

I loved seeing Ann-Margret and Eve Plumb, Loved the vintage costumes and sets, loved seeing the Rockettes, and the story being set in 1957. I even liked the story of a rich girl escaping from her pampered life and following her heart while learning to live outside the ivory tower.

It is a story of following one's dreams, standing on one's own feet, and the power of friendship. It is not the story of what life was really like in the 1950s for non-white people in New York City. In a right-minded effort to correct their past lack of diversity in their movies, I feel, with this one, Hallmark has done a disservice to their viewership and to the truth of the African American experience. It shows an integrated dance troupe with a black dancer who is even promoted over the other girls at the end. In truth, the Rockettes did not have even one non-white dancer until 1985. And she was Japanese. It wasn't until 1987 that a black dancer was famously accepted. As much as I appreciate Hallmark's efforts at inclusion, falsifying history is just wrong and harmful. And I don't think you can just gloss over this situation by glibly proclaiming "It's the Hallmark Channel, not the History Channel!!!". There's a quote about being doomed to repeat history that might apply here. Not to belabor a point, but something similar happened in 2016's A Journey Back to Christmas. In that one, a nurse fresh from segregated 1945 is transported to 2016 and is treated and questioned by a black doctor and interrogated by a black Chief of Police. No incredulity, nor even a blink on her part. What a lost opportunity for a short but dramatic (or comedic!) history lesson! And it would have taken all of 10 seconds and a line or two. Not sure how I would have fixed this one, but even an expository paragraph at the beginning or end about the truth of the matter would have gone a long way toward remedying the problem while still giving a talented black actress a job.

I admitt, I was seduced by this very special, some different Hallmark movie. The first, great, precious and rare virtue is the atmosphere, admirable crafted, from costumes to the dialogue . Second, no doubts, the frame, a venerable lady telling her first steps in dance career to her granddaughter. Not the last, the beautiful acting, offering a sort of innocence of a generation not far by post war idealism , the dreams coming true, the relation with family and the honesty to themselves. And Ginna Marie Mason, like.derek Klena are perfects in their roles.

The accuracy ? Is it real - real important in this case , the story , touching at whole being more significant, for me, than a pledge agains racism ?