Un sort pour éloigner les ténèbres

Mysterious; Dark; Beautiful; Mysterious; Sombre; Mystical; Magic; Realms; Twirling, in the Night; Pulchritudinous; Clouds

The world seeps into a dark somber; a dark cyclone into absolute trinity; tranquility spins... The first moments of nature..

Reflections Water

The first scenes..transportive; and carry it into realms

Enter Utopia

Ash tipped Clouds; Fire..Primal Light & Darkness dance in the sombre

Meandering conversations pursue, profound; why follow paths? We can follow paths to a certain goal, but ultimately it is impossible; why restrict ourselves with rigid paths; predictability. It is not true

The young, old; old nature, old life; young life, old life

Blood red clouds; primal passion The bodies, embrace in Nature

Time is taken here..not rushed.. it is slow; dreamy. Time is taken truly here; it is slowed down; all is calm. As Malick has said, people are rushed to talk in the modern age, and must speak quickly; here, time is in the essence, or merely does not exist.

The paradox; paragon; infinity; center The persona; discusses the trance of the rave, entering the zone, in sync with the earth, and others; immorph into one; metaphysical

Enter Shangri-La

Sunlight, smoke; the decimation of time..

Ancient Poets; ancient powers

Utopia

The time moves slowly..so slow.. A boat; a silhouette on the distant sunrise/sunset; cloud, the sun bleaches clouds..

Distant Distant light against the water...

Animal kingdom

Modernism & Nature Memories of livelihood

The mosaics spin into one...

Eyes; three beads of light Tarkovsky..Fire..House

Fire Fire Triangle Fire Tribal

Screams in the dark The meditative finale..ancient, soul touching...

Chants.. sighs..release; freedom; radical Power Magic Energy

Wildness; release...let go

The pure unmarked naked fury Passion Breath-taking

Our masks, eventually fall away

Lights Intense Emotion

Like a a subconscious wave; an abstract whole rhythm; heavenly, enigma Enter the sync, the trance All heart, soul; electric The insanity Special..

The scene; life changing In that moment, all are connected to life

Nothing mattered; primal; life unleashed Man, Beast? Truthful

It has rendered my barriers naked Transporting; enlightening

Into the vortex

It fills my soul..

A spell, to ward off the darkness

Like nothing before..

Like nothing else..

Oh lord I can't believe I paid money to rent this film. It was an absolute chore to finish, even watching the third portion in 2x speed.

Is there anything these pretentious arty filmmakers couldn't film and then write some kind of blathering "profound" nonsense about? This is the laziest kind of filmmaking. Anybody finding meaning or depth in this film is trying way too hard and doing all of the work on their own.

I'll admit it - I just don't get it! I was totally bored for most of the film. Frustrating and awful.

This film is daunting and made me feel like a complete Philistine. Some of it was a beautiful and unnerving, the hermit or the little blond girl running around in a cardi. The commune part just felt comfortable, some of the hermit part too,since I used to live a similar life in parts of those two,funnily enough my former life also involved the metal part as well.

So in a way the movie, for me was personal and completely freaked me out. I found it invasive and thought, how did you know what i was doing when I was young.

I have often wondered myself lately, maybe I should have stayed doing as i was considering the artificial nature of existence in the city.

Was I having way more fun living in the country roaming around with a massive bearded Latvian dude oft times partaking in small live music concerts but generally just raising metal hell together in a remote shack with massive amps.

I think the answer to the question in the film is SH*T HAPPENED.

the answer to the second question posed by the film would be sh*t will continue to happen because it has happened in the past and keen observers of history will gleefully point out that humans have a bad habit of repeating stupid mistakes.

I think this is in part because of lack of decent historical education but probably in full because of human nature and the time constrictions of the human life span.

Now can the filmmakers please tell me what the film was about, because if the synopsis is correct and it was about spirituality, then wtf there is no such thing.

That is a lesson hard learned.

Find more incoherent rambling at filmstvandlife.wordpress.com

There is a lot I can say is good, even great, about this odd arthouse film. The cinematography is often beautiful, the slower pace makes way for a few genuinely hypnotizing sequences, and, if you don't mind Black Metal, the music is really good. However, there were some setbacks...the main one probably being that I felt the film went on a bit too long. The entire first third of the movie honestly shouldn't be here, it really belongs to another project entirely, and that's not always a problem with me, but I don't find the first third to be all that interesting anyway. There are some fascinating moments here and there, but if only the final 2/3rds made up the entirety of the film, there's no doubt my rating would be higher. The second third follows a hermit as he pretty much goes through his daily life. Not much at all happens, it's extremely slow, but the entire ambient feel of it is beautiful, calming, and visually interesting. Eventually, the hermit goes under a transformation and goes off to perform in a Black Metal band, leading to the film's finale being one half hour long shot of a concert. It's enjoyable to some extent, but it does get mildly dull at some point in its midst; however, by the end of the shot, things start picking up speed and, in the end, the film is mostly effective.

First of all, let's get one thing clear: this movie is not about Scandinavian Doom Metal as the previous reviewer puts it. Hell, even I'm not sure exactly what this film is exactly about - but what I know - the last half an hour consists of pretty decent Shoegazing kind of Raw Black Metal.

Not the satanic stuff, mind you. Yes, there are healthy dosage of different themes explored in Black Metal, besides the traditional anti-religious stuff.

So, that being said, the only giveaway of this later section of this enjoyable film is the title font and the end of the movie itself. Other than that the movie hides it's Black Metal and portrays a mellow lifestyle that's somewhat slow, somewhat woody and somewhat butt-plugged. Yeah. Somewhat even Hippy. And yes, here they are - terms "Hippy" and "Black Metal" put together in one review, in a complimentary sense.

This movie will be shown at an open-air cinema festival in Latvia. And I'm wondering - how many clueless people will soil their pants at the end of the movie? How many people will just walk away from the las 45-or so minutes of the film? How many people will feel that they bought tickets for the wrong film?

And how many people will just head-bang the living crap out of their necks, when the tremolo picking and blast-beats kick in? A fun pieces of thought to entertain.

Overall - this is a different kind of documentary that deals with themes common in Black Metal (except the lively Hippy stuff). It's very slow, deliberate and in times - funny as the concept of Hell itself.

It depicts various things.

It depicts a group of people living in a friendly and philosophical community. It depicts some gorgeous forest scenes in those slow and moody scenes.

And it depicts a man that lives in this community, that enjoys the woods somewhat more that the average person does, and this man happens to play in a Black Metal band. You can't go wrong with this combo!

An interesting combination of elements, and therefore an interesting film to watch.

7/10 easily.