The Double
- 2013
- Tous publics
- 1h 33m
The unenviable life of a government-agency clerk takes a horrific turn with the arrival of a new co-worker who is both his exact physical double and his opposite otherwise--he's a confident,... Read allThe unenviable life of a government-agency clerk takes a horrific turn with the arrival of a new co-worker who is both his exact physical double and his opposite otherwise--he's a confident, charismatic ladies' man.The unenviable life of a government-agency clerk takes a horrific turn with the arrival of a new co-worker who is both his exact physical double and his opposite otherwise--he's a confident, charismatic ladies' man.
- Awards
- 1 win & 11 nominations total
Featured reviews
As if this was not discouraging enough, a new colleague joins who is identical to you in appearance but has the completely opposite personality.
A smart telling of the Dostoevsky novel about a person who has the capacity to tolerate everything but his own double whose existence causes him a dilemma: continue to silently tolerate everything or change and adapt.
Perhaps not the easiest of movies to watch but its quirky wit and creative cinematography will win you over.
The lighting, the sounds, the camera shots are all wonderfully done, setting a disturbing and unsettling atmosphere that gently but with increasing urgency begins to throw a blanket of latent claustrophobia across characters and happenings. We witness curious incidents and are left to guess their significance, our hero reaches out to the girl but is beaten to the jump by....who exactly?
How much of what we see actually takes place is questionable. How much some of the latter scenes make sense even more so. Yet, as it twists and turns towards the denouement, I found myself gripped and engaged to an uncommon degree. It is a difficult movie as it winds up, no question, but I find the notion that anyone feeling suicidal needs warning before viewing as slightly hysterical.
On the one hand, this is an easy film to describe, whether you reference the source material, or your talk about the doppleganger and what it might be like to find one has a double. Yet on the other hand, it's almost impossible to sum this up after one viewing, as there felt like there are so many little bits and pieces that suddenly reveal themselves to your eyes and ears. that you're forced to think about going back to sit back through it again. The question is, which one of you will go...?
If this had a better ending to tie it up then it would have easily been an 8+
The Double takes you for a real ride. It's effective at making you feel a sense of non-stop stress and dread, while remaining very engaging. You feel like you can't look away without missing something right until the end.
The atmosphere is great, portraying a truly bleak, dystopian nightmare. The set design is really interesting and has a unique vibe. The work they do at the company, and many other things about the world in general, is vague in a way that they really pull off to build an effective tone.
Unfortunately, I felt the ending was unfulfilling. The ending itself is fine enough, and some of the stuff they introduce there is cool, but it doesn't feel like a real conclusion. It didn't wrap up as nicely as it seemed like it was going to, and when looking at it closer there's a lot of tough logical holes. When discussing it after there was lots of "but if *that* theory was right, then *this* thing wouldn't have happened" and it just didn't seem like any one narrative fit correctly.
Overall, I really liked the experience. It was very cerebral, very weird, and very "interesting" (in it's own bleak and unexciting way). I enjoyed it all the way through, but was let down by the ending not being fulfilling enough.
"Submarine" was cute, but this is the film that definitely makes Ayoade one of the most promising directors nowadays. Can't wait to see what he's gonna do next.
I am not familiar with Dostoevskys book but this adaptation from Ayoade was really more like Kafka. A bizarre story set in a bureaucratic, soul-less environment where humanity tries to come out like a flower through concrete. Or as an obnoxious douchebag.
But the memorable Brazil-like imagery aside it's a few degrees too weird and loses you a bit.
Did you know
- TriviaThe piano motif throughout the film comes from the song 'Der Doppelgänger' by Franz Schubert; the words to this piece tell the tale of a man and his evil twin.
- Quotes
Simon: I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me.
- ConnectionsFeatured in Film '72: Episode dated 5 March 2014 (2014)
- SoundtracksAkasaka Rain
aka "Ameno Akasaka"
Written by Jun Hashimoto, Tsunaki Mihara
Published by Watanabe Music Publishing Co. Ltd (c) 1968
Administered by Fairwood Music (UK) Ltd for the UK & Eire
Performed by The Blue Comets
Licensed courtesy Watanabe Music Publishing Co. Ltd
Administered by Fairwood Music (UK) Ltd for the UK & Eire
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- El Doble
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $200,406
- Opening weekend US & Canada
- $14,646
- May 11, 2014
- Gross worldwide
- $1,662,515
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1