NYC 22

I watched all the episodes and find this series very "cheap" in production. I did see a few cameo's by some legends but that obviously wasn't enough to keep this show afloat. Lt. Shea from the series "Rescue Me" has a role here as a hostage negotiator but his character is down played by Lee Lee's character in a scene. I believe the budget was too short, the characters besides Adam Goldberg are horrible actors. The whole basis of the show is a big question mark??? Its so fake... just so fake that you can't stand it. If this is what the studio's in NYC are producing I can see why the industry is faltering and moving elsewhere.

I haven't watched a TV cop series since Hill Street Blues, but I made a point of watching the premier of NYC 22 when I saw that Richard Price was writer/producer. I think highly of his writing and have enjoyed his novels very much.

The series has a wide variety of rookie cops which keeps the pace of action interesting. I appreciate the lack of shaky cam and the fact that every street they show in the series hasn't been recently wet down. (Not a cloud in the sky and it just rained? A pet peeve of mine.)

Yes, there were a few scenes that were groaners. Plus some obvious paint by numbers plot points and character choices that must have looked good on paper, but you do what you have to to get a series on the air I guess.

There's some good humor in the writing and the show has a good balance between character and action which is why I went on to watch the second episode and will keep watching the remaining 10 and hope it gets renewed. So far I think it's definitely worth a look.

NYC 22 This is a brand new show, only have watched one episode yet, how can i write a review on it already you ask? its IMDb, I'm not a pro, get over it.

The show at first didn't interest me, the misses turned it on and i watched it. At first i was like "meh, its going to be a csi, criminal minds, ncis crap show again". Well, I was wrong in this assumption. Not only did I enjoy meeting the characters and getting some back story on them, I was also shocked to see some really good actors in it (Lazarus and Yoda for starters). Yoda who was Tim Mcmanus in OZ was a huge surprise for me, granted i feel his character is the same one he portrayed in OZ, i am glad to see him again, great actor.

Anyways, the show is not a regular looking cop show where something bad happens and then when there's 10 minutes left we magical catch the bad guy, at least it doesn't appear to be that way, who knows what next week will bring, however, I will be there to find out.

For years I have not seen on TV and a real good series about cops on the street. When I saw the pilot episode, I fell in love in the series. In this series there is no political correctness that has ruined many a series of police. The series follows a group of young officers who were suddenly thrown into the real world. Colleagues who do not like them, rough areas, each of the young police officers has a story that appears in the series. Although there are a couple of clichés, the series was really great refreshment on television.

Message for writers and producers: - Proceed as in the first episode. - Do not turn this into a series of quasi-drama for the housewives - I do not want to go deeper into the love stories of police officers - We want to see their lives and work on the street - Display their private lives just to have as much to do with their work in the police.

Good job, keep going!

Though i liked the pilot, the last three episodes have been on a descending slope; oh, hasn't The Killing thought me anything? Well apparently not because i just dedicated a whole day catching up with NYC 22's last outings and i'm noticing more and more of the same: this is purely a "fantasy" police drama.

Now experience tells me that Fantasy and Drama don't normally go well together and there you have it, my review of NYC 22. too many weird, unrealistic things happening which completely befuddle you into thinking, "is this a serious show, i am watching, or complete rubbish?"

Rookie cops defusing bombs, radios that malfunction, specialist jobs being assigned randomly, such as investigations or detainee transport .. these are not beat-cop jobs, and have the writers really run out of ideas after four episodes? If you are going to center your show on rookies then you have to come up with rookies-related stories... other stuff won't do.

So, it's not really horrible, but we've already got CSI for those times when we want a completely unrealistic show and no thanks, we don't need one more, especially when it's this slow.

My vote, a forgettable 5/10