Gianni et les femmes

After Mid August Lunch, another little great movie by Di Gregorio. In this second film, the mise-en-scene has become more mature, as also the structure of the script. The realism of the acting and dialogs are the same of Mid August Lunch, giving freshness and comic reliefs to the story. The plot is about a 60 years old man who suddenly understands he's become "transparent" for women, simply they don't look at him in "that certain way" anymore. But this is the surface of the movie, the funny "hook" of the storyline. What really matters to Di Gregorio is something else, something deeper, related to the loneliness of a man facing old age. So sometimes the film takes a different way, turning from the comedy for a moment, with beautiful flashes of melancholy and bittersweet fatalism which reach levels of great cinema. The Salt of Life suggest the birth of a new author.

Lately I've come to appreciate small, intimate movies that are in the 'slice of life' style. This Italian gem I recently sampled is a worthy example.

The eponymous Gianni is a retiree in Rome, somewhere on the long end of middle-age. His wife still works, thus he is sent off on various domestic errands during working hours, and this he is content to do. Then there's his somewhat confused daughter and her equally shiftless boyfriend who has moved into their home. There's Gianni's rich, demanding mother who has him at her beck and call. And then there's his friend and peer Alfonso, a rakish lawyer who attempts to get Gianni off the straight and narrow and into the fast lane of late-age sexual/romantic dalliance.

Now this straight and narrow as it were, is very much Gianni's choice. It's just that he has reached a point where he is seemingly invisible to the young women around him. Invisible and inaudible. He is touchingly earnest in his realization, accepting it with a kind of shrugging melancholy. But he has the persistent Alfonso who keeps nudging him away from this acceptance; even if we don't know if Alfonso is actually successful with the young women himself.

And there are a few very beautiful women around poor Gianni. First, the downstairs neighbor, a hazel-eyed sprite who flirts with him relentlessly, turns out to have passed off her dog-walking duties on him. Then the identical blond twins, Alfonso's clients; Gianni's mother's caretaker; another woman who is an old flame, and yet another who is an old acquaintance: they make up the rolls as he shambles around amiably trying to see where he can get.

Read full review at http://devikamenon.blogspot.com/2016/06/foreign- movie-Friday-gianni-e-le-donne.html

I loved Mid August Lunch and like this movie even more. De Gregorio creates fun light "plights of daily living" comedies. They are entertaining fun and enjoyable.

In this movie Gregorio (who writes directs and is the protagonist in these movies) is having a mid life crisis...he has retired and thinks his life will become fuller if he takes on a mistress---he finds out unbelievably that a much older man who sits with his friends out on the street in front of his house has done this very thing. Of course he is thwarted in this quest and that is where the humor lies.

This is wonderful light amusing life situation comedy.

This movie is actually a little slicker and better filmed than Mid August Lunch the story a little more involved.

RECOMMEND HIGHLY

Saw - and enjoyed - this Italian comedy drama recently at our local Arts Centre film club. This rich slice of late middle aged Gianni's (Gianni de Gregorio, who is also the film's director) life is one of being ignored by his wife, avoiding his eccentric mother and being jealous of all his friends who seem to still have what it takes with the ladies...

Modestly staged, filmed mostly in one cramped town house and with a script that seems at times to be ad-libbed, there's a certain enthusiasm about it all, a relish for life and one of wishing for the finer things in life.

Subsequently, he tries to chat up the ladies but the smallest of obstacles upset his plans, including his mother's thirst for innocent (but costly) gambling with her friends. One of the comedic highlights is when Gianni is told that a little blue pill is all he needs for an invigorated love life - and he doesn't realise exactly how that might come about. It's tastefully done, I have to add!

Seemably using much the same cast as he did with 'Mid August Lunch' Di Gregorio keeps it 'in the family', low key and undoubtedly, cheap.

This little film won't pick up the awards at Cannes and can seem just a little disorganised, but its quiet charm warmed over all that went to see it, including me. Recommended as something a little different and not too heavy, not too long either - suitable for the older generation, too. Also, a good alternative to a trashy rom-com if you're renting.

Being someone of a similar age, & in a vaguely similar situation, I felt very sympathetic to the central character. But it just wasn't enough. I love gentle, wry comedy, 50s films such as The Ladykillers being among my favourites, but there was always something else, something more darkly comic & sardonic going on beneath the surface of such films.

This was a pleasant film, but slight in the extreme; full of commonplaces, all performed with a sigh & a shrug of the shoulders, his friend was a stereotype, so were the girls, he seemed to have no real interest in anything. The only thing which made me laugh was the wheel spinning nuns. And I really couldn't see the significance of the ending.

There are worse ways to kill a couple of hours, but life, as the lead character evidently knows, is far too short for that!