The Friend

Watched the Friend at NYFF among an appreciative and applauding crowd. It is a multi dimensional story of grief where we don't know whether the human is supporting the animal ot is it vice versa.

We try to understand Walter's character thru interactions of his near and dear ones. Iris is a complicated character poignantly played by Naomi Watts.

But at the end it is Apollo who helps everyone find their way in life.

The backdrop of NYC where the story is based also shot was amazing. It has its own character as Iris and Apollo go thru their daily life among the teeming millions.

Finally a great shoutout to the dog playing Apollo. One of the beat animal acted movies.

I went in expecting a sentimental story about a woman and a big dog, and while that element is definitely there, The Friend surprised me with how layered and restrained it was. Naomi Watts gives a really thoughtful performance-quiet, a little distant, but grounded in real emotion. And Bill Murray, though only present in flashbacks and memory, adds a lot of warmth and depth to the story.

What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.

The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.

Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.

This movie is about writers, but the real interesting part is about the dog and the part he plays.

Bill Murray is Walter, he is jogging one day in Brooklyn, along the river, when he sees this Great Dane, Apollo, sitting alone on a hill with no apparent collar or identification. Apollo becomes Walter's companion.

One of his close friends, and formerly a bit more than that, is Naomi Watts (who also is Executive Producer) as fellow writer Iris. She lives in a small, rent-controlled apartment that doesn't allow dogs. At least not yet!

So, right after Walter's untimely death everything points to Iris as the new caretaker of Apollo. This presents a number of difficulties that drive the rest of the story in this movie.

My wife and I watched it at home, on DVD from our public library. It is a refreshingly good movie, in this day of mostly mediocre movies. Watts and the dog are both very authentic in their roles.

This film really should have been a slam dunk, but somehow it manages to be overly long, barely sentimental or emotional, and lacking in any real connection with the characters.

The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.

As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.

It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.

• Watched at the Toronto International Film Festival (TIFF) on Sep. 11th, 2024 (First Watch)
• Format: Regular theatre

The story doesn't know what direction it's taking, which is why at most times it just keeps going on and on which feels like it's never ending and here comes the part where the watcher will feel the long and heaviness of its runtime which is not even long but it seems like that because of the slow and sometimes boring rhythm that the story has.

The dog is for sure the best part of the film. The way it was trained to showcase these emotions and use its body language to tell something is very impressive. I really didn't like the way the story approached Bill Murray's character as it felt very useless. The film to me is more like a story between a dog and a grieving person and not about a suicidal writer who died and left out a dog. It felt very chaotic in this aspect and it could've easily gotten more in depth in terms of this topic or showed a flashback that will support Bill Murray's character. Other than that, nothing more special but overall, a cute and warm film to watch!