The Friend

I Cannot understand why this movie got a lot of negative reviews. It's idea was pretty understandable after the get go and the developments were also pretty predictable, but it is a movie with a lot of hurt. And one big Danish dog, with such sad eyes.

I liked the duality of the friendship in this movie. From one side Iris lost her best friend and she is chasing his memory through several channels. From the other side, she got another friend instead. One that doesn't need to talk for expressing his feelings, but you can understand exactly what he means, without even opening his mouth.

The details reveal slowly and after all layers are peeled, we are staying with a woman and a dog. And a problem. The twist almost doesn't exist, actually, but the movie's heart is in the right place, and it still manages to get his audience to get excited and maybe even weep.

Bill Murray is almost nowhere to be found, except in the poster of the movie, to attract the attention of potential audiences. But after reading the accusations about him, probably would be better to remove his figure from the movie's poster and leave the stage to both actual main heroes of this movie.

Naomi Watts is absolutely fantastic in this movie. What a comeback after a long time without any good projects, which she had participated in (Penguin Bloom was the last time she had a good performance - it was in 2020). She is accurate and very convincible in a role that is not so easy to perform.

Constance Wu, Carla Gugino and several other fine actors and especially actresses are participating in this movie, that is not any massive news to drama genre, with sub-genre of man's best friend, but it is definitely a good one, that is worth watching.

I really enjoy Noma Dumezweni in everything I've seen her in, and she was just as great here. The cast overall was surprisingly stacked-so many recognizable faces, and I kept having those "Oh hey, it's that person from..." moments. Everyone delivered strong performances, even the Great Dane.

We learn a lot about Bill Murray's character through the dog. Choosing a Great Dane was a smart move, there's something about that breed's presence that made the conversations around Walter and who he left the dog to feel more substantial. I don't think those same scenes would've hit as hard if it had been, say, a small poodle.

I'm not a huge dog person, so I imagine dog lovers might connect with this more. That said, I liked that the film didn't lean too heavily into sadness, despite being about grief it didn't feel too mopey. Still, I didn't feel particularly moved by it. Emotionally, it didn't hit me, but I thought it was fine overall. It's not just a story about a dog; it's also a quiet reflection on friendship, loss, and how people cope. The first half has some genuinely funny moments too.

The pacing is slow, and it doesn't really build to a traditional climax. It just sort of ends in a way that feels... fine. Not underwhelming, just gently satisfying.

During the Q&A, it was fun hearing the director talk about what it was like working with a Great Dane. I wish I had gotten to see the dog myself, but apparently, it's still adjusting. Maybe the folks attending tonight's or the Saturday Q&A will get lucky, would've been cool to see just how big it really is in person.

A classic definition of a "guy flick" is one in which many people die very rapidly - the corresponding definition of a "chick flick" is one in which one person dies very slowly. "The Friend" is a variation on the latter theme in which a major character (Murray) dies at the outset of the film, and most of two hours is spent depicting how his widow, his ex, his daughter, his dog, and his best friend/protégé/ex lover (Watts) and the dog Apollo (a gigantic Great Dane) slowly come to terms with that death. The production values are excellent. The acting is magnificent. The pacing is tedious. Seeing it once was more than enough.

I went in expecting a sentimental story about a woman and a big dog, and while that element is definitely there, The Friend surprised me with how layered and restrained it was. Naomi Watts gives a really thoughtful performance-quiet, a little distant, but grounded in real emotion. And Bill Murray, though only present in flashbacks and memory, adds a lot of warmth and depth to the story.

What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.

The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.

Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.

This film really should have been a slam dunk, but somehow it manages to be overly long, barely sentimental or emotional, and lacking in any real connection with the characters.

The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.

As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.

It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.