Girls Attitude: Modes d'emploi

Girl in Progress revolves around Ansiedad (Cierra Ramirez), a young adolescent with a mother too busy juggling two jobs and dozens of relationships to give her attention. One day at school, young Ansiedad - who goes by Ann, most of the time - learns about "coming of age" stories from her teacher. She becomes instantly inspired, researching anything and everything about them, and finally memorizes the formula well enough to make an attempt to have her life follow the basic route of one of those stories. She posts all the clichés like "excel at something geeky," "become the bad girl," and "dump best friend," who in this case happens to be the overweight Tavita (Raini Rodriguez).

Ann's mother is Eva Mendez's Grace, a very conceded, uninvolved woman of many low qualities. She got pregnant at seventeen, was kicked out of the house by her strict mother, never got married, and spends time dating numerous men. She is mostly absent while Ann embarks on this conquest, only turning up to vaguely question her daughter's recent behavior, before going back to doing what she was originally doing. But hey, this is a coming of age story, so I guess it's just following the rules. Right? Grace is also dating a married gynecologist (Matthew Modine), spending more time with him than her daughter, so I guess maybe it's best that Ann seek out other people to influence her besides her mother.

We've all seen this idea before. The only difference is we've seen it with more heart, energy, and self-awareness than this film has to offer. There are films like Easy A and Juno, that inject themselves with witticisms and insight into the teenage life, never mocking it or festering in clichés, but satirizing the clichés commonly utilized in modern-day coming of age stories. Then, there are those rare and unpleasant experiences like Girl in Progress that simplify the core story here; the complex relationship between the mother and the daughter. We see the daughter spend the entire movie going through this tireless phase of rebellion and we see her desperately try to win back her mother's attention away from her countless number of boyfriends.

The picture's main flaw is it lacks a single compelling character that we feel for and want to watch for more than just a few minutes. Ann is a spoiled brat who often goes undisciplined (and I simply can not forgive her for being an adolescent and being hormonal - maybe if she packed more of an urgency than just, "I want my mom to notice me" perhaps I could've), Grace is the kind of mother I'm blessed to not have, and her boyfriend is faceless and unimportant in every way.

This is what you call "a big screen sitcom." Instead of making a film centered truly depicting the lives of teenagers with interesting, redeemable qualities, the filmmakers of Girl in Progress seem to believe it would be more fun to make a film centered around depressingly bland teenage conventions set not for the big screen but more for a Television movie network. The first act is instantaneously stale, the second doesn't fair much better, and the third act concludes with a mechanical exit that feels over-plotted and under-executed. Perhaps if we had a character that was at least in some aspects likable, this wouldn't have happened.

NOTE: Girl in Progress was released on Mother's Day weekend and was marketed as a film for mothers and their daughters to see. I can only imagine the awkward, unprecedented bleakness such a well-meaning move probably played out. There are better films that tackle the same struggle of adolescent confusion. I'd start with Catherine Hardwicke's Thirteen and go from there.

Starring: Eva Mendes, Cierra Ramirez, Matthew Modine, Patricia Arquette, Eugenio Derbez, and Rani Rodriguez. Directed by: Patricia Riggen.

Loved the idea of this movie and what it was mostly about, but must say this movie totally lost me with it's overuse of the word retarded. I really think society today knows better than to incorporate that derogatory word in the media. There is no purpose. Shouldn't we be eliminating that word from our vocabulary, nor encouraging the use of it? What talented writing; there is no reason for this! Beyond that, movie was great and different from anything I have watched in some time. Interesting story about a young girl trying to find her way without a true mother figure and the struggles she goes through. Very good depiction of a rough adolescence and makes you laugh cry and sympathize with the trials and roughness of this age.

Ansiedad (Cierra Ramirez) is tired of her irresponsible mother Grace (Eva Mendes) especially her affair with the married Dr. Harford (Matthew Modine). Her only friend at school is Tavita (Raini Rodriguez). After a lesson from English teacher Ms. Armstrong (Patricia Arquette), she decides to perform her version of rites of passage. She befriends bad girl Valerie (Brenna O'Brien) and dumps Tavita. Her ultimate goal is to lose her virginity to bad boy Trevor (Landon Liboiron) and run away to NYC. Grace's boss Emile (Russell Peters) is looking to cook at the Crab Fest competition but he's reluctant to leave her in charge of his restaurant.

The concept is interesting. It kind of reminds of 'The To Do List' except Ramirez is a real teen. I expected this to be a comedy but then it takes jarring turns into dark drama. The production by Mexican director Patricia Riggen is TV level with some good actors. Patricia Arquette showing up surprised me a little. I like the characters in this movie but I couldn't get a handle on its tone. It seems to be a light kid's movie at first but then it throws some very adult situations.

Girl in _Progress is actually a very simple, straightforward story about a young girl doing her best to cope with her own adolescence as well as her not-much-older mother who, in actual fact, is doing almost the same thing. Due to her history (harsh, non-understanding mother), Grace (Eva Mendes), is desperately trying to find the love that she didn't get when she was Amiestad's age - and why shouldn't she?

I suspect that this movie is a lot closer to real life than a lot of viewers realise. Teenagers forget that their parents have given them the very best years of their lives form the time they were born right up to the time they think they know everything - and then some more! Fortunately Amiestad realises this a lot sooner than many kids her age but not before hurting her bet friend unforgivably (even though her best friend DOES forgive her!)

In this film, mother is only about 34 or 35 and still a beautiful woman who has the very same needs as her daughter - although her daughter (initially) totally fails to recognise that fact. Like many teenagers, she thinks that the world revolves around her - but it doesn't and, at least in this movie, she finds out before it's too late.

I would suggest that this should be compulsory viewing for all adolescent kids but I fear that, in a lot of cases, they would shrug their shoulders and just say, "Whatever!"

As Ned Kelly said when told he was to be hanged at ten o'clock the next morning, "Such is life!"

For those who remember Cher and Winona Ryder in Mermaids and liked it, this is an updated Hispanic irresponsible mother and cry for help daughter comedy. There are some laugh out loud moments. The drama and comedy don't blend that smoothly as hoped but overall it's a cute story.

The performances are good. Eva is funny and touching. She is a great comedienne and very convincing in the more serious moments. It's nice to see her in a real latina role speaking Spanish. She is believable showing blue collar struggles - much more than Jennifer Lopez.

Strange casting of Matthew Modine as the married cad who romances Eva's character. He is usually the good guy so it's a bit strange to see him in the role.

Overall it isn't has polished as Mermaids but it's worth a watch.