Admission

Admission will make any Tina Fey fan very happy. She's at her best, displaying her very unique style of comedy so well, that you'd think she wrote the script. Paul Rudd might not be at his greatest but he definitively plays his role well. Wallace Shawn is excellent as the dean of admission with just the right tone. Lily Tomlin is also very good, as a very unique mother.

Nice humor, nice pace, good ideas, and just a little silly.

The main drawback is that at time, it feels a bit light. Some of the plot items could have been delved a little more to get a better perspective.

Overall, it's nice entertainment.

Admission is the latest Tina Fey vehicle and the end result turns out to be a charming and rather likable comedy. Granted, some parts are rather bland and contrived which you can thank the screenplay for, but the charming actors, subtle direction, and an interesting story is able to elevate this movie to be the charming movie it is.

Paul Weitz directs a film about an overworked Princeton admissions officer named Portia Nathan who on her recruitment trips, meets the highly intellectual Jeremiah takes to the help of an old college classmate named John. Against all odds, she decides to do what she can to get Jeremiah enrolled in Princeton despite his high school mediocrity.

As mentioned before, this film has very likable actors and the chemistry fluidly bounces off with each other. Tina Fey is great and she reminds me of her role as Liz in 30 Rock. Paul Rudd is the perfect man for her because of his charm and he was excellent. Nat Wolff as Jeremiah is very sweet and has come a long way since his Nickelodion series. Finally, I loved Lily Tomlin's character as Tina's mother because she was a hoot!

Overall, Admission was destined to be a so-so movie, but it wasn't so in my eyes. It's not a laugh-out-loud comedy but it's not meant to be despite a few moments when I chuckled. There is a fair amount of drama and romance here to be effective. It's a small movie, but I had a good time with it. I rate this film 8/10.

"Admission" was billed as a comedy, too bad it's not. Even when we're introduced to Portia (Tina Fey), I still couldn't figure out what type of comedy they were going for. There just doesn't seem to be any inherent comedy in the university admission process. But when Portia accidentally kisses high school director John (Paul Rudd), it finally becomes clear that this is in fact a romantic comedy, a dramatic romantic comedy.

The actors were definitely in their element. Tina Fey's Portia was the professionally-minded business woman who only kind of wanted it all. She wanted a promotion at work and to read poetry in bed with her British boyfriend Mark (Michael Sheen). I know what you're thinking, the perfect 30 Rock reunion. But, no. Mark is not Wesley Snipes, and their relationship isn't hilariously bad, just sad. But then Paul Rudd enters the picture incorporating the best of a country bumpkin and a privileged rich kid. He was irresistibly charming with that dimpled smile and those sparkling green eyes.

There is a plot. John introduces Portia to her son whom she put up for adoption and who now wants to attend Princeton. Portia has to figure out if she's ready to be a mother and if Jeremiah (Nat Wolff) should be accepted into Princeton. It's not a bad story, just not a particularly funny one. The characters are all good characters so they hold our interest despite the lack of substance to the movie.

The laughs are hard to come by, but if you're thinking in terms of a dramatic romantic comedy, then that shouldn't be too surprising. The lack of laughs is a detriment to the comedy this supposedly is. But as I said, the characters and actors are good. And if you really connect to Portia's predicament, then we have a nice little mid-life crisis turned coming-of-age flick. But that's going to be a small audience. The actors luckily have fans, and deservedly so, they have arguably never been better on the big screen. Depending on your love for Rudd and Fey, "Admission" is probably best left on the wait list.

The amusing Admission is the first successful comedy of the year and a reasonable look at the admission process for an elite college--Princeton. Tina Fey as Portia and Paul Rudd as John turn in pleasant performances as an admissions executive and a progressive school teacher respectively. Rudd is amiable here and usually successful in his film career, while Fey's efforts up to now have been mediocre (Date Night, Baby Mama).

As an Alumni Admissions interviewer for over 30 years at Georgetown University, I find much of the story ringing true from the overachieving candidates nurtured by ambitious parents to the underachieving but brilliant and risky individualists. Portia must struggle with the boxed-in role of continuing the Princeton tradition (read stereotypes) or breaking away to push for a student who calls himself an "autodidact" with low grades but perfect scores on achievement tests for courses he never took.

Amid the plot's fierce applicant battle for a slot, Portia and John dance to the usual romantic formula of disliking each other to . . . Well, you know the drill. However, it's their reactions to the admission process that provide the authentic tension as he has developed students with independent minds, and she is used to the cookie-cutter candidates who lack the passion of those independents.

Director Paul Weitz knows something about family dynamics and children with his About a Boy, In Good Company, and Little Fockers among the more obvious examples. Signing up Lily Tomlin to play Portia's feminist mom was inspired; like the ubiquitous aging Alan Arkin, Tomlin should now have plenty of work.

Admission requires no small amount of sympathy for the messy business of growing up and getting ahead—Weitz navigates the vagaries of family ambition well. If the double-meaning of the title seems too precious to you, don't worry, the rest of the story is almost unambiguous.

Although Admission is mostly about applicants to an upper-tier college, it also poses the unethical means some might employ to gain entrance. Even Portia is not blameless, a touch I found in the film's favor while it deals with the unreal segment of our population smart enough to be considered for admission.

i actually do think that the film was more of a drama than a comedy. it was surely not the type of the film i expected before i watched it. Since it had Tina Fey and Paul Rudd, i surely expected the film to be either similar to Date Night or This is 40. But the film was quite different from those two in a good way. it was such a joy to see both of Fey and Rudd acting in a more drama- like comedy without all of the exaggerating acting. Although for me it did seem that Tina Fey's performance was a bit constrained it was still quite nice to see her portray a role which was just a normal person which we encounter every day around us. Paul Rudd also gave a quite lovely and warm performance in portraying his character. The film was not a crazy comedy full of jokes, but rather it was a decent more drama-like film which encouraged people to start taking responsibility for what they do and have done.