Skew

In the wake of found footage greats like Paranormal Activity, Grave Encounters, REC., Cloverfield etc. a movie like Skew automatically makes you have high expectations for it and be extra critical of it but I can thankfully say that Skew came pretty darn close at being in their league. The movie does have a pretty slow build up introducing us to three friends Simon, Rich and Eva on a road trip to a wedding, everything seems fine and dandy but tension soon builds when Simon starts seeing strange and unexplained images in his video camera that he brings along that makes faces of strangers that they encounter on the trip distorted and soon after tragic accidents involving the strangers that they meet occur. This movie has suspense throughout and an involving story filled with twists that will have you guessing and scratching your head til the very end but that is the film's major problem that there is more questions than answers and is one of those films that makes you come up with your own conclusions which I hate and is a shame because this movie had so much potential but the story seems unfinished. There are a few scares here and there and a lot of creepy and chilling scenes but nothing major enough to make you lose sleep over it but this movie is mostly story/character and suspense driven but then again an unknown movie with unknown actors and a limited budget it's pretty darn impressive and a gem even though it needs a little bit more polishing and fixing up the loosen ends. Overall it's like The Blair Witch Project meets Shutter meets Final Destination without the gore meets Tape but without any true, memorable scares and too many plot holes it makes you think what could of been especially with an intriguing and unsettling premise but it's definitely worth a look with patience and an open mind and low expectations. 6.6 out of 10

This is a low budget horror film. Plain and simple. But man, is it good. I never even heard of this film until I read some reviews about it on the net. Some good, some bad. So I was a bit hesitant to watch it but was pleasantly surprised. The thing that grabbed me was how smart it was. It didn't dumb things down for the audience and that's what I liked about it. It really made you think. It has an ending that leaves you hanging so I did some research and am sure I figured it out. The other thing that is pretty cool is the twist on this found footage thing. Skew is definitely not a found footage film. I went in thinking it was but when you hit a certain point in the film (which I can't really say as it may spoil it), you realize it isn't. First impulse was to say this film blew it because it doesn't follow the rules of found footage (like music) but when you realize it's not, then it totally makes sense. The film is slow and the scares are sparse, but that's not what this is about. It's about getting freaked out and being nervous - which is exactly what I felt. It's not fast-paced like some of the new horror films (which quite frankly aren't scary). It goes back to the route of what's scary and I like that. Don't be thrown off by the haters out there. The film is good and well worth your time if you want to turn your brain on. If not, go see something more mindless.

I usually like found footage movies but this one is a complete piece of nonsense, thanks to a very badly written narrative which leaves the viewer mired in a confused mess. The storyline involves a trio of friends going on a road trip and bringing along the inevitable video camera. After the slow first half, where we're introduced to these not very interesting people, the horror finally kicks in - what there is of it, anyway.

And this is where the film falls apart. There are dodgy ghostly visions of people and some of the characters go mad, but no real explanation is made. It's like there are a few events, spaced out, and a lot of ominous doom-mongering, but in the end little has really happened. I hated the incessant problems with the video camera which are vain attempts to make the whole thing scarier. It doesn't help that you actively dislike most of the main characters as well. I'm sorry, but the writer/director's refusal to provide clear explanations made me hate this one.

I first saw Skew at the Mississauga Film Festival. This is a psychological thriller/horror film that has found a new voice in its "found footage" sub-genre. Skew kept me wondering and waiting for more. The acting is good. The character of Eva is especially strong, haunting the audience with her wide eyes. The effects are subtle and work well in the grainy home video 4x3 ratio. Sometimes the scenes felt a little too long, but there were enough scares that I was compelled to see it again when I was in Manhattan for the Manhattan Film Festival. This second time I concentrated on the story and picked up on clever plot points that I missed or didn't seem to matter on my first viewing. Pay attention, this film is coming from a new direction that will side-swipe you.

There really isn't a whole lot to say about Skew. The entire film is a budget PoV single camera piece in the same style as the Blair Witch Project. While the Blair Witch Project did has some generally creepy scenes, Skew really does not. What it does have are a lot of dead scene that drag on and on.

The plot is centered around a camera which seems to be able to mark people who are about to die. Only the film's protagonist and cameraman, Simon, can see the blotches which obscure the faces of those about to be killed. Once it becomes apparent to Simon and his friends that something is terribly wrong with the camera, a considerable portion of the rest of the film are just scenes where Simon's friends try to get him to stop filming and Simon makes really lame excuses to keep filming.

The film isn't even 90 minutes long, but I wasn't even half way through it by the time I started to feel like it was just dragging on way too much. To cap it all off, there's a lame plot twist at the end which most people will see coming from the start of the movie. Yes, it's that predictable.

The only thing that I find interesting about the film is that fact that it's quite short yet drags on and on, making it seem like a much longer movie. I don't know if this originally started off as a short film project, but I feel like that's the only way it ever could succeeded. Cut out a solid 50 minutes and make it a short film. It might be more watchable then.