Un jour de chance

Mmmm , What can I say I'm huge fan of Alex de la Iglesia and love in some way almost every film he has made , some more than others of course but at this moment , I was expecting something amazing ; more even after seeing his last film beautifully crafted and visually stunning with an over the top ending but that's something I have learn to accept and even like on his films , I'm talking about The Last Circus (la balada Triste de la Trompeta) after that one , As Luck Would Have It comes as a big disappointment sadly.

The direction is nice nothing you haven't seem before ,the acting is good, but not great, hence to the story line and the script and opposite to the Goyas (something like the Oscars in Spain) I think Salma Hayek in that role seems awkward and out of place.

In general an entertaining flick but very beneath the genius of Alex de la Iglesia.

If some demented soul decided to remake the old Kirk Douglas classic "Ace in the Hole" as a modern comedy, this would be it. unfortunately it is neither funny nor tragic. You'd be much better off watching the classic film, even if it seems a little dated. Probably the best part of As Luck Would Have It, originally entitled "La Chinga de la Vida", is the set, which is a Roman ruin. The actors generally do a credible job considering how weak the story is and how unfunny the humor. Everyone ends up playing a caricature or a stereotype, with the son of the leading couple falling more deeply into this trap than anyone can imagine. If you need a comedy about the flight of being an unemployed family man during a recession, you can always fall back on the Full Monty.

AS LUCK WOULD HAVE IT (dir. Álex de la Iglesia) A weak Spanish satirical comedy about an unemployed advertising executive who suffers a horrific accident in which he falls at a construction site and is pierced through the skull by a piece of iron rebar, yet remains conscious during the entire ordeal. In the process of getting help he engages the service of a publicity agent, and attempts to exploit the situation for all it's worth. The film tries to make a philosophical statement about the nature of a society that would encourage or support such self-serving behavior, but the film doesn't take it far enough. This could have really been a powerful drama or a scathing black comedy, but just came off as a lackluster effort.

My Summary phrase came to mind after watching this 2011 Álex de la Iglesia masterwork. It was, as a string of pearls, a string of scenes, so perfect, so smooth in their sequencing, that, with the help of an impeccable photography and admirable soundtrack we got spell bounded from the beginning of this splendid movie to its brilliant ending, a pathetic story almost unbearable to watch.

Unbearable to watch thanks to the forceful interpretation of our protagonist couple, Luisa (Salma Hayek) and Roberto (José Mota) who, all of a sudden, find out how tough and painful life can become in a matter of seconds.

Roberto's desperation to find a job, after months of fruitless interviews is the Gordian knot that plunges him (and us) into what will become a major film. The script construction is peerless, as is the interpretation of every actor involved in the complicated choreography, very difficult to film, of this gem of a movie, all encompassed by the hand of this genius, Alex de la Iglesia.

Only at the end of the projection we get the subliminal message given at the start of the movie, behind the cast names and credits, with takes that seem to be only background texture..., and they tell you the whole story.

Our string of pearls has a gorgeous diamond clasp. It loops the string with a superb finale, showing us how deep is Luisa's love for her husband Roberto. It couldn't have had a better ending.

The embarrassment of the clerks is in sharp contrast to that of the wealthy. It reflects the injustice of the society and the pursuit of the interests of the wealthy regardless of the lives and deaths of others.