Tandis que j'agonise

This film tells the story of a family who travels to get their mother buried.

Honestly, I don't even know how to begin to tell the world how terrible this film is. I watched it for almost an hour before I begin to know the film is about their journey to bury their mother. The story telling is appalling, and made worse by the pretentious use of split screen that sites incongruous messages. For example, in a scene where a man's taking, the left side of the screen sites his face motionless while the right side of the screen sites him talking.It's as if there is an alternate universe within the film. The plot is ultra boring as well. just do but watch this mess.

I always wondered why James Franco was never vastly recognised as a film director than an actor. If you ask me, I say he was always at his best who mostly pick biographies and dramas. This movie is one of the year's widely undernoticed and under-appreciated. As always, that leads me to hate critics who divert the movie fans from this movie a watch.

This was one of the best dramas I had seen that set in the rural of the early 1900s. About the family of brothers and sister who lost their mother. As being in a remote village they struggle to travel nearby burial ground that is days away to reach. So theirs quest starts to take twists and turns among siblings and the mother nature. Each of them has individual hidden secrets that not related to their mother's death, but as a character. One after another letting us know theirs another face till the adventures ends in peace.

I really liked this movie. The tone of the setting of that era was so perfect. Feels like they all went for a century back to the original time to make the movie so accurately. It was based on the novel by the same name. Might be a fictional work, though, depicts the true lifestyle and transporting system of those times. No fights, no guns, a purely family based drama which might be a little brutal in parts, but kind of realistic according to that era. Don't miss this movie, a movie based on the old era is not frequent nowadays. Movies like this now and then really give a good opportunity to the modern people to know the forgotten culture. Hope you all realise what I am saying about the movie and its material.

I remember, when this debuted at Cannes, a tweet from some critic which basically said "I can't wait to read the book so I can figure out what the Hell it was I just watched!" Now, I have read the book (around 13 years ago), but, man, does this ever seem absolutely impenetrable to anyone who hasn't. That doesn't necessarily effect me any as a viewer, but it should be noted. Unfortunately, even as a big fan of the book, this film really doesn't work very well. It's a valiant attempt, I think, but a failure nonetheless. Franco, clearly an amateur (though not without talent), utilizes split screens to tell his story. I can understand why, but it's just too busy. Tim Blake Nelson, who plays Anse, the patriarch of the Bundren clan, is incomprehensible. Again, I can understand why (the text clearly states that he is toothless), but he didn't need to be so impossible to understand (again, someone who is unfamiliar with the book will be utterly lost). Nelson really was a great choice to play Anse, so it's really unfortunate his performance goes down the toilet like this. The casting of the rest of the Bundrens isn't that great, either. Franco is easily the standout as Darl, but Jim Parrack and Logan Marshall-Green as Cash and Jewel respectively pretty much get lost because of their bland performances. Brady Permenter as Vardaman is a poor child actor. Ahna O'Reilly is not a bad actress, but she's 10 years older than the character of Dewey Dell, which is incredibly noticeable. Finally, there's Beth Grant (who still doubts your commitment to Sparkle Motion) as Addie. She's quite good, but, of course, dead for most of the movie. Franco also seems to miss the semi-comic tone of the novel, making it almost fully a tragedy. I mean, that final bit is kind of hilarious, but Franco doesn't play it as such. It just comes off as weird.

James Franco has seemingly set out to be the busiest man in Hollywood. Franco unfulfilled by just acting in recent times has taken on art, writing and adapting so called un-filmable novels with the forthcoming McCarthy adaptation Child of God premiering recently and this faithful and very intriguing adaptation of William Faulkner's revered 1930 book As I Lay Dying which had its premiere at the Cannes Film Festival earlier this year.

It's clear that Franco filmed this atmospheric tale on a limited budget yet was able to recruit some serious acting talent to join him on screen as the Bundren family. Stand outs in the acting stakes are Tim Blake Nelson as toothless family head Anse and Marshall-Green as half cast and grizzled Jewel. All cast members acquit themselves well to difficult material, even Franco's real life buddy and funny man Danny McBride does well in a small cameo like roll. Franco's fine direction of fellow actors is commendable but his artistic decision not so much.

A strange choice by Franco is to put screen juxtaposition in a two frame format for roughly half of the films running time. This two pane structure comes off as merely annoying and takes away from the full screen beauty of much of the films images and natural landscape which are wonderfully captured by cinematographer Christina Voros. This technique was employed from an outsiders knowledge to portray the novels various voices and themes yet really is in no way integral to the films telling and as a finished product seems a tad on the pretentious side of things.

If you can overcome As I Lay Dying's almost tortuous opening 30 minutes where I found myself more than tempted to stop the film in its tracks there is much to admire in the film and by the last 20 minutes you will find yourself enthralled in this strange and depressing tale of a family lost in more ways than one. As I Lay Dying gives one hope that Franco will do justice to Child of God and perhaps one day his dream project of Blood Meridian.

3 concrete casts out of 5

'AS I LAY DYING': Four Stars (Out of Five)

James Franco undertook the ambitious creative effort of trying to adapt author William Faulkner's classic 1930 book (of the same name) and partially succeeded. Franco directed the film and wrote it's screenplay. He also co-stars in the movie with a bunch of his friends; like Danny McBride, Tim Blake Nelson and Jim Parrack (he co-stars with Nelson and Parrack in another film he co-wrote and directed this year, based on a book by Cormac McCarthy, called 'CHILD OF GOD'). The film, if nothing else, is very interesting and it's great to see Franco continuously trying new and different things.

The story begins with the death of Addie Bundren (Beth Grant). She left behind her husband Anse (Nelson), daughter Dewey Dell (Ahna O'Reilly) and four sons (Franco, Parrack, Logan Marshall-Green and Brady Permenter). It then focuses on the family's efforts to transport Addie's body to the town of Jefferson, to be buried (as she wished). Each family member has their own troubles and drama. It's set in the fictional Yoknapatawpha County, Mississippi (based on Faulkner's home Lafayette County).

I never read the book so I didn't know the story at all prior to seeing the movie. So for me it was really bizarre and interesting. I know a lot of fans of the book are unhappy with Franco's adaptation but there are some that think it's a good enough summary of a near impossible novel to adapt (into a movie). I liked all of the performances (I especially was fascinated by Nelson and Marshall-Green) and found all the characters to be really interesting. I really liked Franco's directing as well and think he shows a lot of promise with this film. Maybe he shouldn't try to adapt such popular and classic works of modern literature but he definitely has talent as a filmmaker. There's a lot to marvel at in the movie, for sure. It probably doesn't do the source material justice but it's still an extremely interesting film going experience.

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