In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.
- Won 1 Oscar
- 33 wins & 54 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The staging of this film is certainly something I hadn't seen before. The majority of scenes are made to look like everything is happening on a theater stage. This style doesn't add a whole lot to the film though. While the costumes, production design, music, and cinematography are all terrific, I'm afraid I can't say the same about the story. It just didn't really capture me and I found a lot of the film to be boring. Anna Karenina may be a classic text, but I can't use the same adjective for this retelling.
It took me about an hour to stop being irritated by the movie's self consciousness, to sort of enjoy it... but the damage was done.
As viewers, we have no reason to believe in the love Anna finds. He is creepy and give us no inkling of why she might ruin her life for him.
Kiera isn't bad, just annoying, considering we have no empathy for her self indulgence. If her husband was worse, her love a lot nicer, and if we could feel electricity between them, it would be a different matter, but the fact is the movie is too busy being clever... it misses out on having a heart and soul.
The theatre gimmick got in the way, and seemed like a cheap way of having Moscow backdrops without actually traveling there.
5/10
As viewers, we have no reason to believe in the love Anna finds. He is creepy and give us no inkling of why she might ruin her life for him.
Kiera isn't bad, just annoying, considering we have no empathy for her self indulgence. If her husband was worse, her love a lot nicer, and if we could feel electricity between them, it would be a different matter, but the fact is the movie is too busy being clever... it misses out on having a heart and soul.
The theatre gimmick got in the way, and seemed like a cheap way of having Moscow backdrops without actually traveling there.
5/10
The lead virtue - Jude Law as Karenin. The worst sin - the mixture of pieces from everywhere for create the atmosphere. The theater is a nice idea but only better used . Virtues - the portraits of Levin and Kitty. Problems - a not reasonable Vronski and imposibility to feel the drama of Karenina. Short. It is a film without soul. Images, inacuracy, a kitsch Russia and a sort of "ad usum Delphini" adaptation. Too noisy, too vulgar, using the not inspired actor for Vronsky and proposing a hard fight to Keira Knightley for create her Karenina. Short, a film without purpose. And that is all.
If your prime reaction to a film is one of disappointment there are usually some good reasons. My principal response to this version of a great and well-known story is one of irritation. The overblown theatrical format of the film gets in the way of character and dramatic development, to the point where you're aware of a director proclaiming "aren't we clever with the way we're staging this?" instead of admiring the straightforward and competent telling of a story. I'm not saying all films have to be constructed in a conventional manner, but when the form overtakes the substance something has gone wrong.
Aaron Taylor-Johnson as Count Vronsky is a piece of serious miscasting. Instead of looking like a great lover and sure temptation for wavering Anna,he looks like some feeble dandy with his foppish shock of dyed curly blonde hair which makes him look quite ridiculous. How on earth Anna could fall for such a creepy-looking guy is beyond most viewers I would submit.
Keira Knightley does the best she can, despite looking most of the time like she's attending a fashion shoot. The character of Anna requires portrayal of a tragic life which she doesn't quite achieve. However, the whole film fails to convey the grandeur of Tolstoy's vision, so she's let off the hook by the film's general levity and lack of substance.
Aaron Taylor-Johnson as Count Vronsky is a piece of serious miscasting. Instead of looking like a great lover and sure temptation for wavering Anna,he looks like some feeble dandy with his foppish shock of dyed curly blonde hair which makes him look quite ridiculous. How on earth Anna could fall for such a creepy-looking guy is beyond most viewers I would submit.
Keira Knightley does the best she can, despite looking most of the time like she's attending a fashion shoot. The character of Anna requires portrayal of a tragic life which she doesn't quite achieve. However, the whole film fails to convey the grandeur of Tolstoy's vision, so she's let off the hook by the film's general levity and lack of substance.
This adaptation of Anna Karenina is a very flat adaptation of one of the greatest pieces of literature, but actually it is not only a failure as an adaptation but disappointing also on its own merits. It is not without its redeeming qualities of course, the costumes and sets are gorgeous and some of the best of the year, the music is beautifully composed, Jude Law is a superbly restrained and dignified Karenin and Matthew Macfadyen and Domhnall Gleeson are similarly excellent as Stiva and Levin respectively. Keira Knightley in the title role however didn't do it for me. She tries but comes across as too young and too selfish, and I also didn't care at all for her over-earnest mannerisms. The weak link of the cast is the woeful miscast that is Aaron Taylor-Johnson's Vronsky, often too moody and wooden as well as too effeminate and foppish, so much so it comes across as creepy. The script is very stilted and lacking in any kind of heart. There is a lot of melodrama as well but it comes across as forced, while the switching from play-within-a-play to film is confusing. The story similarly suffers from pedestrian pacing and the drama and characters are too thin to make us properly care and that is including Anna, whose attempts to overcome her suffering is entirely too trivialised here. Even bigger of a problem was Joe Wright's direction, I loved Pride and Prejudice and especially Atonement so I hoping a similar kind of directing job. But Wright often seems to be paying attention to himself too much, with the camera work too incongruous and surreal. Everything, from the gimmicky theatrical elements to the ball scene where the dancing is so robotic and where you don't have a clue what dance style it's supposed to be, plays too much of an overblown musical but without song and dance. In conclusion a disappointment even on its own, for me a beautiful bore is a very apt summing up as to how I felt about it. See the Greta Garbo and Vivien Leigh films instead. 4/10 Bethany Cox
Did you know
- TriviaOne of Alicia Vikander's favorite experiences from the production was the filming that took place in the countryside outside of St. Petersburg, Russia. The temperatures dropped below -40 °C, and she stayed in a cabin for five days that didn't have hot water and only featured benches instead of beds. Meanwhile, Russian security guards protected her and co-star 'Domhnall Gleeson' from wild wolves and bears that dominated the deserted area.
- GoofsThe label of the bottle of morphine Anna drinks from changes from "la Morphine" to "Morphine" between shots. The only correct French form would be without an article (prescriptions would have been written in Latin in 19th-century Russia anyway).
- ConnectionsFeatured in Projector: Anna Karenina (2012)
- SoundtracksSong for a New Life (Masha's Song)
(uncredited)
Written by Anoushka Shankar
Performed by Tannishtha Chatterjee
- How long is Anna Karenina?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Anna Karenina
- Filming locations
- Kizhi, Karelia, Russia(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,600,000 (estimated)
- Gross US & Canada
- $12,816,367
- Opening weekend US & Canada
- $320,690
- Nov 18, 2012
- Gross worldwide
- $68,929,150
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content