Thirteen-year-old Jesse wants to be an artist and believing that his mundane, middle-class life has left him unprepared, he sets out looking for wildness and women.Thirteen-year-old Jesse wants to be an artist and believing that his mundane, middle-class life has left him unprepared, he sets out looking for wildness and women.Thirteen-year-old Jesse wants to be an artist and believing that his mundane, middle-class life has left him unprepared, he sets out looking for wildness and women.
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Brian Scott Carleton
- Mr. Fontana
- (as Brian Scott)
Andrea Verginella Paina
- Marianne
- (as Andrea Verginella)
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Featured reviews
13 year old Jesse is excited when his mother buys him an old camera. He is growing obsessed with sex. He reads in a book about being a true artist. He spies on his beautiful older neighbor girl Amy George. Then she ends up staying with his family.
This is a striped down indie. It is slow but it is engaging. The movie does need to start with his obsession with Amy sooner. Instead, the movie starts with two other girls. Maybe, the second girl should be cut out of the movie. The first scene is good shock and awe. Quite frankly, the first girl is given little screen time and serves well as the explosive first gut punch. After that, it should be all Amy George and nobody else. As for the slow quiet style, it's an artistic choice. Some people will get bored but I survived it. The more disquieting aspect is the subject matter. There are some very dangerous material being handled with kid gloves. It's compelling and also very disturbing in its matter of fact way.
This is a striped down indie. It is slow but it is engaging. The movie does need to start with his obsession with Amy sooner. Instead, the movie starts with two other girls. Maybe, the second girl should be cut out of the movie. The first scene is good shock and awe. Quite frankly, the first girl is given little screen time and serves well as the explosive first gut punch. After that, it should be all Amy George and nobody else. As for the slow quiet style, it's an artistic choice. Some people will get bored but I survived it. The more disquieting aspect is the subject matter. There are some very dangerous material being handled with kid gloves. It's compelling and also very disturbing in its matter of fact way.
Another one of these introspective movies in which nothing happens and they try to save it with music. (The music track is actually quite good.) The coming-of-age set-up would be fine if there was an actual story here. There isn't. We've seen it all before - the dreamy shrimpy kid, the sexual longing, the bad girl object of his fantasies. It might have worked if there was a script. Instead we have far too many long scenes that come out of nowhere and lead nowhere, bits and pieces of story line, and gauzy shots that are presumably meant to invoke some higher plane of artistic intensity - all of which might be excusable as a pretentious but understandable excess in a film school project, but ought to have been weeded out by a major film festival that charges twenty bucks a ticket for what is supposed to be a professional effort. Is there a plus side? Yes - there are some brief moments of humor and good timing by the actors; the Amy George role is very well acted and the character carries a lot of undeveloped menace that the filmmakers could have zeroed in on to much greater advantage than following Jesse's fuzzy (and totally unoriginal) adolescent yearnings. Amy at least is interesting and a bit original.
This film is right out of the box, carried not only by candidly true-to-type female antagonists but by Yonah's continuity and direction, both assisted considerably by Gabriel's fine acting ability.
Gabriel plays Jesse to a tee and Yonah and certainly the camera crew respond, but more than that Gabriel's obvious discretion, wit and intelligence add spontaneous mastery and authenticity to a pubescent role and character-type too often stylised, distorted and dismissed as such in contemporary cinema.
I left primarily hoping to see a great deal more of this very talented young actor, and on short reflection many more movies like this. The world will be a better place for it.
Gabriel plays Jesse to a tee and Yonah and certainly the camera crew respond, but more than that Gabriel's obvious discretion, wit and intelligence add spontaneous mastery and authenticity to a pubescent role and character-type too often stylised, distorted and dismissed as such in contemporary cinema.
I left primarily hoping to see a great deal more of this very talented young actor, and on short reflection many more movies like this. The world will be a better place for it.
Not completely awful but really boring. No story, looks like ad lib dialogue, poor casting, filming is terrible, half the time super dark with no reason. It doesn't know where it's going and any direction it chooses, well it doesn't begin. Is this a story about a boy with a fixation on his neighbor, nope, is it a coming of age story, nope, is it a discovery of what it means to be an artist, nope. That sappy piano and ugly music at the end is really over the top, as though they failed throughout and had to somehow try to drive home some emotion. I wish I could find something redeeming but there isn't. It's sort of like high school budget meets every major cliché, but a collection of clichés does not make a film.
I had the good fortune of seeing Amy George at the Brooklyn Film Festival. The film somehow manages to be both an accurate portrayal of Toronto (a city I've had the good fortune to spend time exploring) and teen-hood (a phase of life I had the mixed fortune of experiencing).
It's a beautifully shot film that (unlike many teen-focused films) resists going over the top, relying on the strong performances of their teen leads and strong script.
Overall, Amy George both stayed true to my memories of my time as a teenager, while reminding me of how complicated, difficult and touching that phase of life can be. I was surprised to find a film that achieve both of those goals and recommend Amy George highly.
It's a beautifully shot film that (unlike many teen-focused films) resists going over the top, relying on the strong performances of their teen leads and strong script.
Overall, Amy George both stayed true to my memories of my time as a teenager, while reminding me of how complicated, difficult and touching that phase of life can be. I was surprised to find a film that achieve both of those goals and recommend Amy George highly.
Did you know
- TriviaGabriel del Castillo Mullally appears in 102 out of the 107 scenes in the film.
- Alternate versionsThe runtime was two minutes longer when it premiered at the Wisconsin Film Festival. It was cut down to its current length for its Canadian premiere at the Toronto International Film Festival.
- ConnectionsReferences 8½ (1963)
- SoundtracksShouldn't I Breathe
Written by Paul Linklater and Colleen Hixenbaugh
Performed by Colleen and Paul
Courtesy of the artist
Details
Box office
- Budget
- CA$11,000 (estimated)
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 2.35 : 1
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