À la une du New York Times

Greetings again from the darkness. Let me start by saying that you need not be a newspaper expert, reporter or reader to appreciate the points discussed in this documentary from Andrew Rossi. These key points include the battle of print vs social media, the need for true reporting, and the sustainability of the venerable institution that is The New York Times.

There is some argument given towards what constitutes journalism, but for me the real guts of the matter boils down to our absolute NEED for investigative reporting. I have always given value to bulldog reporting as a checks and balances for our system. Maybe, just maybe, our public officials and corporate leaders will toe the line if they are being watched. Sure, we can all rattle off a long list of when that hasn't been the case, but I truly believe, having reporters following and snooping does make a difference in the actions of those in charge ... and even if it doesn't, it certainly makes a difference in the accuracy and depth with which their actions are written about.

The filmmaker has been given substantial access to the media desk inside the newsroom. We even get to sit on a portion of the morning meeting where the senior editors decide what the lead stories will be. Personally, I would have loved a couple more hours of just that! But just as fascinating is how Bruce Headlam manages the media news, and in particular, star reporter David Carr. Mr. Carr is a hardened reporter with the spectacular ability to cut directly through to the important point and focus on the details, verify those details, and then summarize in a concise, understandable manner. We see this in full beauty with his handling of the crisis and scandal at the Chicago Tribune under Sam Zell's banner.

Today, we like our news spoon fed to us in 20 second sound bites. So we find our favorite websites and we scan the headlines, which themselves are scans of news stories. My favorite moment of the movie occurs on a discussion panel when David Carr holds up a printout of the home page of an "aggregator". Moments later he makes the point that without real reporters and news teams (like the NYT), this aggregator's home page would look quite different ... he then holds up that same home page with 90% of the stories cut out because their source is a real news organization.

Some attention is paid to Twitter and other social media outlets. This seems to be finally accepted by the reporters as being effective for two things: a delivery system for information and a grapevine with lightning speed. Of course, no verification is required for a "news" story to hit Twitter, and therein lies its limitation.

We get interviews from both Gay Talese and Carl Bernstein on the importance of news reporting. Evidence is provided through mentions of the Pentagon Papers, Wikileaks and Watergate. Judith Miller and Jayson Blair are topics that embarrassed and did significant damage to the industry ... but changes were adopted to (hopefully) prevent re occurrence. The News of the World scandal is too new to have made the film, but it certainly would have added a fascinating subtext to it.

The bankruptcy trail of so many newspapers is discussed, along with the possibility of this happening at The Times. Personally I wish more detail had been provided on the survival strategy of this institution. Since the release of the film, there has been a change in the Executive Editor position. Bill Keller, who is featured prominently in the morning meetings, has stepped down and been replaced by Jill Abramson. Ms. Abramson is charged with driving and building online presence and revenue. We should all be wishing her success as the world is a better place with The New York Times.

The phone-hacking scandal that just forced News of the World to close its doors has brought the media to light yet again. Andrew Rossi's "Page One: Inside the New York Times" looks at what is probably the most famous newspaper in the United States, and how it has had to change as media evolves. The main focus is columnist David Carr, but all the major figures from the paper get to appear on screen (although I would have liked to have also seen Paul Krugman and Frank Rich). One of the main topics that the documentary brings up is the large number of newspapers that have closed their doors as more and more people turn to the Internet for news. But as the documentary makes clear, newspapers do still provide certain kinds of coverage that online sources can't provide.

Without a doubt, the NYT has had its problems (like Judith Miller's pushing the WMD claims about Iraq, and Jayson Blair's outright falsification of stories), but it remains an important source of information. In years past the Internet was not widespread, so it was through newspapers that Watergate and the Pentagon Papers got exposed. All of which shows the importance of having an informed population. All in all, this documentary is a really good look at the inner workings of the news business. I recommend it. Among the other interviewees are executive editor Bill Keller, and Baghdad bureau chief Tim Arango.

When Johann Gutenberg invented the printing process around 1439, he probably couldn't foresee the future, where people would consider his invention redundant and obsolete.

The digital revolution , internet, etc have started to compete with printed media such as the legendary newspaper The New York Times, a newspaper that is depicted in this documentary.

We get follow some of their reporters, the job at the editing office, and also the new approach to the internet and surfpads.

But will The New York Times be able to compete with websites like Wikileaks etc?

And how will they survive in climate with ever descending ad incomes?

Will the internet completely destroy investigating journalism?

Because nowadays anyone can be investigating journalist by simply putting their discoveries on a personal blog or any other type of internetbased platform.

These and many other questions are discussed in this highly interesting documentary about media from one of the most prominent newspapers in the world.

The documentary also touches upon the heavy criticisms that newspaper received during the Judith Miller, Jayson Blair scandals and ever growing question, can we trust media at all?

The only flaws I can think of is that sometimes director Andrew Rossi seem to lack focus, not knowing what he wants to tell, he should made the viewers get closer to some of the people working at the New York Times.

I would love to know more about David Carrs background, a colourful journalist, and some of his co workers background.

But this film should been seen by anyone wanting to know more about media, journalism in this riveting documentary. So viewers who liked Outfoxed: Rupert Murdoch's War on Journalism (2004), The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (2009), Starsuckers (2009) should see this one.

As a long time reader of the New York Times, I was delighted to see that Page One was showing at Austin's SXSW Film Festival. Page One is a provocative film that explores the complexities of the new media landscape in which the New York Times now finds itself trying to compete and keep its head above water. It is one of the few films that I've seen that really provides the viewer with an inside look at how a major newspaper operates. While the film tends to be pro-New York Times by the very nature of the fact that it was made with their cooperation, it still comes off as fair portrait of America's paper of record. The film focuses in on the media division and how the Times is coping with new challenges from Wikileaks, online news sources, web logs, news aggregating websites, twitter, etc. The film clearly shows why we still need the "so-called" old media to provide the investigative journalism that is hard to find elsewhere.

Newspapers – and especially the elite newspapers – remain a crucial element in our political culture in that they provide a check against abuse of power by both government and corporations. The internet new media still relies on old media for its reporting and is not equipped to replace it. Clearly new models for cooperation between new and old are needed that will allow mainstream media to continue to profitable. The NY Times is proud, magisterial, occasionally arrogant, and absolutely necessary. Like any old institution, it will survive if it continues to change and evolve for new times and technologies.

Page One is part of an on-going conversation that the United States is having about how media will evolve in the age of the Internet. It is useful film for engaging the broader public in the conversation.

Page One: Inside the New York Times is not a documentary about a day in the life of a newspaper. Instead, it is more social commentary from the New York Times' media desk about the current state of newspapers, their antagonizing relationship with news aggregators and social media, and a bit forlorn about how robust the New York Times used to be compared to their current staffing levels based on the combined loss of ad revenue and print subscriptions. The majority of this film focuses on the paper's media section, specifically on the cantankerous journalist David Carr, a former crack addict now social media watchdog. He frequently goes to conferences and events to defend his newspaper against social media sites who proclaim the death of news print and the inevitable rise of the internet news leviathan. Unfortunately for them, David Carr fights backs with some old common sense. In the most effective scene, he holds up a hardcopy of Newser's front page showing all of the news aggregated links on it. His next exhibit has all of the links cut out of it which were 'stolen' from the mainstream media making the Newser's front page look absolutely ridiculous and full of holes for all to see.

Too bad for the film's audience though, David Carr comes across as more of an a**hole for most of the film and you welcome to other locales and issues the documentary focuses on when it's not on Carr. There are scenes of employee layoffs, contrite apologies about Judith Miller and Jayson Blair, and the continuing defense that without the large, networked mainstream media, these new social media / news aggregator sites would have nothing to link to on their websites. These professional at-home bloggers do not have bureaus in Baghdad, stringers in war zones, and in an amusing side bit, they do not have people following their hometown zoning boards either.

Page One is effective at showing the audience that hardcopy newspapers are not dead yet and they still provide a considerable service to those who wish to remain informed. Regrettably, the film spends way too much time on David Carr and the media section which bogs down the film and makes the audience wait for the next segment not involving Carr.