Follows three small time criminals from Dublin's North Inner City as they each aspire to be somebody in a fast changing society.Follows three small time criminals from Dublin's North Inner City as they each aspire to be somebody in a fast changing society.Follows three small time criminals from Dublin's North Inner City as they each aspire to be somebody in a fast changing society.
- Awards
- 1 nomination total
Stephen Clinch
- Limbo
- (as Stephen Cinch)
Michael Yare
- Ade
- (as Yare Michael Jegbefume)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The characters were established early in the film and the acting, I thought, was superb, a few of the young children were clearly aware of the camera, but the acting was a million miles from wooden. Some of the devices and sub plots from TV shows like The Wire are kind of inevitable when the movie is dealing with a similar sub-culture. Although I am an English speaker who is fairly used to Irish accents, I found, not the accent, but the vocabulary and expressions of the protagonists quite hard to follow.
The story was well written and although it had a limited narrative,it was, almost like a documentary, able to describe the community quickly and the main players were put into context simply by showing authority and deference,a nice touch. There is an inevitability about this type of tale and most of tension comes from waiting to see how and who is responsible for the denouement. I will have to watch it a few more times to follow the dialogue but as I love Irish films, for me, it will be an investment worth making.
The story was well written and although it had a limited narrative,it was, almost like a documentary, able to describe the community quickly and the main players were put into context simply by showing authority and deference,a nice touch. There is an inevitability about this type of tale and most of tension comes from waiting to see how and who is responsible for the denouement. I will have to watch it a few more times to follow the dialogue but as I love Irish films, for me, it will be an investment worth making.
This....'movie'...was recommended to me by a friend. I wanted to like it, I really did. A young director trying to do something authentic....this was said to be Mean Streets with a Tarantino twist. This is film making of the poorest level, its simply drivel.The writer/director Mark O Connor substitutes character development with the idea that calling your embarrassingly amateur cast names like Limbo and Foot and Mouth can somehow make this 90 minutes of torture seem raw and powerful....this is a truly terrible...film..for the want of a better word. Its on youtube in its awful entirety because it, thankfully, never made it to mainstream distribution....the one positive of this sorry mess.
This is Barry Keoghan's first film and Peter Coogans early days. Hes the staple of the film. Bad acting overall, but lots of the cast were not actors and inner city locals. So I assume director was going for realism.
Its basically a day in the life of several Dublin north inner city scumbags. Messy story but most of the dialogue is genuine of the characters.
Its basically a day in the life of several Dublin north inner city scumbags. Messy story but most of the dialogue is genuine of the characters.
One of the funniest pieces of television ever produced was the episode of I'M ALAN PARTRIDGE where the title character is networking with a couple of Irish TV producers and Patridge is convinced they're members of the IRA because that's what Ireland is famous for along with every stereotype of the Emerald Isle . Watching BETWEEN THE CANALS one gets the impression it was directed by Alan Partridge
Should I be honest or should I be politically correct ? Well I am the sort of guy who says things like "I didn't recognise you with your clothes on" to a female colleague at work only to find her boyfriend is sitting just outside of earshot in her car so I'll just revert to type You see this is very small budget film making and is no doubt a labour of love and I don't want to hurt anyones feelings so if you worked on this film and don't like honesty then stop reading at this point please
From the opening titles every cliché is dug up quicker than an Irish potato field . Michael Collins , black and tans , slums etc etc appear in a photo montage and that gives a hint we're going to be watching the oxymoron of "stereotypical realism" . Stereotypical in that all Dubliners are likable rascals who enjoy a drink interspersed with the occasional gangland murder and realism in that the acting style is mainly down to adlibbing by people who couldn't act their way out of a wet paper bag . This technique never really works and is a distraction . Somewhat fortunate then that there's little in the way of substance to distract this audience member from what's happening on screen . The story is very weak and with the exception of the F and C words I couldn't make out a word that was being spoken
Apologies if I've hurt any feelings with my brutal honesty but if it's any consolation I look forward to a sequel which will no doubt be called MONKEY TENNIS
Should I be honest or should I be politically correct ? Well I am the sort of guy who says things like "I didn't recognise you with your clothes on" to a female colleague at work only to find her boyfriend is sitting just outside of earshot in her car so I'll just revert to type You see this is very small budget film making and is no doubt a labour of love and I don't want to hurt anyones feelings so if you worked on this film and don't like honesty then stop reading at this point please
From the opening titles every cliché is dug up quicker than an Irish potato field . Michael Collins , black and tans , slums etc etc appear in a photo montage and that gives a hint we're going to be watching the oxymoron of "stereotypical realism" . Stereotypical in that all Dubliners are likable rascals who enjoy a drink interspersed with the occasional gangland murder and realism in that the acting style is mainly down to adlibbing by people who couldn't act their way out of a wet paper bag . This technique never really works and is a distraction . Somewhat fortunate then that there's little in the way of substance to distract this audience member from what's happening on screen . The story is very weak and with the exception of the F and C words I couldn't make out a word that was being spoken
Apologies if I've hurt any feelings with my brutal honesty but if it's any consolation I look forward to a sequel which will no doubt be called MONKEY TENNIS
As a Dubliner living away from home now for over 20 years, it is a great joy to watch such a realistic film of what its really like living in inner city Dublin and what the people are like with all the Irish talk, great characters.
To the director and others involved in the movie I say well done and thanks for this gift. Foreigners wont get it and Irish living at home wont appreciate its realism as they are used to it. Only when you leave home, and miss it, can you appreciate just how great this film is. It had me laughing many times and would recommend it to anyone that wants to see real Dublin
To the director and others involved in the movie I say well done and thanks for this gift. Foreigners wont get it and Irish living at home wont appreciate its realism as they are used to it. Only when you leave home, and miss it, can you appreciate just how great this film is. It had me laughing many times and would recommend it to anyone that wants to see real Dublin
Did you know
- TriviaMark O'Connor's first feature film.
- SoundtracksFactories
Written and performed by Damien Dempsey
Published by Bug Music, on behalf of Northside Song (IMRO)
Licensed courtesy of Sony Music Entertainment Ireland, Ltd.
Details
Box office
- Budget
- €100,000 (estimated)
- Gross worldwide
- $4,809
- Runtime
- 1h 14m(74 min)
- Color
Contribute to this page
Suggest an edit or add missing content