CBGB

"There's something there, there's definitely something there." After two failed attempts at running a bar and on the verge of bankruptcy Hilly Kristal (Rickman) throws everything he has into a bar where he wants to feature local country, bluegrass or blues bands. What it turns out to be is the launching pad for an entirely new sound for a new generation. As the legend goes punk wasn't born here but after bands such as Blondie, The Ramones, The Police and Iggy Pop punk was discovered here. I have to admit I am not a fan of punk music. I did like the Police and some songs by the bigger named artists but overall it's not one of my favorite genres. I wasn't really sure what to expect from this going in but I really ended up liking it. Alan Rickman is great in this (as always) and the story moved fast enough that there really wasn't a boring part in this at all. The actors they picked to play the bands were spot on, Malin Akerman, Rupert Grint and Kyle Gallner are all interesting choices. I really ended up liking this much more then I thought I would. Overall, this is not just a good movie about music, this is a good movie period. I give it a B+.

I was a fan of CBGB music before I even knew what it was. I remember going to a second hand record store and asking them if they had any John Cale records. They said, yes, in the CBGB pile. The what? CBGB. Seeby-Jeeby..? And then they pointed at the section and there was a bunch of punk/new wave that I love. Heaven? Yes. Randall Miller seems to have a big passion for this music of the 70s and 80s too. I'm way more interested in the other upcoming project he had in mind called The Drummer, which was to star Vera Farmiga as Christine McVie and Aaron Eckhart as Dennis Wilson, but that film seems to not be happening anytime soon. Instead, I'm happy to check out CBGB to at least learn more about the place than 'it was a club.' The film prominently features musicians such as Television, The Dead Boys, Talking Heads, Blondie and Iggy Pop, but this story is about Hilly Kristal, the founder of the club, played by Alan Rickman. Although the film appears to glide through the narrative without much of a sense of jeopardy or pressure, it's very entertaining and colourful, designed in a magazine style with split screens and annotations every now and then. Even though that caricature tone does not match the gritty punk attitude of its topics, it's an accessible and simplified version that's great fun to watch, even if most of the accents are terrible.

7/10

I saw it on the big screen, and it was good! The film comes with a great soundtrack and lots of laughs too. The theater audience around me seemed to be enjoying the film. I was there at CBGB during this time period, and my band The Laughing Dogs played there. One of our songs is in the soundtrack. I am glad that this movie was made and I appreciate that the movie preserves the history of the place and of Hilly Kristal. Hilly provided opportunities to a lot of bands and a place for bands to play their original music. Many bands got signed with record labels after performing at CBGB. I found the sets and characters looked like the real thing, as if I was back there. I have written a more thorough review on my website.

From the director of Bottle Shock comes another love letter to the 1970s: CBGB. If you have no idea what that means, or if you know what it means but don't know what the letters stand for, you'll be very entertained by this movie. Full of literally dozens of songs from 1970s rock and grunge bands, it's a must-see for classic rock lovers. As you listen to Television, Blondie, The Velvet Underground, Talking Heads, The Stooges, The Ramones, The Police, and countless others, you'll get to see modern actors dressed up and lip-synching to their songs!

CBGB is a New York nightclub started by Hilly Kristal, played by a hilarious wigged-out Alan Rickman. His dive bar isn't paying his bills, so he transforms it into a nightclub where people can chill out and listen to "Country, Blue Grass, and Blues" bands. It gets turned into a hot spot where undiscovered punk bands play before they become famous. The beautiful Malin Akerman plays Debbie Harry, Taylor Hawkins plays Iggy Pop, Joel David Moore plays Joey Ramone, and countless others perform in a sort of "candid camera" that shows behind-the-scenes fun as well as performances from "way back when". This film completely captures the 1970s music scene, and the colors, lighting, incredibly grungy interior design, costumes, and wigs make it feel like a time capsule. If you know your bands, you'll get even more out of the humor, and if you don't, you'll just get a kick out of Alan Rickman's hilarious scenes with his mother, Estelle Harris, and his scenes with a grown up Rupert Grint. There's a lot to love about this tribute to the 1970s, but if you don't like that decade, don't even think about renting it.

As someone who was "there" but as an outsider (14-year-old kid from NJ who idolized Punk magazine and especially the Ramones), I loved this film. Yes, I recognize a number of liberties were taken with the truth, but this film allowed me to relive the thrill I used to experience going to CBGB's (as we called it) back in the day (I started going around 1976 or so). Even more than that, it's great to get a glimpse of how CBGB's came to be.

More than that, the film works great as a film in and of itself -- the directing, pacing, acting and cinematography are all first rate, with nary a dull or dead spot throughout (until the end, but I'll get to that). I'm not generally one for tricks like the use of Holmstrom's art to frame the story, but since it's Punk magazine we're talking about, it makes perfect sense for this film.

The film just sails along -- I suppose partly because it's so much fun to see the various bands, and how much fun the actors had portraying the band members' quirks (the Joey Ramone character is spot on... ). In fact, I would have liked it if the film had been extended to include more of the early groups (they left out Suicide, who were everywhere back then) and more of the live performances. I'm a little torn by the decision to have them lip sync to album material -- on the one hand, it's the music we remember, on the other hand, most of the bands have live material available, even recorded at CBGB's, why not use some of that?

However, by the end... the film runs out of steam a bit. I think that comes partly from the decision to focus a bit too much on the Dead Boys storyline, knowing how doomed that band was, and how entirely outclassed they were by most of the other bands featured (Television, Talking Heads, Ramones, Blondie). Fortunately, the film only sags in the last 15 minutes or so, and it's still not enough to spoil a fine film dealing with a very important part of American -- and world -- music history.

For me, personally, this period shaped my entire life, certainly from an aesthetic point of view.

And great news! There's now a Best of Punk Magazine book available! (I still have my original copies around somewhere, but I can't wait to show this book to my kids!)