A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.
- Awards
- 1 win & 6 nominations total
- Self - Bikini Kill
- (archive footage)
- Self - Bikini Kill
- (as Kathi Wilcox)
- …
- Self
- (as Tavi Gevinson The Style Rookie)
Featured reviews
Documentary film about Kathleen Hanna; an iconic punk singer, poet and feminism activist. The film combines archive footage (of Hanna, her band members, people close to her and the many musicians and fans that she's inspired) with interviews (of mostly the same people) filmed in 2010 and 2011. It was directed by first time feature film director Sini Anderson and features many popular musicians (in recent interview footage) like Joan Jett and Adam Horovitz (of 'Beastie Boys' fame, who Hanna married). Not knowing much about Hanna (and being a big fan of punk music) I found the movie to be very informative and interesting.
The movie follows Hanna's career from her beginnings as a spoken word poet, through her fronting two bands ('Bikini Kill' and 'Le Tigre') to her solo musical career (as Julie Ruin). It examines the impact she had on the punk music scene, as well as her many feminism causes, and how she helped start the 'riot grrrl' movement. We see awesome video of her bands performing live as well as fascinating behind the scenes footage and involving interviews. Through the movie fans can learn about her troubled childhood (for the first time) as well as why she suddenly quit music (and the medical diagnosis behind it).
I love punk music and seeing Hanna perform (in this movie) I know I could be a big fan of hers and her bands. I also think she seems like a really beautiful, strong and admirable woman and when people like her develop a big following (and really inspire many others) that's always a good thing. So I really enjoyed learning about Hanna, and her music, in this movie. Had I already been a fan of hers, and known a lot of the information given in this film, I can't say I probably would have enjoyed it as much. The subject matter is fascinating but Anderson has a few more things to learn about directing and putting together a movie. Still, for a debut film, she didn't do a bad job. I was definitely entertained.
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Over 20 years later, Hanna is finally given her day in rock history in director Sini Anderson's award-winning documentary THE PUNK SINGER. The origin stories this born leader, third wave feminist icon, and ultimate low-fi artist are brought to life through archival footage, intimate interviews, and commentaries by Kim Gordon, Carrie Brownstein, Ann Powers, Adam Horovitz, and former bandmates. Hanna's in-your-face activism—through lyrics, zines, and manifestos—moved women to the front, literally and figuratively. Two decades later, Hanna is still ripping down barriers of music and gender and art, still proudly saying "Stay out of my way!"
I am very sorry that she is suffering from what is revealed at the end of this film. I am, I truly am. I have not walked a mile in her shoes but I can only assume that her journey through her health issues have been a nightmare.
Here's my problem with the film: it's such an exercise in navel-gazing and delusion, at times it's almost painful to watch. If she would have just OWNED the fact that she's married to a Beastie Boy and has access to care and treatment that most normal people do not, I would have found her story more tolerable. And let's not forget that this is supposed to be an empowered feminist, yet when she talks of her stripper past (which I am NOT judging her for), she says, "It was the only decent paying job I could get." I call B.S. on that! Honey, just own it! You wanted to strip for the money - no big deal. But please don't make it out like it was the ONLY job you could get. Puh-leeeeze! We are basically the same age and while she's a heck of a lot cuter than I ever was and looked better in a bikini than I ever did, I found a way to have a decent paying job where I didn't remove my clothes (my choice).
I wanted to love this movie. But I did not. I did however love all the old 90s footage and some fun interviews with the likes of Kim Gordon and Tavi Gevinson.
So it was for me with "The Punk Singer". Not growing up a big punk fan, I missed out on Kathleen Hanna and Bikini Kill, and the Riot Grrrl movement. My loss. This angry, joyful, tough, articulate, crazy, sexy, insightful, funny, political artist was a major force in feminism and social politics, and if I came late to the party I'm grateful to the film for making the introduction now.
The film can be uneven – some (not all) of the talking head interviews with others aren't very interesting - when compared to the performance footage of Hannah, or her ability to analyze her work and it's meaning in her own interviews – but I ended up inspired by the woman and the artist, and inspiration these days is in short supply.
I'm honestly not familiar with Kathleen Hanna's music. I was searching for items on the local library's card catalog and this came up in the search results and since I enjoy this type of thing I put in a request for the DVD.
I found the Punk Singer to be an entertaining film. There's interviews with various artists that Kathleen has played with. I can't say how in depth the film is as I'm not too familiar with Kathleen Hanna or Bikini Kill, but it's a cool film none the less. I didn't know that she was married to one of the Beastie Boys or that she was friends with Kurt Cobane.
Kathleen Hanna seems like a cool artists who stands up for women's rights and is an icon of the Riot Girrrl scene.
Did you know
- Quotes
[last lines]
Kathleen Hanna: I don't give a shit what people think. I know what's real, I don't care if people don't think feminism is important, because I know it is. And I don't care if people don't think late stage Lyme disease exists, because I have it, and other people have it. And we help each other, and we know it exists. And other people can think what they want. My problem is when people get in the way of feminism. Or people get in the way of people who are sick, getting better, because they don't understand it. And if they don't believe in it or they don't want to care about it, that's totally fine, but they should have to stay out of my way.
- ConnectionsReferences La Petite Sirène (1989)
- SoundtracksRebel Girl
Written by Kathleen Hanna, Billy Karren, Tobi Vail, Kathryn Wilcox (as Kathi Wilcox)
Performed by Bikini Kill
Courtesy of Bikini Kill Records
From the album "Yeah Yeah Yeah Yeah"
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Панк-певица
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $122,742
- Opening weekend US & Canada
- $24,729
- Dec 1, 2013
- Gross worldwide
- $146,000
- Runtime
- 1h 21m(81 min)
- Color
- Aspect ratio
- 1.78 : 1