The Hour
- TV Series
- 2011–2012
- 10 avec avertissement
- 1h
A behind-the-scenes drama and espionage thriller in Cold War-era England that centers on a journalist, a producer, and an anchorman for an investigative news programme.A behind-the-scenes drama and espionage thriller in Cold War-era England that centers on a journalist, a producer, and an anchorman for an investigative news programme.A behind-the-scenes drama and espionage thriller in Cold War-era England that centers on a journalist, a producer, and an anchorman for an investigative news programme.
- Won 1 Primetime Emmy
- 4 wins & 45 nominations total
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Featured reviews
Now available on disk from Netflix and streaming on Amazon Prime, this smart, stylish BBC series, set in the mid-50s, really hits its stride by the end of its first season. Sumptuous Bel and geeky Freddie (Romola Garai and Ben Wishaw), escapees from the BBC newsreel floor, are the offscreen talent behind the eponymous news program; Hector (Dominic West) is the hearty, "highly corruptible" frontman. The plot lines are a little over the top at times—Mr. Kish, the palefaced spook who self-destructs when he fails to hit the target, is straight out of the old "Avengers" series (not necessarily a bad thing)—but the interplay among the main characters is beautifully portrayed. Anna Chancellor and Peter Capaldi are great together as a pair of prickly ex-lovers, and Oona Chaplin, at first mainly decorative as Hector's neglected wife, has an amazing scene in which she kicks her latest rival to the curb in the kindest, gentlest way.
The first season is built around the Suez Crisis and the Burgess-Maclean spy scandal, but the political backdrop is pretty much self-explanatory; the second season reverts to more familiar hardboiled themes—bent cops, shady nightclubs, showgirls in jeopardy and a porno racket (innocuous b&w photos in this case)—before getting back to the big stuff, high-level corruption and the nuclear threat. A "behind the scenes" clip on the second DVD focuses on the obsessively detailed production design, which, as with "Mad Men," is a big part of the show's appeal.
The first season is built around the Suez Crisis and the Burgess-Maclean spy scandal, but the political backdrop is pretty much self-explanatory; the second season reverts to more familiar hardboiled themes—bent cops, shady nightclubs, showgirls in jeopardy and a porno racket (innocuous b&w photos in this case)—before getting back to the big stuff, high-level corruption and the nuclear threat. A "behind the scenes" clip on the second DVD focuses on the obsessively detailed production design, which, as with "Mad Men," is a big part of the show's appeal.
Fast moving, very well written show about spies and TV Broadcasting in 50's Britain. The cast is uniformly superlative both as individuals and collectively (sorry about the 'socialist' term - but it is 50's Britain)... sorry, 'Ensemble' is the word. All great down to the smallest parts. Excellent script, good period atmosphere, lighting, photography, set design. There's even some James Bond references which I think is premature but by 1956 Fleming had published three books.
I've never seen Mad Men so I can't relate to the comparisons and I have yet to see Series 2. I watched this on DVD (remember those?) in two 150 minute chunks and both parts held interest from start to finish. Outstanding.
I've never seen Mad Men so I can't relate to the comparisons and I have yet to see Series 2. I watched this on DVD (remember those?) in two 150 minute chunks and both parts held interest from start to finish. Outstanding.
Three times great may stand for the main cast of characters in this wonderful mini series by the BBC about the BBC, well done and professional as it is the house style. It brings you back to the old days of television in the mid-fifties by inviting us the watch the birth of a fictional weekly news magazine and the ups and downs of three journalists. One is a dynamic producer, trying hard to prove to herself and all others that she is worth the job, another a brilliant but difficult to work with intellectual lower class journalist, and finally a charming but eager to please and womanizing moderator. These three are not only connected through their work but simultaneously by friendship, love and hate. Together they get themselves into deep trouble and are bound to rely on each other when things get worse. The story draws us into a forgotten world of secrets, espionage and crisis, all through the eyes of the fifties! Both seasons are excellently done, rich of details and exciting facts.
When receiving a lengthy series of quality, my usual pace is about two hours a night; with The Hour, I went for three, easily, and was hard put not to stay up past midnight and watch the entire series. This outstanding BBC thriller is many things--conspiracy and spy thriller, mystery, romance, period drama--and certainly much more. It has been exquisitely mounted, with lots of convincing period detail, and is acted by a unified ensemble, laying out numerous vivid characters in a plot that begins confusingly, but soon weaves a seductive plot-line that is not merely a whodunit but also reflects social concerns nations face today, about the power of governments and the behind-the-scenes manipulation of events. Its often funny, brilliantly paced, and is intelligent entertainment
The Hour is a great series made from an interesting angle: media in post-War Britain. Since I have a media background, the story line of a BBC news show that is made under influence of the government appeals to me very much.
What I especially like about The Hour are the characters. None of them are either good or bad and their behavior and views seem very realistic. There's no crude division between good or bad which gives the overall story line a layered kind of dynamics: the overall story line as well as the personal drama interested me from the beginning to the end. How I 'grew into' the characters while watching the series reminded me of The Wire. Acting is well done by the way, which pushes the series to a very high level.
This is the first series I saw after seeing the American-made Homeland and it is such a relief to me that the British do not seem to fall for the blunt simplifications of good and bad as portrayed in American drama.
Bravo!
What I especially like about The Hour are the characters. None of them are either good or bad and their behavior and views seem very realistic. There's no crude division between good or bad which gives the overall story line a layered kind of dynamics: the overall story line as well as the personal drama interested me from the beginning to the end. How I 'grew into' the characters while watching the series reminded me of The Wire. Acting is well done by the way, which pushes the series to a very high level.
This is the first series I saw after seeing the American-made Homeland and it is such a relief to me that the British do not seem to fall for the blunt simplifications of good and bad as portrayed in American drama.
Bravo!
Did you know
- TriviaBel and Freddie often call each other Moneypenny and James, in reference to iconic characters from the James Bond franchise. Ben Whishaw later joined that franchise as Q in Skyfall (2012).
- ConnectionsFeatured in The Wright Stuff: Episode #15.135 (2011)
- How many seasons does The Hour have?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- 焦點時刻
- Filming locations
- Hornsey Town Hall, The Broadway, Haringey, London, England, UK(Lime Grove television studio)
- Production companies
- See more company credits at IMDbPro
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