A girl is trapped inside her family's lakeside retreat and becomes unable to contact the outside world as supernatural forces haunt the house with mysterious energy and consequences.A girl is trapped inside her family's lakeside retreat and becomes unable to contact the outside world as supernatural forces haunt the house with mysterious energy and consequences.A girl is trapped inside her family's lakeside retreat and becomes unable to contact the outside world as supernatural forces haunt the house with mysterious energy and consequences.
- Directors
- Writers
- Stars
- Awards
- 1 win & 3 nominations total
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Silent House is directed by Chris Kentis and written by Laura Lau. It stars Elizabeth Olsen, Adam Trese and Eric Sheffer Stevens. Music is by Nathan Larson and cinematography by Igor Martinovic. A remake of Uruguayan film, La casa muda (The Silent House), story has Olsen as Sarah, a young woman who finds herself locked in the abandoned family home she was helping her father and uncle to clear out before it is sold. Soon Sarah finds herself pursued by an unseen assailant and she struggles to make sense of what is festering in the house.
Forget the gimmick that comes with the film, that of the use of "real time" to give off the effect of one continuous take, it doesn't impact on how you ultimately will feel about the film either way. It comes down to if you can buy into another haunted house movie whilst accepting the outcome as being worth your time. Horror fans are notoriously hard to please, even when something original happens along, such as the recent The Cabin in the Woods, a good portion of the horror faithful will remain displeased. Silent House is what it is, a hugely efficient haunted house creeper that admirably builds suspense and then shows its twisty hand. If you want fresh and exciting, and I keep seeing people write that "such and such" didn't bring nothing new to the table whilst themselves not offering up exactly what could be brought to said table, then it's very unlikely Silent House will fill your horror hungry bellies.
Coming from the makers of Open Water, it's evident that Silent House wants to have realism on its side, it's stripped back for impact, with a less is more approach to its garnering of chills. With Olsen terrific, and she is, we are asked to put ourselves in that house and be in her shoes to feel the terror. Not everyone can do that, obviously, but being able to do that considerably makes Silent House a far better movie than its lowly internet ratings suggest it is. The scares are not over done, the music score is suitably sparse as claustrophobia reigns supreme, the use of natural light impressive and the camera glides about as an ethereal observer, technically it is a very effectively constructed haunted house picture. It's also refreshing to find the makers are able to use credible reasons for characters to be in and out of the house, this isn't about the dumb decision making so often rife in this sub-genre of horror over the years.
Sadly the third act is weak as the scares, tech attributes and atmosphere subside, we land in familiar territory and the big reveals, whilst thematically potent and never to be scoffed at, lack the desired impact and the film closes down more on a whimper instead of the terrified scream the rest of the film deserved. A shame, because for the most part this is a very good genre offering for those who have a bent for such spooky/home invasion doings. 7.5/10
Forget the gimmick that comes with the film, that of the use of "real time" to give off the effect of one continuous take, it doesn't impact on how you ultimately will feel about the film either way. It comes down to if you can buy into another haunted house movie whilst accepting the outcome as being worth your time. Horror fans are notoriously hard to please, even when something original happens along, such as the recent The Cabin in the Woods, a good portion of the horror faithful will remain displeased. Silent House is what it is, a hugely efficient haunted house creeper that admirably builds suspense and then shows its twisty hand. If you want fresh and exciting, and I keep seeing people write that "such and such" didn't bring nothing new to the table whilst themselves not offering up exactly what could be brought to said table, then it's very unlikely Silent House will fill your horror hungry bellies.
Coming from the makers of Open Water, it's evident that Silent House wants to have realism on its side, it's stripped back for impact, with a less is more approach to its garnering of chills. With Olsen terrific, and she is, we are asked to put ourselves in that house and be in her shoes to feel the terror. Not everyone can do that, obviously, but being able to do that considerably makes Silent House a far better movie than its lowly internet ratings suggest it is. The scares are not over done, the music score is suitably sparse as claustrophobia reigns supreme, the use of natural light impressive and the camera glides about as an ethereal observer, technically it is a very effectively constructed haunted house picture. It's also refreshing to find the makers are able to use credible reasons for characters to be in and out of the house, this isn't about the dumb decision making so often rife in this sub-genre of horror over the years.
Sadly the third act is weak as the scares, tech attributes and atmosphere subside, we land in familiar territory and the big reveals, whilst thematically potent and never to be scoffed at, lack the desired impact and the film closes down more on a whimper instead of the terrified scream the rest of the film deserved. A shame, because for the most part this is a very good genre offering for those who have a bent for such spooky/home invasion doings. 7.5/10
The is only my second review on IMDb but I feel it's important to offset the unduly negative reviews here. I read the reviews beforehand and was put off watching but was actually amazed at how good the film actually is. The film is superior in every way to Open Water, which is also a very good film. I feel a bit for the directors, having made such an obviously great horror film, only to not have it recognised as such. The main actor is extremely good at her job. I have seen virtually every 'woman in peril' movie but the fear experienced by her character is utterly palpable and convincing. The fear of having killer strangers in your house is done better in this film than ANY OTHER film I have watched. Far from the 'real time' aspect not working, it actually works brilliantly and is done extremely well.
PS. and no, I'm nothing to do with cast or makers of this film!! I just like watching good horror films and this is without a doubt a very good horror film.
PS. and no, I'm nothing to do with cast or makers of this film!! I just like watching good horror films and this is without a doubt a very good horror film.
I had been anticipating this one when it came out, and since then sort of forgot about it. I finally saw it with some hesitation, and... I liked it enough. The concept of appearing as a single-take is used for all it's worth. The cinematography is pretty brilliant, and really does make the film scary. There are some really great horror scenes here, scenes that amount to undeniable levels of terror. The other reason why the film is as unnerving as it is sometimes is because of Olsen. I haven't seen a performance this unbelievably scared as sh*t in a very long time, and Olsen squeezes the film's potential for all it's worth. Many times the reason you jump is because of Olsen's screams and terror. Not a very three-dimensional character, but a big reason the film works is because of how she delivers.
I was hoping I wouldn't hate the ending, but yeah, I kinda did. I got the big "twist" early on, as it's kinda obvious with how certain characters "communicate" with each other. Once the lead started seeing certain people and figures, I knew what had happened. That wasn't as much the problem as it was how they executed it. Very laughably idiotic, not to mention the dialogue was horrible and on-the-nose.
Very flawed ending and weak characters/dialogue, but otherwise a well- directed and impeccably photographed horror film with a brilliant central performance. This is another reason to keep looking out for Elizabeth Olsen.
I was hoping I wouldn't hate the ending, but yeah, I kinda did. I got the big "twist" early on, as it's kinda obvious with how certain characters "communicate" with each other. Once the lead started seeing certain people and figures, I knew what had happened. That wasn't as much the problem as it was how they executed it. Very laughably idiotic, not to mention the dialogue was horrible and on-the-nose.
Very flawed ending and weak characters/dialogue, but otherwise a well- directed and impeccably photographed horror film with a brilliant central performance. This is another reason to keep looking out for Elizabeth Olsen.
Directors Chris Kentis and Laura Lau give us a story about a young woman, Sarah, who is sealed inside her family's secluded lake house. With no way out, events become terrifying. The direction was fine and all of the suspense points seem to be there, albeit a bit predictable. I'm not sure who to credit whenever there is two, sometimes three, directors on board.
The cast had fine actors involved including Adam Trese, Elizabeth Olsen, Eric Sheffer Stevens, Julia Taylor Ross. Elizabeth Olsen did a good job and it doesn't hurt that she is nice to look at.
Interesting camera work on this movie. There seems to be a lot of static shots, that work most of the time. I'm sure that these are choices that the director (s) made and I applaud them for making choices and sticking to them.
This is a story based on a concept that is not very original, but what is important is the execution.
Would I recommend it? I'm not sure if this is for everyone. Some may pick it apart just a little too much. For my, I enjoyed it for what it was.
The cast had fine actors involved including Adam Trese, Elizabeth Olsen, Eric Sheffer Stevens, Julia Taylor Ross. Elizabeth Olsen did a good job and it doesn't hurt that she is nice to look at.
Interesting camera work on this movie. There seems to be a lot of static shots, that work most of the time. I'm sure that these are choices that the director (s) made and I applaud them for making choices and sticking to them.
This is a story based on a concept that is not very original, but what is important is the execution.
Would I recommend it? I'm not sure if this is for everyone. Some may pick it apart just a little too much. For my, I enjoyed it for what it was.
OK, obviously i had just finnished watching this movie. I came to IMDb to look up who the lead actress was. Upon finding the poor reviews on this movie i had to make an account. I have had enough of these movie "critics". Every time i come on here i see ratings that do not justify the movies. Time and time again all you read is some snob critic complaining about something and the sheep of mindless dummies nod and agree. Im not going to go into full details about this movie but rather give my two cents from a person who's life basically is stories on screens. My criteria for "good" movies/shows. 1.)is the lead actor good. 2.)Is it different. 3.)Was it entertaining 4.)Was it predictable 5.)How was the story telling. Do not listen to the mindless hordes of know it all, the lead actor was good, the story was not predictable and it was entertaining overall. watch this movie and judge for yourself. I mean seriously IMDb rating is crap.
Did you know
- TriviaContrary to the marketing's claim that the film was shot in one uninterrupted take, the entire movie was actually shot to mimic one continuous real-time take, with no cuts from start to finish, as a result the time span of the film's plot is exactly 86 minutes. It was shot in roughly 10 minute segments then carefully edited to hide the cuts. This was confirmed in an interview by Elizabeth Olsen and the directors.
- GoofsBlood appears on Sarah's chest and blouse in different places, and different patterns.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.99 (2012)
- SoundtracksWonder Why
Written by Rob Ritchie
Performed by Maritime Analog
- How long is Silent House?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- La Casa Silenciosa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $12,754,783
- Opening weekend US & Canada
- $6,661,234
- Mar 11, 2012
- Gross worldwide
- $16,527,747
- Runtime
- 1h 26m(86 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content