On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover and the call-girl-turned-actress cast in the production.On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover and the call-girl-turned-actress cast in the production.On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover and the call-girl-turned-actress cast in the production.
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I really can't understand the hate the movie is getting so far. The acting of all parties involved is solid, Owen Wilson does his shtick, Jennifer Aniston plays wonderfully annoying, the lead role is played fantastically by Imogen Poots and the rest of the cast shines as well...
It's a very light "Woody Allen" - type summer comedy. It's not trying to be anything more. Sure, against the great films of the last century this doesn't need to be mentioned, but against light, comedic summer flicks, it is absolutely palatable.
The film revolves around a hooker named Isabella Beatty (Imogen Poots), who became a Broadway thespian following a gracious break from Arnold Albertson (Owen Wilson), a Broadway director who frequents escorts despite being married to Delta (Kathryn Hahn), a Broadway star herself. Arnold is filthy rich, for that matter, and upon paying escorts for their services, he'll also gift them with $30,000 to get their life moving in the right direction, all under Delta's nose. Meanwhile, a playwright named Joshua (Will Forte) begins to fall in love with Isabella, despite dating Jane Claremont (Jennifer Aniston), a bitter and hot-tempered therapist. Finally, there's also Seth (Rhys Ifans), an actor of Arnold's who also frequents escort services whilst trying to balance his exploding level of popularity.
This conglomeration of characters make She's Funny That Way a film that consistently moves and never slows down. The persistent weaving and fluid profiling of each and every character in the film is what largely makes the film such a good time. While the characters may often be contemptible, the situational humor mimics the sort of awkwardness and indecisive etiquette occurrences examined in your average episode of Curb Your Enthusiasm, although with decidedly more theatricalities and far-fetched circumstances.
The cast here feels right at home. We have low-key performers that go under the radar far too often (Poots, Ifans, and Forte) and we have seasoned veterans trying their hand at the personalities they accentuate the best (Aniston and Wilson). Moreover, though, everyone feels like they're enjoying themselves. This isn't a film to take very seriously, nor is it a film that gets hung up on vulgarities and stupidity. It's the rare adult comedy with the energy of a kids film but the brazen personality that can accompany any night filled with wine, good friends - even a date - and a fulfilling dinner.
One of the biggest problems I've seen with American cinema is, despite R-rated comedies, few comedies are really designed for adults. Paradoxically, R-rated films like Get Hard and The Hangover sequels have jokes that would make teenagers laugh out loud, but many adults turn the other cheek, though they are the audience that will be allowed in the film at the local multiplex. She's Funny That Way is a film that bears a crass sense but in a way that isn't over-the-top or in love with the idea of making the viewer uncomfortable based on situations involving bodily fluids or intercourse. Co-writer (along with Louis Stratten) Bogdanovich works to make the film a more humble comedy, where the awkward situations are made funny by the characters and not the inanity of the situations themselves.
This is a smartly written film, one that really is elevated by the performers, though they, for once, aren't ostensibly trying to mask the low-level quality of the writing. She's Funny That Way packs a lot of manic energy in its eighty minutes, including great displays of character acting and plenty of nods to film lovers. Nuts to the squirrels indeed.
Starring: Owen Wilson, Imogen Poots, Will Forte, Jennifer Aniston, Kathryn Hahn, and Rhys Ifans. Directed by: Peter Bogdanovich.
The cast in this film was impeccable, it was real fun to see all the familiar faces from many different eras of film but it was Imogen Poots' truly inspired performance that really brought and incredible energy to the film. I unfortunately was not aware of her prior to this film, but by the end of it I can now say I am an advocate, she was a real vision in this film and I'd love to see her in more roles like this. These are the kinda of rare films that I really think are for people that love movies and make you fall in love with the movies, and I'm happy that I saw it and its amazing to see what a director like Bogdanovich still has inside of him and its a shame that we haven't seen more modern works from him because this film proves that he can still create works that far exceed the films produced by other contemporary directors, I can't even think of a film within the last 13 years since the last Bogdanovich film that really rivals this.
This film is a quiet one set up in a screwball comedy kinda of fashion, I'm not going to go into the details, you can read that synopsis else where, but what I am going to say is that this film is pure escapist enjoyment. Its small, dialogue driven and does exactly what films at their core are meant to do and entertain and once you blink its over, and what you walk away from this film with is the memory of seeing something light hearted and fun and the feeling that you saw something special that will stick with you in the back of your mind for some time.
My only gripe that I have has nothing to do with this film but with the reviews and the rumored distribution issues with this film, I don't really know how a film like this did not receive more positive reviews and its unfortunate because due to that the film isn't going to get the release it really deserves, because this picture really needs to be seen in the theater with an audience, it really enhances the magic you feel when watching it. I can really go on and on about my love for this film, All I can really say is that I really hope that this film finds its audience because its a shame that it hasn't already because its one of those films that immerses you so deep that by the end of it you really felt like you've seen something really special.
Did you know
- TriviaThe male lead was originally written for John Ritter, but his death stopped Peter Bogdanovich from wanting to make it. When Wes Anderson introduced him to Owen Wilson, he liked him so much that he decided to bring the movie back.
- Goofs(at around 20 mins) When Jane lets the German Shepherd, Shep, into a taxi, she says, "Good girl." Later she refers to him as a male: "Come on, boy."
- Quotes
Arnold Albertson: Nobody can tell you where your place is, where is my place? Where is anybody's place? You wanna know where it is? Wherever you're happy, that's where your place is. And you're the best judge of that. In central park for instance some people like to feed the nuts to the squirrels but if it makes someone happy to feed squirrels to the nuts, who am I to say nuts to the squirrels?
- Crazy creditsDuring the end credits, we see what happened to the main characters.
- Alternate versionsThe theatrical version released in 2014 runs 93 minutes. A high-definition video master of Peter Bogdanovich's original 113 minutes cut, titled "Squirrels to the Nuts", was discovered on eBay in October 2020 and purchased by James Kenney. This material was used by Adria Petty and Frank Marshall to restore Bogdanovich's director's cut, which premiered at the New York Museum of Modern Art in April 2022 and was later released for limited theatrical engagements and on digital platforms in February 2025. This version runs 115 minutes.
- ConnectionsFeatured in Conan: Sir Patrick Stewart/Lucy Punch/Grace Potter (2015)
- SoundtracksCheek to Cheek
Written by Irving Berlin
Performed by Fred Astaire
Courtesy of the Verve Music Group under license from Universal Music Enterprises
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- Also known as
- Enredos en Broadway
- Filming locations
- New York City, New York, USA(streets)
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Box office
- Gross US & Canada
- $111,996
- Gross worldwide
- $6,034,851
- Runtime1 hour 33 minutes
- Color
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- Aspect ratio
- 1.85 : 1