IMDb RATING
6.4/10
2.1K
YOUR RATING
Tumultuous relationship between Pyotr Tchaikovsky, the most famous Russian composer of all time, and his wife Antonina Miliukova.Tumultuous relationship between Pyotr Tchaikovsky, the most famous Russian composer of all time, and his wife Antonina Miliukova.Tumultuous relationship between Pyotr Tchaikovsky, the most famous Russian composer of all time, and his wife Antonina Miliukova.
- Director
- Writer
- Stars
- Awards
- 1 win & 7 nominations total
Filipp Avdeev
- Modest Tchaikovsky
- (as Philipp Avdeev)
- …
Natalya Pavlenkova
- Olga Nikaronovna, Antonina's Mother
- (as Natalia Pavlenkova)
Aleksandr Gorchilin
- Brandukov, Tchaikovsky's Pupil
- (as Sasha Gorchilin)
Miron Fedorov
- Nikolai Rubinstein
- (as Oxxxymiron)
Yuliya Aug
- Mad Woman at Church
- (as Julia Aug)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm always excited to see a production of sumptuous costume drama. It's notoriously expensive and difficult to pull off, and in the time of cheap shortcuts everywhere, 'Tchaikovsky's Wife' stands out for its consistency and authenticity of its style and production design.
Drama-wise, as the title implies, it's almost all about Antonia, the wife's perspective... and her perspective is extremely simple - her obsession for Tchaikovsky. The 2 and a half hour run is all about her anxious and gradually more manic and bitter obsession, and you can imagine it wouldn't be a very happy and even somewhat exhausting journey.
Tchaikosky as a character largely serves as her object of obsession rather than a full multi-dimesional person. He is definitely portrayed as rather cruel and frivolous (and real Tchaikovsky indeed was when it came to his wife), but he's also not depicted as a simplistic evil - there are fleeting moment of his human depth as in the 2 photo session scenes. And I can understand why they avoided using Tchaikovsky's music much (apart from Antonia playing the melody of the famous letter aria from 'Onegin'). The beautiful and emotional music of Tchaikovsky, the representation of his genius, would have shifted the weight of the film from Antonia to Tchaikovsky.
Despite it being a grueling journey, it didn't feel boring thanks to the sumptuous production design and rather theatrical style. From the very first scene of the dead Tchaikovsky rising to taunt Antonia for daring to come to his funeral, one should understand this was not to be a conservative and realistic depiction of drama. Yet there definitely were some scenes that rather stood out like a sore thumb - Antonia presented with a bunch of muscular young men (or indeed more dramatic reprise of it at the end) or her lover masturbating himself in his blood stained death bed feel the director being overtly ambitious.
Overall I appreciated the film... though I'm not sure if I want to go through it the second time.
Drama-wise, as the title implies, it's almost all about Antonia, the wife's perspective... and her perspective is extremely simple - her obsession for Tchaikovsky. The 2 and a half hour run is all about her anxious and gradually more manic and bitter obsession, and you can imagine it wouldn't be a very happy and even somewhat exhausting journey.
Tchaikosky as a character largely serves as her object of obsession rather than a full multi-dimesional person. He is definitely portrayed as rather cruel and frivolous (and real Tchaikovsky indeed was when it came to his wife), but he's also not depicted as a simplistic evil - there are fleeting moment of his human depth as in the 2 photo session scenes. And I can understand why they avoided using Tchaikovsky's music much (apart from Antonia playing the melody of the famous letter aria from 'Onegin'). The beautiful and emotional music of Tchaikovsky, the representation of his genius, would have shifted the weight of the film from Antonia to Tchaikovsky.
Despite it being a grueling journey, it didn't feel boring thanks to the sumptuous production design and rather theatrical style. From the very first scene of the dead Tchaikovsky rising to taunt Antonia for daring to come to his funeral, one should understand this was not to be a conservative and realistic depiction of drama. Yet there definitely were some scenes that rather stood out like a sore thumb - Antonia presented with a bunch of muscular young men (or indeed more dramatic reprise of it at the end) or her lover masturbating himself in his blood stained death bed feel the director being overtly ambitious.
Overall I appreciated the film... though I'm not sure if I want to go through it the second time.
Giving this an 7/10 rating
Kirill Serebrennikov, who I know for his last feature 'Petrov's Flu', which was crazy, delivers his visual style and narrative to this tale of the woman's view, just like 'Priscilla' by Sofia Coppola, which is also showing now.
This Russian film film does not hold back, it is bleak in looks and sound, but is also beautiful in both, and plenty of touches of surreal, dream like moments of madness in the most strangest places, that do work well in favour of the story, it's not very uplifting, but still interesting.
Alyona Mikhailova plays the poor suffering wife of Tchaikovsky, and she is nothing short of excellent as she plays love, hate, despair and lust, like no other, and she is super watchable, Odin Lund Biron plays Tchaikovsky like a soft man, and then a rouge, he is just as good. It's a perfect casting as they spar very time on screen.
Serebrennikov's direction plays with our senses and questions what we are witnessing, I have to wonder too, this tale is so unknown to me, but its' based on events so, far enough. Plenty of nudity and sex here, even in the grime of horrible living conditions of the 1800's of Russia, It's a must watch in the biggest screen you can find if you want the best out of it.
Kirill Serebrennikov, who I know for his last feature 'Petrov's Flu', which was crazy, delivers his visual style and narrative to this tale of the woman's view, just like 'Priscilla' by Sofia Coppola, which is also showing now.
This Russian film film does not hold back, it is bleak in looks and sound, but is also beautiful in both, and plenty of touches of surreal, dream like moments of madness in the most strangest places, that do work well in favour of the story, it's not very uplifting, but still interesting.
Alyona Mikhailova plays the poor suffering wife of Tchaikovsky, and she is nothing short of excellent as she plays love, hate, despair and lust, like no other, and she is super watchable, Odin Lund Biron plays Tchaikovsky like a soft man, and then a rouge, he is just as good. It's a perfect casting as they spar very time on screen.
Serebrennikov's direction plays with our senses and questions what we are witnessing, I have to wonder too, this tale is so unknown to me, but its' based on events so, far enough. Plenty of nudity and sex here, even in the grime of horrible living conditions of the 1800's of Russia, It's a must watch in the biggest screen you can find if you want the best out of it.
Ugh ... disappointment of the last few years ... despite some very beautiful cinematographic ideas ... the script is despicable : this movie is a disguised propaganda against homosexuality ... I nearly threw up towards the ending ... I'm still so upset ... They highjacked Tchaikovsky's tragic marriage story and packaged it up as a costume drama ... but clearly to make a picture of the composer and other homosexual men as mean opportunistic vilains ... you don't learn anything about him nor her nor about the historical circumstances etc. .... There's no music either ...
It's a pitiful recount how a woman desperately tries to have sex with a man who is clearly not into it AND who told her so from the very beginning: marriage yes but only as a brother!
In the movie they even make allusions that it's not normal if a man doesn't want to shag a woman if he sees her naked .... how on earth did this get selected in Cannes is beyond my comprehension...
In the movie they even make allusions that it's not normal if a man doesn't want to shag a woman if he sees her naked .... how on earth did this get selected in Cannes is beyond my comprehension...
This movie left me sitting in cinema chair few minutes after it finished.
Photography, camera, scenes, details, symbolism - everything!
A story of a woman, who adored her men, but never was loved back. Her inner struggle and suffering, living with it, and destroying herself - all for love!
A touch of feminism, but not radical one, in normal proportions as it used to be in 19. Century.
This director is a genius! Please give it a try!
Movie is 2h 30min, but flies quicky as keeps your attention Really, a must see, at least once!
Story of women's love on the border with insanity!
STRONG RECOMENDATION! :)
Photography, camera, scenes, details, symbolism - everything!
A story of a woman, who adored her men, but never was loved back. Her inner struggle and suffering, living with it, and destroying herself - all for love!
A touch of feminism, but not radical one, in normal proportions as it used to be in 19. Century.
This director is a genius! Please give it a try!
Movie is 2h 30min, but flies quicky as keeps your attention Really, a must see, at least once!
Story of women's love on the border with insanity!
STRONG RECOMENDATION! :)
It's a story about a woman threatening Tchaikovsky to be her husband, or she would kill herself, and wandering all around hysterically to try to find out where Tchaikovsky was after his escape of their marriage. Because Tchaikovsky was a gay, he would of course not fall in love with a woman, not to even mention marry one! God damn it! The whole process took 2.5 hours, and the movie just seems like it couldn't get a point, like a fly hovering from the east to the west, and the opposite direction again, again and again with no destination. It's just too ridiculous. Even the worst soap opera in my country would never feature something like this. I really feel like I'm fooled around. I think that rating 2 stars is just too enough. I can't rate even higher.
Did you know
- TriviaDespite being a Russian film from a major Russian director, has never been released in Russia, possibly due to the director's criticism of Russia's war against Ukraine. He has not worked in Russia since.
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Tchaikovsky's Wife
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €2,113,000 (estimated)
- Gross worldwide
- $1,290,742
- Runtime2 hours 23 minutes
- Color
- Aspect ratio
- 2.35 : 1
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