The Iran Job

I am making comments on this film in reaction to a previous review I saw which completely slammed it on very little basis. Firstly, I didn't think the 3 Iranian women in the documentary came across as having "no other worries other than becoming an actress or getting married" - anything but - they were strong women prepared to speak up about the political situation in Iran and the position of women. I'm not surprised they are in trouble with the authorities and my one criticism of the film makers is that they effectively encouraged them to reveal their identities in one scene on the understanding that the film was not going to be seen by those inside Iran. The most important outcome of the film for me was Kevin's (The US basketball player's) comment that he now thought he understood and respected the point of women on a deeper level since knowing these women in Iran.

Iranians in the film didn't come across as "hopeless idiots" nor did Iranian culture as "shallow and ridiculous". I wonder if we saw the same film really? A clue to this hopelessly negative review, however, might be the reviewer's statement: "It was unfortunate that I wasn't informed about this movie's exceptionally low quality beforehand, so I figured I do my share of informing those who haven't spent their time and money on it yet". I'm always wary of people who look to be "informed" of a film's low quality beforehand - who would do the informing? Someone with exactly the same views as yourself, I suppose. Most people prefer to make their own minds up.

Also, by the way, it is a difficult, if not totally unfair, task to compare a fictionalised blockbuster Hollywood drama like "Argo" with a very small budget documentary like "The Iran Job". Personally, I admire Argo as an exceptional film but you only have to know a few Iranians to know how controversial Argo is to them. Many regard the portrayal of the Iranian characters in it as just as stereotypically idiotic as you claim those in the Iran Job to be.

This movie isn't slick enough to win any big awards, but what the filmmakers accomplished is incredible. It's the story of Kevin, a college basketball star from the US Virgin Islands whose career as a journeyman international basketball player takes him to one of the least likely places for an American to end up: Iran. Despite his concerns about the country, he agrees to be brought in as a ringer for an upstart team. He needs to justify the substantial investment the team made in him by leading them to the playoffs, but in order to do so, Kevin will need to do more for the team than simply being its best player.

This story serves as the substrate for a fascinating on-the-ground view of Iranian society, behind the walls created by feuding governments. You see that despite living under an authoritarian regime, the real Iranian people have desires and dreams not unlike their Western counterparts. You see much about their society that is admirable, even as people struggle against the constraints of tradition and an authoritarian government.

One can't help feeling that the world would be a much more peaceful place if ordinary people simply got to know one another. Any movie that can produce such a feeling is worth a watch.

Viewed at the Los Angeles Film Festival, LAFF, June 15, 2012. The eye-opener of the first weekend was a feature length documentary entitled "The Iran Job" made by German-American director Till Schauder and produced by his Iranian-American wife Sara Nodjoumi. On the surface this is the story of a year in the life of an Afro-American basketball player recruited to revitalize a second rate Basketball team in Iran and get them into the playoffs -- but it soon becomes evident that the sports story is merely the framework for a slam-dunk penetration into the paint of society in the Islamic Republic described by President Bush as part of an Axis of Evil. In 2008, the crucial political year in which Obama became president, Kevin Sheppard signed up to play in Iran. His fiends all advised against such a move but Kevin felt he wanted to try something completely new so he signed a year contract to play in Iran. Soon after his arrival he realizes that politics is a touchy if not dangerous subject in Iran so he resolves to steer clear as much as possible. His relations with colleagues and other friends soon enmesh him whether he likes it or not and the whole film becomes one revelation after another of the extent to which average people resent the repressions forced upon them by the fundamentalist Islamic Government. All this set against news clips from CNN regarding the edgy tension between the USA and Iran.

Only seconds into the film we get a clip of President George Bush to set the mood: Says Bush: "The notion that the US is about to attack Iran is ridiculous ... However, all options are on the table (Audience chuckle). This is followed by a clip of president Ahmedinajad of Iran ranting against Israel and calling for its extermination. The riposte to this is a clip of Hilary Clinton, then a potential presidential candidate, saying: "If Iran attacks Israel we will attack Iran -- and we have the means to obliterate ...!" -- In all exterior shots Schauders roving camera picks up gigantic images of Khomeini and the Ayatolas looking down from walls all over the city. No commentary, but those who know Iran know that this is the Big Brotherhood watching over everyone all the time. It is obvious that the average Iranian is favorably disposed toward Americans on the personal level but one of the first images we see is a wall with a sign saying "Down with USA". The party line and the personal line are in constant clash -- Kevin is convinced that Iranians are especially fond of Black Americans, but when people expect him to be especially supportive of newly elected president Obama on the basis of color, he takes a Wait and See attitude. His doctor says now you have a black president and its your turn-- "You need a black house instead of a White House" -- a joke that Kevin takes with a grain of salt. Along the way Kevin does help the weak Shiraz team make the playoffs but this is incidental to his relationship with three young women who befriend him and, with disarming candor, reveal their dissatisfaction with the regime. Hilda is his assigned physiotherapist but soon becomes his confidante outside of work. Laleh, a friend of hers is a thoroughly outspoken critic of the regime and will later be arrested. Elaheh, Kevin's driver, is strikingly beautiful, wants to be a movie star and looks every bit the part. All speak good English but need help with words like "pissed off". As for the wearing of head scarves, all agree that everyone hates it but have to go along with it because of the law. It is illegal for women to visit mens apartments, illegal for women to travel in cars with men who are not husbands or close family, illegal for men and women to sit in the same stands at a basketball game(!) --at one point women are banned from sports attendance altogether -- it is more and more obvious that the average people, especially the female population, are not very happy to be living in an open air religious prison. The peak of religious fervor comes during the celebration of the Martyrdom of Husein, grandson of the Holy Prophet. Out on the seething streets with his friends, Kevin asks why they are celebrating all this with mourning --wouldnt it be better to celebrate the Life of Husein rather than his death -- the kind of question one does not ask in this rigidly religious society. The tension mounts until the 2009 election where popular liberal candidate Mousavi speaks out against the oppressive regime but is "defeated" in a rigged election. As the film ends it looks like things can only get worse. Neda, a women protester killed is a new martyr. Laleh has been arrested. The only ray of hope, maybe -- is that beautiful Elaheh has been given permission by her father to move to Teheran and perhaps pursue her movie star dreams.

We are informed by end titles that Kevin went back for two more seasons of basketball in Iran, but there is not likely to be a sequel to his story. Director Schauder was blacklisted and very lucky to get out of Iran alive with enough smuggled footage to put together this remarkable film. If a regime change ever does come there "The Iran Job" will undoubtedly become an Iranian liberation classic. Meanwhile the filmmakers are trying to drum up the funding needed to get "The Iran Job" as widely seen as it needs to be, to help clear the currently muddled air between the US and Iran. One of the director's stated purposes is not so much to dramatize the politics of Iran as to show Iranian people in a more human light so that they are not demonized along with their government.

First things first, the film was really entertaining. The people who made it were able to see where the story was and chase after it, my original plan had been to watch the initial 20 min of the film and leave the rest for another day but before I knew it I was near the end of the movie; and that can't be said about most films nowadays!

The reason why I didn't give it a higher score is due to some national facts being wrong about Iran, apart from displaying Chris, the basketball player travelling to Iran, as a hero among iranian sheep, which having met many iranians during my life I strongly believe it couldn't have been further away from the truth. Had they left the judging aside and just shown things the way they are, so that the audience can make up their own mind the film might have just been that much better off.

I think basketball is a beautiful and yet complicated game. Iran, at least to my western eyes, is an even more beautiful and infinitely more complicated country. This film is a very simple and sweet glimpse and people who cross over the borders surrounding basketball and Iran.

Just as Kevin Sheppard is not a monumental spokesman for all of the United States, the three sisters cannot capture the thousands of years of Iran/Persian in the past, nor the millions of people living there today.

But the human interest stories in this film are what draw us in on a personal level, Obama's inauguration and the election of Ahmadinejad over Moussavi take place while Kevin joins the Shiraz team in this film. I'm not sure how many "critics" here had they been filmed during those two events would have eloquently captured the moment. Intead I found the dinner when Kevin goes to the house of the Father of the three sisters to be more captivating.

That man, who says nothing on camera during the film, to me was the most fascinating character. Raising three strong women, balancing his belief in them and his faith in Islam, what a story must lie beneath the few moments we spend with them all. Kevin's gesture to politely pass on the head of the table setting at the dinner table was a nice moment of individual ambassador work. But even that scene is tinged with some sadness and misunderstanding as the Mother recaps her surprise that her guests did not stay for hours of fruit, nuts and conversation after the meal.

This film felt like meeting some people in fortuitous circumstances, maybe on a vacation retreat, or in the US at jury duty, where you get a glimpse of meaningful private moments in a mostly public setting. I think I'll wonder about the people on this film here, as I would for such "strangers" I encounter who temporarily break past the estrangement.

Two thoughts based on other comments I've read here. One, the sister Elaheh I don't think had a crush on Kevin so much as she did on the camera. Like many a good actress, her desired vocation, she knew the most important leading man for her is the lens. That being said, the lead-in to a Monday meeting with a potential suitor is set up and then dispatched with nary a follow-up, likely her wishful beau may have been rightfully jealous of the camera wanting to hold his intended in its gaze even while he did the same. Who knows? Also I've seen questions about Zoran, the seven footer from Serbia who does seem a veritable gentle giant. Effectively a migrant worker, away from his own family and young son, apparently in his 30's and it is alluded to his having been through the worst of the war in his homeland. It's almost as if he knows that the story of Kevin, and the sisters and their countries would not fit into this film, much less his own.

The simple truth of this film, that people interacting with each other in person, even with a disparity of background and a possible lack of communication somehow figure out their overwhelming similarities.