13-year-old Maggie navigates growing up, her first love, and moving to a new town, all while learning she has synesthesia - a condition that makes her see sounds, hear colours and more.13-year-old Maggie navigates growing up, her first love, and moving to a new town, all while learning she has synesthesia - a condition that makes her see sounds, hear colours and more.13-year-old Maggie navigates growing up, her first love, and moving to a new town, all while learning she has synesthesia - a condition that makes her see sounds, hear colours and more.
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Through the well-executed film, Magnetosphere, I relived that most awkward period of life: adolescence. No longer a child, yet not an adult, with hormones running loose ... add to that a significant move to another town, a goofy father, classic class bullies, and a developing negative inner dialogue (in this case, in the form of a doll). Now, add to all of that experiencing life in a way that you know is different to other people, trying to hide it, wanting to express it, just wanting to be just like everyone else. And it is impossible to be just like everyone else. And add again to that first crush, first awkward moment with a friend ... and all of it carried off so well, so elegantly by protagonist Maggie. Even when she is grumpy she is delightful. There were several true laugh out loud moments, and many simply delightful moments, and a handful of cringeworthy memories were evoked. Magnetosphere is a safe place to relive that awkward adolescent time and to return whole.
Magnetosphere is a wonderful film for all ages. It's filled with genuine laughs and has a solid dramatic storyline! It moves at a breezy pace with a nice message for anyone who might feel like they don't "fit in".
The cast really makes the most with the material provided! This is the director's second feature film and it shows growth. I am certain that she will have a lengthy career behind the camera.
I saw this film at the U. S. premiere in New York City .There was a decent crowd at the theater and as I mentioned earlier there were plenty of laughs coming from the audience. The film works ! I'd easily recommend watching it!
The cast really makes the most with the material provided! This is the director's second feature film and it shows growth. I am certain that she will have a lengthy career behind the camera.
I saw this film at the U. S. premiere in New York City .There was a decent crowd at the theater and as I mentioned earlier there were plenty of laughs coming from the audience. The film works ! I'd easily recommend watching it!
Maggie is an awkward, melancholy thirteen-year-old girl whose family has just moved to a new town in Ontario in the middle of 1997. There she will face those universal moments of young life: middle school bullies, teenage insecurity and self-loathing, her first true friendship, and falling in love for the first time.
But her perceptions are far different than most people's. She lives in her own world of color, experiencing sounds and moods and people's energies as bright rainbows, gentle glowing, and gloomy clouds in her mirror. She's never heard of synesthesia and doesn't want anyone to know what she's seeing and feeling; there's enough scorn and absurdity around her without the humiliation of just how "weird" she is.
Nicola Rose has made a wonderfully gentle new kind of tale about growing up, with all its anguish and discovery literally colored by a remarkable perspective that's rarely talked about. It may not look like a big-budget Hollywood confection, but the production design, camera work, and vfx keep it vibrant. The story takes its time, getting by on real warmth and a great sense of humor from its eccentric characters (especially Colin Mochrie's wonderfully delusional exterminator who keeps barging in). The acting is excellent across the board, with Shayelin Martin a standout as our protagonist. It elicited laughter and tears from the audience in the theater, connecting with children *and* adults who are caught in a cycle of being painfully hard on themselves. Maggie may be confused by what she sees and feels, and even her eventual diagnosis as a synesthete won't make everything happy and easy, but she is coming closer to self-acceptance and appreciating the human connection she's finally found.
The title comes from a nickname bestowed by the young man Maggie's fallen for, an astronomy student who shares her fascination with the passing Hale-Bopp comet. Like the things she perceives and dwells on, it's a mysterious connection that feeds her soul and helps her emerge from the bubble of deep confusion and self-pity. It's a beautiful and kind movie without a trace of cynicism, something families can share and feel good about as they remember their own times of doubt, confusion, connection, and ultimately a new understanding of the strange and wonderful things that make us who we are.
But her perceptions are far different than most people's. She lives in her own world of color, experiencing sounds and moods and people's energies as bright rainbows, gentle glowing, and gloomy clouds in her mirror. She's never heard of synesthesia and doesn't want anyone to know what she's seeing and feeling; there's enough scorn and absurdity around her without the humiliation of just how "weird" she is.
Nicola Rose has made a wonderfully gentle new kind of tale about growing up, with all its anguish and discovery literally colored by a remarkable perspective that's rarely talked about. It may not look like a big-budget Hollywood confection, but the production design, camera work, and vfx keep it vibrant. The story takes its time, getting by on real warmth and a great sense of humor from its eccentric characters (especially Colin Mochrie's wonderfully delusional exterminator who keeps barging in). The acting is excellent across the board, with Shayelin Martin a standout as our protagonist. It elicited laughter and tears from the audience in the theater, connecting with children *and* adults who are caught in a cycle of being painfully hard on themselves. Maggie may be confused by what she sees and feels, and even her eventual diagnosis as a synesthete won't make everything happy and easy, but she is coming closer to self-acceptance and appreciating the human connection she's finally found.
The title comes from a nickname bestowed by the young man Maggie's fallen for, an astronomy student who shares her fascination with the passing Hale-Bopp comet. Like the things she perceives and dwells on, it's a mysterious connection that feeds her soul and helps her emerge from the bubble of deep confusion and self-pity. It's a beautiful and kind movie without a trace of cynicism, something families can share and feel good about as they remember their own times of doubt, confusion, connection, and ultimately a new understanding of the strange and wonderful things that make us who we are.
I enjoyed watching this - there is a lesson, and it made me tear up at the end. I'm 43 years old and I wish this type of film existed when I was little, although 43 is certainly not too old to watch it now. The kid actors in this film did a great job and I especially liked the youngest one (I think her name was Eedie but it's been a little bit since I've seen it so I could be wrong!). Anyway, I appreciate an alternative type movie that was thoughtfully made and this one fits the bill.
Magnetosphere is a heartwarming and refreshingly original coming-of-age film that shines with emotional depth and vibrant imagination. Set in the late '90s, it follows 13-year-old Maggie Campion (a standout performance by Shayelin Martin), who discovers she has synesthesia-a rare neurological condition that lets her experience the world in vivid, multisensory ways.
Writer-director Nicola Rose blends comedy, nostalgia, and heartfelt drama into a rich story about self-acceptance, family, and the courage to stand out. The film captures the awkward beauty of adolescence with humor and heart, while also offering a thoughtful look at neurodiversity.
The supporting cast is a joy-Colie Mochrie is charming and eccentric as the local handyman Gil, Debra McGrath brings warmth as Maggie's teacher, and Patrick McKenna delights as her quirky theater-loving father. Jordyn Gillis is memorable as Jessica, the school's resident mean girl, whose actions challenge Maggie's resilience.
Visually playful and emotionally honest, Magnetosphere is more than just a coming-of-age story-it's a love letter to embracing what makes us unique. It's a must-see for anyone who's ever felt different, and a reminder that our quirks can be our greatest strengths.
Writer-director Nicola Rose blends comedy, nostalgia, and heartfelt drama into a rich story about self-acceptance, family, and the courage to stand out. The film captures the awkward beauty of adolescence with humor and heart, while also offering a thoughtful look at neurodiversity.
The supporting cast is a joy-Colie Mochrie is charming and eccentric as the local handyman Gil, Debra McGrath brings warmth as Maggie's teacher, and Patrick McKenna delights as her quirky theater-loving father. Jordyn Gillis is memorable as Jessica, the school's resident mean girl, whose actions challenge Maggie's resilience.
Visually playful and emotionally honest, Magnetosphere is more than just a coming-of-age story-it's a love letter to embracing what makes us unique. It's a must-see for anyone who's ever felt different, and a reminder that our quirks can be our greatest strengths.
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- 1h 29m(89 min)
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