Charlie Says

Based on the novel 'The Family' by Ed Sanders, this is one of three films in which Charles Manson featured in 2018, and a film about the Moors Murders would complete a trilogy by director Mary Harron beginning with 'I Shot Andy Warhol' depicting women provoked into irrational violence by an unwarranted infatuation with a weird control freak (Brady and Manson both had in common with their idol Adolf Hitler that they possessed the egotism and disdain for convention of great creative geniuses but not the actual creativity).

There's a surprising amount of God talk by Manson and his coven, and for once the current fashion for swaying steadicam photography suits the lack of balance shown by this unholy trinity of impressionable young ladies.

Charlie Says is yet another take on the Manson cult/murders, but it offers a fresh perspective using a unique method of storytelling. Whereas most media about the Manson family focuses on the murders, Charlie Says is told from the perspective of the.women involved in the crimes, particularly Leslie "Lulu" Van Houten (played by Hannah Murray), and its main concern is the build-up to the crime and the aftermath. Director Mary Harron shines a spotlight on life in the cult, Manson's charming but increasingly crazed antics, the ease of brainwashing lost and traumatized youths, and the difficulties in getting these women to see their crimes for the horrific acts they truly were.

The biggest draws of the film for me were some of its actors. Matt Smith plays Charles Manson to perfection, highlighting his charisma, eccentricities, and slow spiral into increasing violence; wisely, the cracks in his charismatic armor start small and widen over time, once his followers are already sucked into his version of the world. He is at once irresistibly charming, intriguing, and yet off-putting and fearsome, showing moments of love, care, and other moments of domestic abuse and overt control. Merritt Wever plays Karlene Faith, a graduate student sent to the Manson women in prison in order to give them an education, and she serves as a mirror for the audience as she struggles to understand the women's continued insistence that they believe Charlie's visions will come to pass despite all evidence and odds. Merritt's disbelief and overwhelming frustration is played wonderfully, as is her struggle with seeing these women as both murderers and lost souls who were taken advantage of by one of America's most infamous cult leaders. Finally, Sosie Bacon plays Patricia "Katie" Krenwinkel, one of the Manson women, and goes through such believable phases of intense emotion, both in and outside of the cult.

Some reviewers have stated this movie seeks to empathize with the killers, and I found that to be untrue. These women are guilty; there is no doubt about that, and the movie does not argue otherwise. In fact, the climax of the film sees the women having to face the fact that they did horrific crimes because they were told to, not because they had to. Karlene even says earlier in the film that by making them understand that, she will essentially doom them to bear that weight the rest of their lives. She is conflicted over this, but the movie never dares suggest that isn't what they deserve. Still, people are not so easily defined, and the movie makes the case that women who are victims in one sense (of brainwashing and a cult) can also be perpetrators in another (burglary and murder), and the two identities can absolutely be connected. It is worth questioning how that connection is made and what we can do as a society to keep the traumatized from becoming abusers themselves.

As for negatives, one or two line readings from the lead actress, Hannah Murray, were stale and could have been delivered better. While I mentioned this movie does not glorify the crimes, it does have two scenes of violence relating to a few of the murders for those who wish to skip true-to-life violence. Like most depictions of the Manson family, a little "too" much attention is given to Sharon Tate versus all the other victims, though that isn't much of a negative because she is in the movie for a total of two minutes or less. She was beautiful and famous, yes, but let's not forget the others who senselessly lost their lives to this cult.

Overall, Charlie Says is a welcome addition to the media about the Manson family, if only because it has new questions to unwrap and perspectives to offer. I almost skipped it because of its mind-boggling lower score, but I'm glad I didn't. It became my favorite Mansion family-related movie to date. I highly suggest you give it a watch if you are interested in the Manson family, true crime, or cult behavior.

When I first met Charlie, I just knew. Hopped on a bus and I never looked back.

Charles Manson seems to be a hot topic this year. Not only there's the Tarantino movie "Once upon a time ... in Hollywood" in which the Manson Family plays a prominent role, but also this "Charlie Says" focuses on this cult leader from the 60s. It's rather a docu-drama in which the person Manson himself isn't really the central topic. Rather, it's the female members of the Manson family who receive the most attention. A mixed bag of vulnerable, somewhat naive young girls who probably don't realize that Manson's sermons are pure nonsense due to the abundance of soft drugs and the eating of not so kosher mushrooms. Delusions presented by a confused mind. A despotic person and a bundle of contradictions.

The actresses Hannah "Game of Thrones" Murray, Sosie Bacon and Marianne Rendon, who played the characters Leslie van Houten, Patricia Krenwinkel and Susan Atkins respectively, acted generally convincingly. The way these young ladies accept their fate while sitting in adjacent cells waiting for their death penalty is not only frightening but also shows how brainwashed they are by the Machiavellian Manson. Their empathetic attitude towards the horrific facts shows how convinced they are that nothing criminal has been committed by them. In their eyes, it was a necessary thing to do. But mainly because "Charlie said it". Hence the title of this film.

The biggest disappointment is Charles Manson himself, played by Matt Smith. The character lacked charisma. Apart from his sometimes eccentric reasonings and tantrums, I didn't get the idea of dealing with a psychopathic, manic person here. Rather he's a strange hippie with a fake beard who prefers to strum a guitar and who enjoys how the young girls gawk at him full of adoration. Furthermore, I am not a fan of flashbacks. And let that now be the basis of this film. So expect a huge amount of back and forth jumping in time. However, if you aren't familiar with this Manson phenomenon and what this insane cult leader is guilty of, "Charlie Says" is an excellent starting point to discover it. Perhaps the film scores high in originality by showing the whole from the point of view of the female cult members. But still, I recommend watching the films "Helter Skelter" from 1976 and "The Manson family" from 2003.

More reviews here: movie-freak.be

"Charlie Says" is ultimately a white wash of the horror committed by the Manson Family--it features the roles of the females in two of our nation's most gruesome and horrifying slaughter of completely innocent people to date which no one will forget--least of all the victims' families.

The true facts of the atrocities committed by the Manson Family (including the three women featured in this movie) and historical events are either omitted or not nearly accurate in the movie--the facts and events have been tweaked, whitewashed, slanted to tilt the viewers' feelings towards sympathy for the three Manson women rather than towards legitimately earned feelings of horror, shock, and disgust for the heinous murders they committed.

The movie shows Charlie Manson as the leader of these misfit women of the Manson Family supposedly by using mind control but this was not clearly shown as the women did have freedom and were free to leave. So, the power of mind control theme in the movie falls apart here. One is left to think that these women of the Manson Family went from a herd mentality of sociopaths to psychopathic murderers willingly--just following the herd.

The movie is not great, by a long shot.

"Charlie Says" (2018 release; 101 min.) brings the story of the Charles Manson murders, but this time for the perspective of the three "Manson women" involved in the killings. As the movie opens, one of the women is taking a shower, the blood coming off of her hair and body. We then go the "3 Years Later", and we see the three women in jail at the California Institution for Women, on a separated wing with just the three of them: Lulu, Sadie and Katie. A graduate student at UC Santa Cruz is given the opportunity to teach these three some classes. When then go back in time, to when Leslie (later named Lulu by Manson) arrives at the remote ranch where Mason and his entourage live... At this point we are 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest from Canadian director Mary Herron, who previously brought us the worthwhile "I Shot Andy Warhol" and, even better, "American Psycho". Here she revisits the events that are often referred to as "having ended the 60s" (the murders took place in August, 1969). The film is based on several books, including the one written by the graduate student on specifically Leslie/Lulu, but there are certainly additional source materials on the Manson women. Indeed the eternal question seems to be: are these women victims themselves? are they just part of the gang that committed these vicious killings? The movie attempts to address that, and while at times it shows promise, in the end the movie lacks depth and what we are stuck with is something that certainly isn't a bad movie, but given the underlying facts, it feels more like a missed opportunity. Leslie/Lulu is played with conviction by up-and-coming British actress Hannah Murray. Manson is played by Matt Smith as if he's Jim Morrison (check out Smith instead in that other recent indie movie "Mapplethorpe"). Beware: there is a fair amount of nudity in the film, so if that is a concern for you, better stay away and check out another film.

"Charlie Says" premiered at last Fall's Venice film festival to ho-hum reaction, and is now getting a limited US theater release. It opened at my local art-house theater here in Cincinnati this weekend for just a one week run. The early Sunday evening screening where I saw this at was attended so-so (7 or 8 people). Maybe this will find a larger audience as it is launched on other platforms. If you have any interest in the Manson murders, and in particular the women that were involved in it, I suggest you check this out, be it in the theater (unlikely), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.