Le dernier patient

The Last Client: Danish Nordic Noir. Susanne ( Signe Egholm Olsen) is a psychotherapist, her last client of the day Mark ( Anton Hjejle) seems, a little bit odd, paying the receptionist in advance in cash, notes and change. He is soon in control of the therapy session and shows just how murderous he is. She has to endure his game playing , knowing that her family may be at risk. We've already seen Mark at work, arriving at a victim's home dressed as a surgeon. Overpowering the woman he operates on her without anesthesia, removing a fetus which he places in a jar. (Not a spoiler, it's the opening sequence of the film.) This is not the only horrific scene in a film which is replete with disturbing sequences. The sound is very important, being followed on a cobbled street, a torn poster fluttering, someone thinking they heard a scream but dismissing it. There are some important plot twists which cannot be revealed here, perhaps one twist too many. The film is well worth watching though with great performances from Olsen and Hjejle, the tension is maintained throughout the 95 minute running time as the focus shifts from a clinic to woods. Directed & Co-Written by Anders Rønnow Klarlund. 8/10.

No pun intended - when it comes to psychological stuff, there are always things to consider. And thrillers have to consider even more things - to make them work. Logically and internally and all that. Acting wise this is really good. I do wonder about the practice and how she ... or rather why she would conduct her business like that, but if she didn't we wouldn't have a movie ... and so many twists ahead of us.

I liked what this did and the low budget it has does not even - well it does not make much of a difference. The effects are good, the main location is the office obviously. And the script is tight - you can tell because of the dialog you hear. The actors are great in their respective roles. Watch it if you are into mysteries and thrillers that keep you guessing ... everything and anything goes ...

First 60-70 minutes were somewhat good, nothing great or memorable though. So was the twist. Unexpected but it still was a 6-ish/10 movie. Nothing impressive, from acting to directing etc.

And then, the movie took an interesting turn, it became not just watchable but recommendable. Most of the movies nowadays have mediocre or bad endings/final parts. The ending here is so good, it's touching, satisfying and almost mind blowing. The characters here are not ordinary people, the story is not the most plausible one, however the viewer is fully convinced about their motives, at least i did. In the end, everyone got what they deserved. Yes, the final twist is somewhat predictable but still, satisfying as hell. And the words of a person before, made me emotional.

A good psychological drama/thriller.

This little gem made me feel stupid, which is a good thing.

What starts off as a by-the-numbers thriller about a killer who visits a shrink to get some kind of closure, turns into something completely different by the end with a plot twist I didn't see coming, although there were several hints given throughout the first hour.

I am not going to spoil things here, but the build-up is just spot on. Cleverly written. We need more movies likes this.

Klienten positions itself as a psychological thriller, but ultimately fails to deliver on even its basic promises. The concept is unimaginative, the plot unfolds predictably, and the film seems content to recycle ideas from older, more successful thrillers-without adding any new perspective or depth.

Performances are flat and emotionally disengaged, which only amplifies the film's lack of tension. The script offers little character development, and the dialogue feels mechanical.

Director Anders Rønnow Klarlund shows flashes of competence, but not creativity. He remains stuck in the safe zone of "could have been great," never daring to take narrative or visual risks. The result is a film that lacks identity, avoiding both bold storytelling and stylistic flair.

The ending tries to echo genre classics, but instead lands as flat and uninspired-a pale imitation without substance.