Michael: Every Day

Charming, profound, bingeworthy Canadian series written and performed by a couple of veteran sketch-com guys, Bob Martin (as Dr. Storper) and Matt Watts (who gets a credit for "neuroses") as Michael. Sorry to say that it stiffed on the CBC 10+ years ago, a promised third season never materialized, and it isn't getting a whole lot of love on this forum right now, tbh. My clever wife discovered it on Netflix and we gobbled it up just like that.

Dr. Storper's a cognitive behavioral therapist, which means he nudges his "multiphobic" patient into real-life situations that trigger his anxiety, a technique that's not all that different from improv, it seems to me. When that vein's played out, subplots involving Dr. Storper's efforts to cash in on Michael's shaky recovery with a self-help book, plus some workplace stuff where Michael gets sabotaged by a rivalrous normie, are both quite entertaining. Scripts are consistently well worked out; jokes are delivered with deadpan Canadian subtlety, and the supporting cast (including a recurring role for Ed Asner and cameos by Sandra Oh and Samantha Bee) is first-rate. Cougarish Jennifer Irwin ("Eastbound and Down") returns to her Canadian roots as Storper's very hands-on editor; horror-show stalwart Tommie-Amber Pirie gets to stretch as the doctor's ditsy receptionist and Michael's on-and-off GF, on the well known theory that a 30-something protagonist who's a 5 at best deserves at least an 8 as his love interest.

The only reason I would recommend trying to watch this show is to see how long you can put up with it before slamming your head against the wall. This show is incredibly boring.

Michael is a depressed, anxious patient with more fears than he can count. Dr David Storper has been his twice a week psychiatrist going on 15 years. This series tells the stories of Michael's treatment and recovery, and David's struggles to write a book detailing the whole thing. Created by and starring both Bob Martin (Slings & Arrows) and Matt Watts (The Newsroom), I can definitely feel the influence of both those previous shows on this, it has a lot of the same tone and comedy. No laugh tracks, mostly deadpan, self-deprecating humour and sarcasm, I never really laughed throughout the series, but did breathe out of my nose heavily once or twice. I quite related to Michael's anxiety issues, while he's an extreme case it was good representation, however David is an absolutely terrible psychiatrist, the series really doesn't do well for advocating proper mental health (imo). Neither Michael or Davids character's really get any depth over the series split two season run, and while some phobias are conquered I wouldn't say either character really changes or grows. The series also fails the Bechdel test miserably, its quite bad considering its from 2011. The second season was only a short 6 episode run in 2017, 6 years after the original series ran, and CBC changed its name to Michael: Every Day, I guess to better fit the plot of that season. Either way, only the second season (labeled as the first) is available on Gem, although I have to say I think the original 2011 first season is better, but not by much. You can probably pass on this one.

This show is kind of boring. I think the stories are decent but the jokes just aren't very funny and the characters aren't very good either. I like the psychiatrist actor a lot, seen him in a lot of things, but the other guy just isn't very good and so much of the show is on him it is hard to get past it. The writing and acting (except the psychiatrist) are not very good.

This is a great situation and it's cleverly written! Matt Watts stumbles around as the key patient apparently needing therapy yet actually living quite a good life. Matt has his struggles, but he somehow pulls off the important things and finds success all around him. The therapist, however, is comically inept at everyday life! Fortunately, he can bounce things off his supervisor, Ed Asner (in shorts). The other characters are either competent in their personal lives or in their professional lives, but few master both. ~~~ The writing for this series is tight and not overly predictable. The acting is understated and credible. I absolutely RAVE about this series! I introduced my neighbours to this series and now we arrange to get together each week so we can watch it together (on demand).