Ailiseu

Lee Byung-hun stars in one of my favourite movies "A bittersweet life" so I am always going to be generous with my rating in whatever he is in. As usual he puts in a great performance along with the whole cast and there are some really great action scenes which reflect the budget. My issue is the story does not flow as well as it should and the series concentrates on the big explosive scenes and not enough time on the development of the characters. Enjoyable action packed drama but could have been great.

Iris was a serious South Korean spy thriller, with interesting plot twists, engaging performances, and several brutal betrayals, culminating in a finish that resulted in more than a few questions remaining unanswered. Promising to answer some of questions raised, Iris 2 is a show that had enormous shoes to fill, and unfortunately, its feet do not match the ambitious size of the original. Though one might imagine the sheer number of story-lines would make for a wealth of material, several aspects of the plot are tirelessly dragged out, obviously in the show's desperate attempt to reach 20 hour long episodes. Often predictable, with minimal character back-story, and a plot held together at the seams with sticky tape, the conflicting and often contradictory story-lines risk the production falling apart at a moment's notice.

However, if you look past the flaws, there are a number of notable reasons why this show deserves a look, not least of all, the poignancy that is efficaciously delivered by the writers, alongside the talented (and VERY attractive) actors. This is heightened by the amazing musical score, including the gorgeous song from Davichi. Several of the fight sequences are sure to impress, though at the same time, those familiar with the aforementioned original, or even Athena, will see a great number of similarities, alongside the addendum that their frenetic orchestration can make them hard to follow.

Furthermore, though some of the dialogue could be accused of immaturity, the chemistry and interactions between the characters prove to be engaging in themselves, the romantic and familial relationships being conceived with much emotion, while some of the witticisms are especially enjoyable. Though the show is often unrealistic, with characters severely injured in one episode, and running around during the next, alongside contradictions in the story-lines, and ideas that fail to be fleshed out, Iris 2 gradually finds its footing towards the end, resulting in an emotionally powerful and worth-while finale.

Jung Yoo-Gun (Jang Hyuk) and paramour Ji Soo-Yeon (Lee Da-Hae) work together for the NSS, under the authority of deputy-director Choi Min (Oh Yeon-Su), who is determined to rid the world of Iris. Her goals however, are continuously been undermined by the ambitious Kang Cheol-Hwan (Kam Il-Woo), who seeks control of the agency, though his allegiances are unclear. When an Iris cell, led by Rey (David McInnis), storms the NSS prison housing the agency's former director Baek San (Kim Young-Chul), and extricates him in an attempt to garner much needed information, it becomes clear that Baek San has an important role to play in the war against the terrorist group. When North Korean traitor Yoo Joong-Woo (Lee Beom-Soo), a man desperate to clear his name, is recruited by Iris agent Kim Yeon-Hwa (Lim Soo-Hyang) to assist with her mission, tensions between the North and the South begin to escalate, and threaten the inevitable commencement of a unification war.

With the sheer number of cast members, it is no surprise that some are provided significantly less screen time than others, with fellow NSS agents See Hyun-Woo (Yoon Doo-Joon) and Yoon-Shi Hyuk (Lee Joon), alongside Iris operative Park Tae-Hee (Yoon So-Yi), being difficult to associate with due to the significantly lacking characterization. Set over the course of more than a year, Iris 2 includes not only locations throughout South Korea, but internationally as well, which involve a car chase through the streets of Hungary, and a chase sequence on the ski slopes of Japan. When in its home nation, the shoot-outs often occur in warehouses, amongst other abandoned and condemned locations, which offer little in the way of uniqueness.

Moving on, it's a fact, in every production, the antagonist is defeated. However, what's most important is not only how, but what horrors they have in store for the heroes. In short, how impressive a villain are they? The monotonous repetition of failure that consumes the enemy organization with every turn they take however, only makes their defeat all the more inevitable. To add insult to injury, the enemy group, Iris, have no motive or agenda, and without a cause, the audience is unable to connect with them on any level. If ever a cause was mentioned, it must have been whispered, for this viewer certainly never heard it.

The lacking interest in the terrorist cell is heightened by the show's inability to continuously hold us in suspense. Even the threat of a third world war, despite the emotional performances by the actors, flat-lines in its ability to make us legitimately believe this may in fact come to fruition. However, where the show excels, is its ability to captivate the audience with its character relationships. Unlike American shows, that often drag out romances to the point of utter boredom, Iris 2 gives its viewers enough tension, poignancy, grief and hope, to keep us entrenched for the entirety of the season. Moreover, though antagonists are loathed by the audience at times, on other occasions, they are equally sympathetic. Although the acting could occasionally be accused of being a little too melodramatic, one cannot ever deny the potency, with more than a few moments having the capacity to bring a tear, or more.

In conclusion, Iris 2 is best watched in moderation, and despite the occasional complexity of the stories, the show is very easy to follow. Despite been an enjoyable experience, Iris 2 is not a show that will cause you to continuously reminisce over the story-lines or characters. The show's conclusion leaves the Iris franchise open for a sequel, with a number of plots left unresolved, and several character stories requiring a more definitive close, though whether a third installment will occur, remains to be seen.

... in the Korean Peninsular, you will understand why the North could really win because the spies in the South are always deeply in love. Even in situations where there are lives at risk, possible terrorist attack or even nuclear bomb detonated, the two lead characters will always have time to spill a few tears of longing. They always seem to be in the verge of crying and when they are not, they are wondering about the other which leads to more sorrow close-ups. If you can stand extreme melodrama then the action and plot is not too bad.

... in it's heart-stopping action scenes, this drama is the closest cousin to Bond and Bourne I have seen on TV, with death-defying stunts, a huge budget and a massive body count. It also boasts a very physical turn from Byung-hun Lee as a highly believable super agent.

It is unfortunate that the plot wanders too far away from credibility on occasion to maintain the suspense.

The opening action sequence grabs you by the throat. Then there is a hiatus while the past history of the characters and their relationships are presented. Stick with it and once the action kicks back in it just does not let up.

A stunning miniseries from South Korea about the 'NSS' (the South Korean Secret Service). Pardon me if I struggle with the character (or actor) names, but several performances are quite stunning. Character-development and -relationships are superb, irony occurs frequently, and there's plenty of action to match the slower sweet scenes showing the developing love-story between Choi Seung-Hee, the pretty female Service leader, and Kim Hyun-Jun, a stud recruit to the spy service. Talk about star-crossed lovers! They get separated, find each other, and then lose track of the existence of each other for months, but only after some very near connections. It's one of those: 'HEY! HEY! Look to your right - she's still alive... HEY! HEY.. Oh No..!' Unexpected sentimental stuff when you are are watching a cold-hearted spy & intrigue show.

IRIS also features a 'cross-over' character {that's a term I invented, by the way, so credit me if you use it!}: a character who switches sides, for some reason, to aid the protagonist. Example: the cowboy who breaks free from the wealthy townfolk in 'SHANE' and rides out to warn SHANE about the pending ambush. In IRIS, it's a pretty North Korean agent who falls out of favor with her bosses, and joins Hyun-Jun in his quest to get to the bottom of this IRIS conspiracy (after a few attempts to kill him, of course).

Also in the show is one of those super-assassin types, whose imminent presence is signaled by the camera focusing on his distinctive cowboy boots. Lots of fist-fights and shoot-em-ups to go with some well-staged car chases. Plenty of double-crosses and plot twists. It has everything U.S. network primetime action shows DON'T have. Like I said, run -- don't walk - to tune this thing in. I am writing this in early December: if you have down-time this month, add IRIS to the mini-series that will dominate your time, instead of clearing snow.