Yeh Saali Zindagi

This is the new epoch of cinema and we want something invigorating. YEH SAALI ZINDAG is an illustration of modern society and has each elements of a cult film.

Sudhir Mishra is one of the finest directors, making effort to augment the magnitude of films. It is an exemplary movie with great performance and script. This is a genre of "stylish" film-making and dark humor, this has both in abundance. This is almost as stylish as it gets: fascinating visuals, odd camera angles and various tricks, sound effects, etc. Most of the characters in this bizarre crime film have colorful nicknames and profoundly profane.

There are very few movies made where the director obviously did not let one FRAME onto the screen without a reason, and YEH SAALI ZINDAGI is one of them. Nothing happens on screen without it having an effect on the plot.

I think Guy Ritchie's "Lock Stock and Two smoking barrels", "Snatch" & "Rock N Rolla" are the foundation of YEH SAALI ZINDAGI.

Irfan is simply outstanding – an actor of very high capability. Arunoday shows potential of a good actor; Chritrangda is ravishingly beautiful and delivers a good performance. Shushat Singh, Saurabh Shukla, Yashpal Sharma, Prashant Narayan and Vipin Sharma are delight to watch. Aditi Rao Hydari is beautiful and talented.

It is visually stunning, editing is brisk and music is fantastic.

This is a laugh out loud ride with a lot of expletives, so watch out who you are accompanying.

Since '1:40 Ki Last Local' (the last black comedy from Hindi cinema that made me laugh out loud numerous times), I haven't seen anything as funny, creative, clever and wicked of the same genre in Hindi films until 'Yeh Saali Zindagi' came along. The title itself is hilarious and so is the movie. It's a fresh and a very much needed change from the silly better-forgotten so-called comedies that Bollywood has overloaded the audience with.

'Yeh Saali Zindagi' is a thrill to watch. It works very well on multiple levels, mainly as a modern film noire with a doze of dark humour. I found the style of narration mixed with the slick editing to be quite innovative. The use of voiceovers, flashbacks and fantasy sequences is cleverly done. The writing is terrific and it produces some memorably hilarious dialogues.

Sudhir Mishra grabs the viewer's attention from the very beginning with an opening sequence where we see a bleeding and disoriented and delirious Irfan Khan being comforted by the ravishingly hot Chitrangda Singh.

The execution is first rate. It's very well-paced. The songs and background score contribute well to the mood and atmosphere and adds to the flow. The cinematography and light effects are super.

Irfan Khan delivers one of his funniest performances. It's great to see him back in a clever comedy after a long time and he does it very naturally. Superhot Chitrangda Singh is equally outstanding as the sexy, slightly naive, independent singer who always falls for the wrong guy. Arunoday Singh, Sushant Singh, Yashpal Sharma, Aditi Rao Hydari, Saurabh Shukla and especially Prashant Narayanan provide excellent support.

The only little flaw are the kiss/love scenes of Kuldeep and Shanti. They do look more passionate than the usual love scenes in Bollywood films but they lacked spontaneity and felt choreographed.

Ticklish and wickedly energetic, 'Yeh Saali Zindagi' is refreshing entertainment. I wish more directors will make such films. Hats off to Mishra, his cast and crew for two hours of non-stop fun.

'Yeh Saali Zindagi' is a restless satire of the underskirts of Delhi,full of dilemma and heart With entertaining narration.

Irfan Khan shows his acting skills once again by effortlessly portraying the emotions and confusions of a witty(at the same time heard-hearted) man with oceanly passion for a girl,whom he consider the women of his life.

Aditi Rao Hydari (of Delhi 6 fame)introduces us to her sensual and womanly side in this dark movie and is brilliant and eye-catching.

Arunodoy Singh as a tough,but cool and love-making man showers the taste of aspirations and wrong calculations.

Chitrangda Singh excels as a fighting temptation and is full of feminine energy.

Director Sudhir Mishra explores the not-so-smooth side of the north,their culture and enties love n crime into a single entity.

Film uses a lot of profane language and swear words and has about 7 steamy scenes;the reason the film being rated 'A'.

Music by Nishat khan(a well renowned sitar player) is quite good and mast.The songs like Dil Dar-Ba-Dar n Ishq Tere Jalwe is quite soothing to the rustic darkness of the movie.

Verdict:In a whole the film will keep you entertained and will reveal the darker side of this life as in previous films of t director,in a darker way. So, Check out this movie and get entertained.Ma rating:8.5/10

Sudhir Mishra's Cinema appeals only to his fans. He is known, but he has never been a top-grade, filmmaker. Looking at his career, I seriously thought he was majorly over-looked, and I always wondered if he will ever get the name he kinda deserves.

'Yeh Saali Zindagi' is Mishra's only Box Office Success in years. This is a path-breaking film for him, as it made money at the ticket window.

I enjoyed 'Yeh Saali Zindagi'. Though this one is a overly abusive & twisted fare, what stands as a plus in this romantic-drama, is it's writing. The first hour is power-packed. The second hour gets confusing at times, but a satisfying climax leaves you happy.

Mishra's direction is quite good. The screenplay packs in memorable dialogue. The Cinematography comes across well, while the music is a mixed bag. Editing is alright.

Acting-Wise: Irrfan Khan does a good job. Arunoday Singh is impressive. Chitrangda Singh & Aditi Rao Hydari are passable. Sushant Singh is absolutely Fantastic, and quite frankly owns the film. Saurabh Shukla is fun. Prashant Narayanan is morbid, while Yashpal Sharma leaves a mark. Vipin Sharma does well. Others support well.

On the whole, This is some Good Stuff.

Well my best movie of the season so far. There was no hype surrounding the movie and i went with a neutral mind. It definitely made me laugh.

There's something about Irfan Khan. Sometimes i find him one dimensional but no one could have carried this movie but him. His portrayal of a hopeless lover with undying devotion would tickle you. His devotion and unconditional love inspite of knowing the girl is not interested but using him would make you adore him.

The story is tight and there is not a dull moment. All the hoopla may seem meaningless at times but will keep you glued. I watched it on theater and came out happy.