Un nouveau printemps

Naked As We Came deserved so much attention. it's a pretty emotional and beautiful!!

Better than expected.... It's usually a danger sign when the same person writes, directs, produces a film, but in this case, it worked out well. Good choices of actors too. Elliot and Laura are brother and sister who finally go visit mom, who is in the late stages of cancer. They are surprised to find "Ted" living in the house with her, and part of the plot is figuring out how he fits into the picture. There's a love story (or maybe its just a "lust story"...), some family secrets, good times, bad times. The mother did an amazing job as someone realizing her time is almost up, and wants to connect with their kids before she passes away, and maybe impart some lessons she has learned along the way. Similar to Big Eden, from 2000 ! Family members return to the family home to care for a loved one, meet the locals, make life-changing decisions. Elliot is a little bit schizo, but if everything went smoothly, we wouldn't have much of a plot line. The final voice-over epilogue was a little weird... they probably should have filmed another scene, or maybe it didn't come out as they planned, so they tried to wrap it up with the voice-over. Good story. pretty realistic. Lemay gets credit for not making the characters too campy and predictable.

A quiet gem of a film--a moving, realistic, touching portrayal of a flawed family, and how they find their way back to one another in spite of their problems. Lovely message about forgiveness and acceptance--and with big unexpected dollops of humor. The acting is top-notch, particularly Lue McWilliams as a neglectful mom who finally lets herself soften and reach out to her children toward the end of her life, and Karmine Alers as her daughter Laura, filled with resentment and anger, but who lets forgiveness bring her back to her family. LeMay's direction is sure-handed and steady, letting the story unfold at its own pace and the moments of revelation be believably small, yet still beautifully affecting.

The two women in the movie are the only ones worthy of any mention. However, as some other user already pointed out, Laura (played by Karmine Alers) is a cliché of the control freak and her singing moment is too soapy to be taken seriously. S. Lue McWilliams, however, is great as Lily. I think she doesn't over do it - even though she has cancer, she's the one in charge of keeping the movie light and entertaining with her brutal honesty. The weakest links are obviously the men and their expressionless faces. By looking at LeMay previous work, you can tell they were chosen just because of their physique - but he failed to create any kind of connection or memorable dynamic between the two of them even when they have some "intimacy". I did not hate it, I had a good time with it and we should also appreciate the fact that homosexuality is taken as an everyday thing and not a big revelation or the heartbreaking point in a movie that was already battling with other clichés of its own.

At first glance we may think we are dealing with a gay movie. But it's not like that. It is a film full of clichés in which a dying mother wants to have the perfect relationship with her children, a relationship she has not had all her life until now. Like many people facing death, she can afford to be more open-minded and emotional and closer to her children. The fact that along the way between her boy and another boy who helps her forms a friendship that leads to sex, is not likely to convey something important in the film. In fact, the problem with the film is precisely this poverty of the message it was trying to convey ... for this reason the film is weak, somewhere at grade 6 at most.