Rabies

Over 30 years in the horror genre and this must have been my first horror that I watched coming from Israel. It's not your usual horror because it's more about how things can turn out rather bad with a sick twist.

It's all about being at the wrong place at the wrong time and just when you think that the police can help you one of them is just a sexist and want to abuse the short skirted girls in which he does by searching for weapons but put his hand were it doesn't belong and it's not her juggs. From there the story about a missing couple turns out in a sick way.

On part of the horror it's low because it never really becomes scary but the effects used makes it rather brutal especially the face being hammered. But what I liked most is that it doesn't have a happy ending.

For the first Israel horror flick I must say that I was surprised even as it didn't look like a real horror it still is. It's being sold as a slasher but for me it wasn't, although it's all about a slasher walking around. It has won a lot of prices and I must agree, you can't see it coming what is going to happen to them all.

Gore 1,5/5 Nudity 0/5 Effects 3/5 Story 3/5 Comedy 0/5

In general I've been disappointed with Israeli cinema. Rather than giving sincere and insightful expressions of a country with such a heavy sociopolitical atmosphere, a land which underlies so much of the world's history and which has now been so quickly repopulated and rebuilt by a people who have achieved so much under the weight of hatred, exclusion, and genocide, most Israeli filmmakers have followed in the aimless and shallow footsteps of Hollywood trash and self-righteous American liberal con artists. The film "Kalevet," however, is an exception to the current trend of filmmaking in Israel and all the other countries of the world who are to some degree being culturally tainted by one of the worst things America has to offer, i.e., it's cinema. And interestingly enough, "Kalevet" manages to escape the Hollywood pattern by making use of one of it's most simple-minded conventions--the slasher film. By employing sophisticated directing, cinematography, editing, and a screenplay portraying morally complex characters and a narrative that serves as an insightful metaphor for Israeli society as well as a universal statement on the human condition, the creators of "Kalevet" have succeeded in doing what is usually more expected from filmmakers in the more eastern part of Asia, i.e., reinvent a usually meaningless Hollywood genre into something that is not simply entertaining but meaningful.

Rabies, despite the title, has nothing to do with rabies, I think it is supposed to represent how infectious the violence was between the characters as they found themselves in a fight for survival and being paranoid about each other's intentions. Rabies, however, is a really creative, different & entertaining film that I thoroughly enjoyed. It all starts with a female, Tali who has fell down a trap in the woods and her brother, Ofer who is trying to get her out. We learn that the trap was set up by a crazed killer who plans on torchering and killing her. as soon as Ofer goes to try and get help to get his sister free, the madman returns and begins his assault on Tali. This is not a formulaic slasher film where a killer in the woods kills off a group of young 20 somethings one at a time, in fact the killer plays a very small part in the movie and acts more as a catalyst for a series of events that lead to interactions between other characters that stumble into and around the woods.

In addition to Tali, Ofer and the killer, there is also a group of 4 friends on their way to a tennis match who get lost - they end up hitting someone on the road which is how they get involved in the plot & descent into the woods, 2 cops who are called to help the 4 friends and a man who is hunting and surveying the land in the woods with his dog. He also has a girlfriend who we meet at the beginning.

I would definitely recommend this movie. The story line has many unpredictable twists and turns and overall the acting was solid although the girl playing Shir, played by Yael Grobgas was the one weak link. I think her wooden, blank performance was supposed to be a result of her character being in shock but she was just as wooden, blank and unnatural before any bloodshed occurred so I think she's just a horrible actress. That would be my one complaint in this film.

8/10 = rating

Plot

A brother and sister who run away from home find sanctuary in a deserted nature reserve. When the sister falls into the trap of a psychopathic killer, the brother sets out on a race against time to find help. In a twist of fate the rescue of the sister becomes inadvertently intertwined with the lives of a group of young tennis players, a ranger and his dog, as well as a team of policemen

Cast

A surprisingly competent cast, Yael Grobglas and Ania Bukstein were great here.

Verdict

Israel's first horror movie? Well that was my first Israeli movie ever, I watched it to get my Top 10 Israeli movies going but this is not the best start.

For a start there's no reason for this to be called Rabies, not sure if it's a metaphor for something but let's be clear that's not what the film is about.

It's a bungling horror movie that grabs hold of every American horror liche and doubles down on them with every tired trope and then some. You'd think for the first Israeli horror they'd try to forge their own identity instead of relying on what has worked for others to excess.

Rabies is a truly dire film, it's boring, it's soulless, it's by the numbers.

Rants

Of all the tired horror tropes it's the pet death I'm so very very tired of. Enough already, I can confidently say I've never met anyone who likes it so why does every horror filmmaker insist on doing it. Kill people, leave the pets alone. At this stage it damages a movie, it's predictable and it's simply in bad taste.

The Good

Cast are mostly competent

The Bad

So unoriginal Really quite boring Plot is just an amalgamation of better movies.

Rabies isn't just the first Israeli horror film, a country most people living outside of it mistakenly think suffers from horror on a daily bases, but is also a slasher film with no real slasher. The fact that there isn't one killer, just makes the horror more intense and real: when the going gets tough, the tough (and gentle) get murderous; And when all happens in an enclosed part of the woods known as "Fox reservoir" - it's hard for anyone to escape the part of the man (or woman) with the gun (or ax,knife and anything around). The film follows a brother and sister that flee to the woods to hide their forbidden secret. But in the woods other people hide secrets; a psychopath killer sets traps all over the woods and the sister falls into one of them. The brother seeks for help and is hit by a car with two couples of tennis players that got lost on the way to a tennis tournament. He drags the two men in two the woods to help him and leaving the girls alone on the road. From this point on everything that might go wrong goes worst and involves a forest ranger, two cops and more. What strikes me most about the film is the way in which it lets human nature do its thing without needing any special incentive: everything that happens is just people loosing restrains on their civilized manners. The films seeks to show that movies don't need any super natural killer or a psychopath with a plan - just let people forget the way they were brought by, and anyone can kill. It is both a genre film and a comment about the genre and human beings. The woods is most likely the most important character in the film, and Aharon Keshales and Navot Papushado in their directorial debut along with their cinematographer Guy Raz meticulously crafted its appearance as to look like the place where all hell can break loose, though it is usually a nice place to have a picnic. Blending in horror and comedy, the film puts (after more then 60 years) Israel on the map of horror films and hopefully will not just open doors for other young Israeli film makers to make other horror, Sci-fi and even musicals - all genres that have been almost completely forgotten in the history of Israeli cinema, but will also mark the beginning of an ongoing career for the two young directors.