Freeway et nous

Beth Winter (Diane Keaton) rescues a lost dog from the side of a road. Her husband Joseph (Kevin Kline) is a self-important surgeon. Beth brings the dog Freeway home and her daughter Grace (Elisabeth Moss) falls for the vet. At Grace's wedding in the mountains, their nephew Bryan (Mark Duplass) develops a crush on Carmen (Ayelet Zurer) who runs the place. Joseph's sister Penny (Dianne Wiest) has a new boyfriend Russell (Richard Jenkins) who is using her money to start a pub. Joseph carelessly loses the dog in the woods. It sets off a big search for Freeway.

I'm not sure if the stakes are high enough here. It's a bunch of family members with minor issues looking for a dog. It's not like the audience grows to love the dog. It's more of an excuse for each family member to work out their issues. Lawrence Kasdan and his wife have created the lightest and mildest of family drama. The great cast of actor showed up to play but the writing is not up to the task.

You have to have a heart for animals to be able to watch this and really enjoy it. There is some eye candy for male viewers (though her story line tries to go beyond that and the actress carries that weight effortlessly), but it's Diane Keaton, the Dog and Kevin Kline (in that order), that really hold the movie together.

Substories and romantic interludes, marriage problems, but also the absurd (superstituous) are being handled decently. It still might feel a bit too much for some viewers though. Kline just about holds his own in a very slim outlined character outlet, that he has to work with. Clichés abound and an ending that is so over the top (literally), that you'll probably cry (for better or worse).

"Lassie, don't come home."

Will movies never cease to amaze me? How could the creativity behind the pleasing ensemble film Grand Canyon, Lawrence Kasdan and his wife, Meg, be responsible for the insipid drama, Darling Companion?

A lost dog? The hunt curing and binding the principle couples? Please!! Only surgeons, veterinarians, and their wives could have the time and resources to stay at a Colorado lodge to look for a lost dog. Of course, the dog is just the metaphor for the lost romance, to be found, of the couples, mostly Beth (Diane Keaton) and Joseph (Kevin Kline).

It's difficult to describe how banal their interaction is, especially since Keaton overacts, flailing her arms at emotional moments, and Kline appears to wish he hadn't made this movie with his lines appropriate for a high school world premier.

But then, Sam Shepherd, the world-class playwright, has to endure his thankless role as the curmudgeonly sheriff, and Diane Weist can only showcase her world-class cheekbones. Richard Jenkins as her silly love interest, well, he's had a whole lot better than his comic-relief buffoon.

But then the writing Kasdans didn't have to worry about crafting each line since it seems every other line is a scream calling for lost dog, Freeway. When the most conflict you'll get is Joseph's enslavement to his cell, you have an idea that there are no new ideas. I suggest the real conflict is Beth's over dramatizing, which Joseph calls her on.

Once again a film relies on the faded glory of its Hollywood royalty to tell a silly tale about older folk. I'm thinking I might enjoy the second edition of The Expendables, whose 65-year-old Sylvester Stallone is a has been, knows it, and makes no pretense about making a warm and fuzzy film.

If your favorite song in the world is The Lovin' Spoonful's "Darlin' Companion," then you'll probably want to rent the cutesy comedy that promoted the song during its trailer. Since the movie isn't very good, you'd better like the song to keep you going. Also, you'd better be a dog person, or at least someone who can understand someone else's love of dogs. If you don't like animals and you don't like the 1960s groovy tune, you're going to be in for a rough night.

Diane Keaton gets to reprise her quirky empty-nester character she perfected in Something's Gotta Give, and Kevin Kline gets to have another rocky marriage in a Lawrence Kasdan movie. In this one, he's a workaholic and doesn't understand his wife's irrational attachment to a stray, mangy dog she picked up off the side of the road. Sounds so much different than his lawyer from Grand Canyon who indulges his wife's affection for an abandoned baby she found off the side of the road, doesn't it? All kidding aside, because even the very best storytellers borrow plot points from their earlier works, this movie is very different from Grand Canyon. It's very light, with a comic relief married couple provided the majority of the entertainment. Dianne Wiest and Richard Jenkins make a very cute couple, and they have some funny scenes together to take your mind off of Diane Keaton's silly antics. If you're just in the mood for something fluffy, this one won't hurt you.

I know what you're thinking, do we really need another must-love-dogs romantic comedy? Thankfully, contrary to marketing attempts, "Darling Companion" is not a romantic comedy. It's more like an outdoor adventure, relationship dramedy, mystery. Unfortunately, it did start as if it was a romantic comedy. Mother and daughter were annoyingly commiserating on the problems of finding a good man. Then they found a dog and met a cute doctor.

I was squirming in my seat faster than they could say "I do." But then something funny happened on the way to the wedding. The boring romantic comedy angle was already wrapped up and they dropped the beleaguered jokes comparing man to dog. And then the film became a fairly simple but enjoyable treatise on the relationships and world views of a handful of family members and close friends.

To me, the movie starts when Beth (Diane Keaton)'s dog goes missing. Her husband, Joseph (Kevin Kline), lost it, but he doesn't care. He only likes his money and telling people that he's a doctor. But his practice is just going to have to wait because she's not going home until they find Freeway (the beautiful Collie-mix Kasey). She is helped by Carmen, an exotic sex-goddess who freely admits that she's a psychic gypsy blessed with receiving images of the lost dog. Nephew Brian (Mark Duplass) likes Carmen; he does not like his future step-father Russell (Richard Jenkins). Russell pretty much likes everyone and everything. Joseph doesn't like the dog and he especially doesn't like alleged gypsy psychics leading his family on wild goose chases.

The older members of the audience were laughing first, but eventually a little bit of humour in the form of funny lines came through. Kevin Kline was hilarious as the irritable elitist insulting hippie ideals and alleged gypsy psychics. The dialogue was quick, astute and savvy in navigating all the characters towards happiness in their relationships.

If you can equate the search for the missing dog as a mystery, then it would be worth comparing this film to Woody Allen's "Manhattan Murder Mystery" (1993). A delightful discussion on relationships set to a mystery plot. It doesn't hurt that the cast includes a couple of Allen regulars (Keaton and Dianne Wiest).

It takes awhile to realize that this is not a dull romantic comedy, but if you're looking for a mature, heart-warming relationship dramedy, "Darling Companion" eventually finds its way.