Freeway et nous

This is a wonderful "feel good" movie that everyone can enjoy. It will be especially meaningful to anyone who has been part of a family when the last child is married off and the parents deal with their adult relationship with each other and other members of their families. It was directed and produced by Lawrence Kasden ( Big Chill, Grand Canyon and many more big time hits ) who also wrote the script along with his wife Meg Kasden . They put together an honest story that showed love, romance and every day comedy in way that most people should be able to relate to and immensely enjoy. They assembled a cast of actors who were able to embody the characters they created in a skillful and very authentic manner. Beth (Diane Keaton) and Joseph (Kevin Kline) are the newly "empty nested" parents as their daughter Grace (Elizabeth Moss of "Mad Men" fame) ,the youngest of their children, finally finds Mr. Right and gets married. Jospeh is a spine surgeon whom Beth acknowledges may have always been a little full of himself but is shown to ultimately be a good guy. Penny is Jospeh's divorced sister (Diane Wiest) who has found her new love Russell (Richard Jenkins) who is a bumbling guy who wants to marry Penny and open an English pub in Iowa. Bryan ( Mark Duplass) is Penny's son who is also a spine doctor and has a touching flirtation with gypsy like housekeeper (Ayelet Zurer) of the family's vacation house in the beautiful Colorado mountains ( which was filmed in the beautiful Utah mountains) . Sam Sheppard is Sheriff Morris who adds further warmth to the already tender story. What we haven't told you yet is that the story is tied together by a lovable dog – that almost magically appears and then disappears ! The movie is the story about the search for the dog which occurs while the characters are finding themselves and their own bearings. The story is just right at 103 minutes . The acting is perfect-Diane Keaton is at her mature best, the country type music hits the spot and the film features a a dog! How can it go wrong?

You have to have a heart for animals to be able to watch this and really enjoy it. There is some eye candy for male viewers (though her story line tries to go beyond that and the actress carries that weight effortlessly), but it's Diane Keaton, the Dog and Kevin Kline (in that order), that really hold the movie together.

Substories and romantic interludes, marriage problems, but also the absurd (superstituous) are being handled decently. It still might feel a bit too much for some viewers though. Kline just about holds his own in a very slim outlined character outlet, that he has to work with. Clichés abound and an ending that is so over the top (literally), that you'll probably cry (for better or worse).

I know what you're thinking, do we really need another must-love-dogs romantic comedy? Thankfully, contrary to marketing attempts, "Darling Companion" is not a romantic comedy. It's more like an outdoor adventure, relationship dramedy, mystery. Unfortunately, it did start as if it was a romantic comedy. Mother and daughter were annoyingly commiserating on the problems of finding a good man. Then they found a dog and met a cute doctor.

I was squirming in my seat faster than they could say "I do." But then something funny happened on the way to the wedding. The boring romantic comedy angle was already wrapped up and they dropped the beleaguered jokes comparing man to dog. And then the film became a fairly simple but enjoyable treatise on the relationships and world views of a handful of family members and close friends.

To me, the movie starts when Beth (Diane Keaton)'s dog goes missing. Her husband, Joseph (Kevin Kline), lost it, but he doesn't care. He only likes his money and telling people that he's a doctor. But his practice is just going to have to wait because she's not going home until they find Freeway (the beautiful Collie-mix Kasey). She is helped by Carmen, an exotic sex-goddess who freely admits that she's a psychic gypsy blessed with receiving images of the lost dog. Nephew Brian (Mark Duplass) likes Carmen; he does not like his future step-father Russell (Richard Jenkins). Russell pretty much likes everyone and everything. Joseph doesn't like the dog and he especially doesn't like alleged gypsy psychics leading his family on wild goose chases.

The older members of the audience were laughing first, but eventually a little bit of humour in the form of funny lines came through. Kevin Kline was hilarious as the irritable elitist insulting hippie ideals and alleged gypsy psychics. The dialogue was quick, astute and savvy in navigating all the characters towards happiness in their relationships.

If you can equate the search for the missing dog as a mystery, then it would be worth comparing this film to Woody Allen's "Manhattan Murder Mystery" (1993). A delightful discussion on relationships set to a mystery plot. It doesn't hurt that the cast includes a couple of Allen regulars (Keaton and Dianne Wiest).

It takes awhile to realize that this is not a dull romantic comedy, but if you're looking for a mature, heart-warming relationship dramedy, "Darling Companion" eventually finds its way.

"Lassie, don't come home."

Will movies never cease to amaze me? How could the creativity behind the pleasing ensemble film Grand Canyon, Lawrence Kasdan and his wife, Meg, be responsible for the insipid drama, Darling Companion?

A lost dog? The hunt curing and binding the principle couples? Please!! Only surgeons, veterinarians, and their wives could have the time and resources to stay at a Colorado lodge to look for a lost dog. Of course, the dog is just the metaphor for the lost romance, to be found, of the couples, mostly Beth (Diane Keaton) and Joseph (Kevin Kline).

It's difficult to describe how banal their interaction is, especially since Keaton overacts, flailing her arms at emotional moments, and Kline appears to wish he hadn't made this movie with his lines appropriate for a high school world premier.

But then, Sam Shepherd, the world-class playwright, has to endure his thankless role as the curmudgeonly sheriff, and Diane Weist can only showcase her world-class cheekbones. Richard Jenkins as her silly love interest, well, he's had a whole lot better than his comic-relief buffoon.

But then the writing Kasdans didn't have to worry about crafting each line since it seems every other line is a scream calling for lost dog, Freeway. When the most conflict you'll get is Joseph's enslavement to his cell, you have an idea that there are no new ideas. I suggest the real conflict is Beth's over dramatizing, which Joseph calls her on.

Once again a film relies on the faded glory of its Hollywood royalty to tell a silly tale about older folk. I'm thinking I might enjoy the second edition of The Expendables, whose 65-year-old Sylvester Stallone is a has been, knows it, and makes no pretense about making a warm and fuzzy film.

Beth Winter (Diane Keaton) rescues a lost dog from the side of a road. Her husband Joseph (Kevin Kline) is a self-important surgeon. Beth brings the dog Freeway home and her daughter Grace (Elisabeth Moss) falls for the vet. At Grace's wedding in the mountains, their nephew Bryan (Mark Duplass) develops a crush on Carmen (Ayelet Zurer) who runs the place. Joseph's sister Penny (Dianne Wiest) has a new boyfriend Russell (Richard Jenkins) who is using her money to start a pub. Joseph carelessly loses the dog in the woods. It sets off a big search for Freeway.

I'm not sure if the stakes are high enough here. It's a bunch of family members with minor issues looking for a dog. It's not like the audience grows to love the dog. It's more of an excuse for each family member to work out their issues. Lawrence Kasdan and his wife have created the lightest and mildest of family drama. The great cast of actor showed up to play but the writing is not up to the task.