Elliot, a troubled former successful writer decides to write about a missing wife and the following murder trial of her husband.Elliot, a troubled former successful writer decides to write about a missing wife and the following murder trial of her husband.Elliot, a troubled former successful writer decides to write about a missing wife and the following murder trial of her husband.
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- 3 nominations total
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- (as Julienne Kim)
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Featured reviews
There are some standalone scenes that are pretty solid but there's also some questionable ones that feels a bit random.
It's listed here as a crime/drama/thriller, but the crime elements is very limited and thriller even more so There is a subplot about a random murder-case involving a character played by Christian Slater but it doesn't have that big of importance in the long scheme of things, at least the movie didn't manage to convey it as it did.
The movie is about memories and perceptions of reality and how that can change in time.
The message and idea behind the movie is pretty clever and the acting is pretty good (save for maybe Amber Heard who feels a bit empty) and it's decent enough visually but for some reason it just doesn't quiet work as a whole.
Franco is covering the trial of wife killer Christian Slater and as the testimony rolls he sees some of his own life especially in his relationship with his estranged father Ed Harris who sees the same incidents and others he prefers to remember a bit differently. Franco and Harris have some great scenes together they are the heart of the film.
Editing our memories is the phenomenon this film chose to explore. If not the best of explanations it's a valiant attempt.
The story is good because it draws viewers in to both sides of the coin. Initially I am so convinced that Stephen is the victim, yet as the story unfolds we get to know how things may not be as it seems. The revelation that memories can be distorted, but we never question our own memories is quite a strong argument, and many of us can relate to that. It is an introspective and revelatory journey for Stephen, but I can relate to it as well.
James Franco is getting to the Point where No One can take Him Seriously anymore. So Overexposed and with Limited Ability to Transcend His Own Personality, He gives Performance after Performance Playing Himself.
A Best Selling Memoir from Author Stephen Elliott is the Source Material. The Plot of the Movie Explores Memory Confabulation. It's a Heady Affair that Lacks Focus. It Rambles with Borderline Incoherence Dealing with so many Profound Subjects that most of it is Lost in the Translation of Clichéd Sex and Drug Behavior Attempting to be "Indie-Edgy" with Sadomasochism.
Nothing is Drawn from the Personality Disorders or Family Dysfunction beyond "True Crime" Motivations and to be frank, not much is Realized even there.
A Mess of a Movie with Ed Harris Overacting to Burn Up the Screen with Hidden Clues about what Really Happened. In the End it is Doubtful You will Care. The Main Problem in the Movie is its Ambition to Group Dysfunction, Addiction, and Mental Illness into a Pot and Stir. The Cinematic Stew, Unfortunately is Tasteless and no where Near Fulfilling or Satisfying.
Did you know
- TriviaStephen Elliott (played by James Franco) reviewed the film negatively, stating that the final result had little in common with his memoir and wondering "why calling the character Stephen Elliott was necessary." Stephen Elliott, born December 3, 1971, is an American writer, editor, and filmmaker living in Los Angeles who has written and published seven books and directed two films.
- Quotes
[last lines]
Stephen Elliott: You remember when you taught me to drive? I was 14. You let me drive out to Warren park in a '69 mustang. I loved that car. You used to take me out, let me drive. I remember feelin' so happy and free, full of hope and potential.
Neil Elliott: I don't know why you always told people I taught you to drive in the mustang. It was a red 1968 Oldsmobile Delmont convertible, in Warren park in the parkin' lot. You were belligerent, and you were a terrible driver. So we only did it once.
Stephen Elliott: Wanna go for a drive? I don't wanna see you for an hour.
Neil Elliott: Nah, we'd just argue.
Stephen Elliott: Fine. Then we'll just go. We'll agree not to talk. It doesn't matter. None of it matters.
Neil Elliott: All right. You gotta help me up here. Help your old dad get up...
- ConnectionsFeatured in Half in the Bag: 2016 Movie Catch-up (2016)
- How long is The Adderall Diaries?Powered by Alexa
Details
Box office
- Gross US & Canada
- $13,191
- Opening weekend US & Canada
- $5,517
- Apr 17, 2016
- Gross worldwide
- $15,364
- Runtime
- 1h 27m(87 min)
- Color
- Aspect ratio
- 2.35 : 1