Eden

Human trafficking is such an antiseptic term. It intellectualizes and softens something that is absolutely horrific. It's the type of term that lives in the world of academia and statistics. There's no emotional impact, no default outrage, no real teeth to it. I prefer to call it what it is, slavery. At this moment it is estimated that up to 4 million people internationally and up to 50,000 people domestically are held by human trafficking rings.

To put a finer point on it… there are, at this moment, 50,000 people owned as slaves in the United States. Not historically, not descendants of freed slaves, but actual living breathing human beings living as slaves right now. This is not just a forced labor situation either; we are talking about forced prostitution.

Some are sold by their parents, some are recruited into domestic service jobs only to find out when they are in another country with no ability to leave what the job really is, and other are taken right off the streets in the US and forced into it.

A majority are women and almost all are under 18.

These numbers are jarring, alarming, and disgusting and nowhere near enough people are aware of them.

Eden is the true story of Chong Kim, a Korean American woman who, at the age of 19, went to a bar with a fake ID, had a drink with a very nice fireman who offered her a ride home. He pulled over to make a phone call and by the time she realized that something was wrong… it was too late. She woke up in the trunk of a car and began a harrowing two year long nightmare of isolation, forced prostitution, and every type of abuse and degradation you can imagine. This is not an easy or comfortable film to watch, but it is about something so very important that I believe it needs to be seen. Much like Damian Harris's "Gardens of the Night," which follows the younger spectrum of this abhorrent practice, it sheds light on a world so blackly dark and hidden from view that most people don't know that it exists.

Unlike "Gardens," which shows a world so vile and reprehensible that it exists entirely behind the curtains and closed doors, "Eden," shows a normalized and, in some ways, accepted trade. It's in the shadows, yes, but it is still in the light. The people who trade in it are somewhat open about it. There are parties with men in suits, fraternity parties, and underground S&M clubs where this type of traffic is a normal part of business. It's an entirely corrupt world where even the law cannot be trusted.

Director Megan Griffiths does an outstanding job of finding the small pieces of humanity in a dehumanized world and contrasts them with the inherent brutality of the situation. Her direction is unflinching but not exploitative, honest but never preachy, and powerful without being manipulative.

The performances are phenomenal across the board but the film is moored by two standouts. Jamie Chung creates a heartbreakingly real woman whose sweetness and innocence are stripped away. Matt O'Leary gives an amazingly nuanced performance as Eden's crack smoking handler. He is hateful and repellent, but is also very real.

This is a rare film in that it has changed the way I look at certain things. You hear terms like "human trafficking," and "forced prostitution," and are justifiably horrified, but they are just abstract concepts. Seeing the reality of women forced to live in dark storage lockers, four to a room on bunk beds, and knowing that it is happening now, in my country both horrified and sickened me. Suddenly, these concepts were no longer concepts, but living breathing facts.

In a world where millionaire athletes and musicians throw the world slave around it is fairly sobering to have the reality of it shown so plainly.

I rarely use the term "important," to describe films as even the most "important" films rarely are. Usually it really means "self important." This film however deals with an issue most of us would rather pretend doesn't exist, but that is far more important than can be expressed.

"Eden" shows evil in its truest form. The evil that allows people to profit from suffering, the evil that exists when good people don't stand up for what is decent, the evil that exists in a world where girls (and let's be clear they are GIRLS) can be treated as disposable property.

Related Films:

Very Young Girls- Documentary about teenage girls forced into prostitution.

Gardens of the Nigh- Fiction film about a girl kidnapped into the world of child sex trade.

More at www.thefilmthugs.com

As you've probably surmised, EDEN is not entirely "fun" to watch, but it's no more disturbing than it has to be. It's also rewarding in its revelation of an often-ignored problem in this country via a well-detailed and riveting story-line. Director Megan Griffiths did an outstanding job of treading a very thin line, making the film as tasteful as possible considering the subject matter--i.e., no gratuitous nudity--without sugar-coating the story. The level of empathy the audience attains with these poor girls is most acute. EDEN is quite convincing despite several stretches and unlikelihoods. While the plot of this film may appear predictable at first glance, there are some truly unexpected developments here.

Though a bit larger-than-life in places, Jamie Chung is just hypnotic as victim-heroine "Eden." The script is similarly believable and carries a lot of weight in developing Eden and the other characters. The mistrustful alliance she builds with one of her abductors (well-played by Matt O'Leary) is as immediate as everything else in this film and is one of its realest aspects. The supporting cast who play characters we never get to know that well, particularly Tantoo Cardinal as "The Nurse," also contribute a great deal to EDEN's success.

The "Behind the Scenes" Special Feature should not be missed after watching the film itself.

Every now and then I see a movie that just hits the spot. This is one of those movies.

I watch a lot of movies on DVD because they often never make it to the theater here in Australia. One of the good things about doing that is you can stop and start it anytime you like. This is one of those movies that I did not stop watching from start to finish.

While it is a very simple movie with very little in the way of action or graphic violence it is still a very disturbing and haunting movie that will stay with you for a long time after you have finished watching it.

Jamie Chung as Eden was perfect and she held my attention throughout. Matt O'Leary as the cool and hardened Vaughan was also very believable. The rest of the cast also did an excellent job and made the movie what it was.

Don't watch this movie if you have a weak stomach. Even though there isn't much over the top violence, just the thought of what is going on could turn your stomach.

The fact that it is based on a true story makes it all the more heart wrenching.

8 out of 10 for me.

The theme of the movie is very heavy. Mostly that theme is being handled in documentaries and not feature movies like this one here. And even if, it mostly handles it generally, as opposed to here, where you have the main focus on our main character. A sort of revelation and a great role to play, for an actress who's in quite a lot of movies recently (including Premium Rush and others).

Part drama, part thriller it obviously isn't aimed to be entertainment in a sense other movies are. But if you can handle the tough subject and if it's something you can watch, you will be rewarded with a really good movie, that is acted great throughout and has something to say (not only for itself, but in general).

It's difficult to say you enjoyed a movie about human slavery, especially the sex trade industry which does exist. To think that people like this walk the streets in our communities is disturbing and very troubling, but sticking our collective heads in the sand and pretending it doesn't happen or won't happen is being unrealistic. This movie is based on a true story, one girls journey into a living hell. The movie has all the elements of a top notch production including suburb acting, direction, and story development. This movie is not what most would call entertainment, but the story is compelling and needs to be told, and this cast of characters does a truly remarkable job in delivering a riveting, emotionally draining story of depravity and human survival. While this movie is not overly sexually graphic, it delivers the message loud and clear. Bravo to the entire production staff for making a movie that will leave you thinking about this one for a long time to come.