Warrioress

Set in a post apocalyptic era, Warrioress is a largely enjoyable low-budget British fantasy movie. I say largely because the director Ross Boyask & writer and star Cecily Fay fall into the trap of padding out the movie with way too much meandering dialogue that isn't well written enough or well performed enough to be interesting. I'm sure it was John Milius who said when he was faced with writing 'Conan the Barbarian' he knew he'd be dealing with a cast who weren't trained actors, so he kept the dialogue to a minimum for Arnold, Sandahl & company. These rules should apply to all movies of the fantasy genre unless there is the genuine acting talent available. Now the negatives are out of the way, though Cecily Fay and her cast may be weak actors, the same cannot be said about the energy they all put into the many action sequences in the movie. Cecily Fay who plays Boudicca, is tiny, under five feet tall, but is a trained martial artist and dancer and uses these skills effectively as she lays waste to hordes of enemies. Aided by the bigger, butch Joelle Simpson who plays White Arrow, the two women are deadly, but it is Fay who steals the show with her very convincing skills. She moves gracefully and powerfully with absolutely no wires or CGI, scampering from one killing to another like a human black widow. One favourite sequence is where she is between two enemies, so she leaps over and behind one, grabs his sword holding arm, propels him forward so the sword impales the other then hurls him to the ground where she snaps his neck and bounces up to seek her next victim! Though her character Boudicca is a heroine, she is brutal & sadistic, thinking nothing about hurling a knife into the back of a terrified fleeing opponent or driving a dagger through a downed and already defeated foe. Another plus of Warrioress for fans of female action is no guy shows up to protect the heroine or hog the action, something - that used to happen nearly all Cynthia Rothrock's American movies. Apart from Boudicca's love interest, the men of Warrioress exist only to be punched, kicked, thrown, stabbed, clubbed or neck-snapped!

The rest of the cast including Zara Phythian in a small cameo & Fay's main nemesis Helen Steinway Bailey also display genuine skill and grace as they pound each other mercilessly. Kudos must also go to the legion of Ms Fay's victims who also bring plenty of enthusiasm to their roles. The only gripe would be the amount of yelping and shouting that goes on as the women fight which does get a little annoying. Due to the tedium of the non-action portions of movie, Warrioress is no Conan the Barbarian or Mad Max, but sits nicely alongside movies like 'Ator', 'SHE' & 'The Beastmaster' that followed them. Both Cecily Fay and Ross Boyask should look at where their strengths lay & capitalise on them. Cecily Fay despite her lack of inches and real acting ability has a lot of charisma and could easily be the British Cynthia Rothrock,- but less speaking and shrieking! As for Boyask he needs to work harder at getting his actors to deliver their lines more naturally though there are no complaints about the action. The picture quality of the DVD was a little grainy, but on he whole Warrioress is pretty entertaining! Its pleasing to see a low budget British feature that isn't plain awful!

Rarely do you get a film where the opening scene tells you everything, Poor storyline lacking any originality. The script is contrived and worthy of 11 plus level. The acting reminds me of low level GCSE English plays where the head girl or head boy gets the key parts but don't knoiw how to act and seem to be always providing a sultry pose to the school head. Let'sbe clear, people give Vinnie Jones a hard time but he is an oscar winner even against the combined talent of this bunch of posh kids playing make believe.

The scantily clad girls was the only interesting thing.

The fight scenes were funny though . No wonder its on Prime Video which seems to be cornering the market in this genre.

You have to go into this with low expectations. It's not a great movie by any stretch of imagination. It's a low-budget B movie with an unoriginal story and pretentious dialogue. The acting looks bad mostly due to the fact that it's hard to pull off this kind of dialogue without looking silly.

While fighting in most B movies is usually ridiculous, it actually looks real and functional here. Sometimes you can see the actors are too obviously avoiding hurting one another, but for the most part, it looks good. The little warrioress Cecily Fay (143 cm) certainly knows how to move around and fight. And that's what this is all about. The whole movie is just an excuse to see Cecily fight, and fortunately there's quite a lot of that in the movie.

I won't get into the story, because there's really nothing new there. A warrioress, a quest, an ancient prophecy, blah, blah... It's all a bit silly and predictable.

If you want to watch a good movie, skip this one. But if you like fantasy, medieval-ish setting, and fighting with swords, and if you know what you can expect, it's not too bad.

WARRIORESS misses out on a higher rating due to production shortcomings and an overdose of goofiness, but I can't help enjoying this film. If it's your purpose as a filmmaker to create a pseudo-medieval action flick with an air of cheesiness on a micro budget, this film ought to be your model. What it does right, it does better than many flicks with ten times its budget.

The story: In a post-apocalyptic future, a mighty warrior (Cecily Fay) embarks on a quest to fight a prophetic duel.

If nothing else, I am glad that the movie exists because it provides such an ample platform for lead star Cecily Fay, who is definitely among the top ten unsung film fighters of this decade. As an actress, she's passable, but as an on screen combatant, she positively stands out from her cinematic peers and forbearers. As the lead of most of the 19 fights, she and her unique fighting style stand out in both hand-to-hand brawls and swordfights – displaying impeccable coordination and flexibility. At worst, these matches are passable for their sheer physicality, but at their best, they shine for their long takes and ambitious choreography. Kudos also goes to costars Joelle Simpson and Helen Bailey for their own mighty contributions to these brawls.

I'm pleased that this film has so much fighting to its credit, as it distracts us from its shortcomings. Despite being shot well enough, the flick has that cheap B-movie quality to it, with occasionally interesting locations that are nevertheless clearly public property. Everyone looks a little too clean for this setting, particularly Cecily in her impractical, Frank Frazetta-inspired costume. Dramatic performances are on the good side of hammy. The film features several odd artistic decisions – including the frequent breathy voiceovers – and is clearly set up to accommodate a potential sequel, with the effect that the main villain (Will Brenton) can remain oddly detached from everything else happening in the story.

Nevertheless, the filmmakers successfully impose their own infectious energy on the movie, making it palatable to martial arts fans and lovers of indie niche. I can't recommend this to nearly everybody, but I have a feeling that the people who do like it will *really* like it.

Sporting a total film budget of £48, it truly shows in many of the outdoor scenes. Simple trope dialogue, and unusually sloppy camera angles and cuts. Perhaps they found a local university compsci dept for the few laughable special effects.

Some of the acrobatic stunts and moves by Cecilia Fay are entertaining enough - have to remember that she is 4'8".

I read elsewhere that this film was a good watch for simple entertainment, however about halfway through I was forcing myself to reach the end to see if there was some kind of sensible and believable conclusion to give this film some merit. Turns out that there is none.