Matriarch

Very interesting tale of a binge-drinking, cocaine-snorting city type on the verge of a breakdown, visiting her rural-dwelling mother for a very difficult reunion. There's the spectre of a mysteriously deceased father, mentions of the Olde Ways, and the obligatory not-as-harmless-as-they-seem villagers. The first and third acts could be from completely different films, yet it just about works, as both mother/daughter drama and countryside weirdness are dark and intriguing.

Matriarch also largely avoids sudden shocks for the slowly emerging realisation of terror, whilst mixing in unsettling visuals and details which only become clear later on. The central performances are great; Jemima Rooper bravely makes her character spiteful and unlikeable yet still somehow sympathetic, whilst Kate Dickie as her mum is subtly yet unmistakably wrong from the outset, and it just escalates from there. Wonderfully bleak scenery as well; frosty churchyards and desolate roads that don't seem to lead to anywhere.

I thought this movie started out decently, but fell apart as things started to unfold, by the end leaving you questioning what you just watched.

It almost felt like the writers/ people Involved/ maybe even the actors were confused on what exactly this plot was. It was very successfully atmospheric and kept you engaged until the third act where things kind of went off the rails. It was all... kind of explained, yet still even after I was left asking why. I think the plot/script needed another couple once overs to really iron it out and make sure it made sense and was cohesive. Regardless, I thought the mother and daughter both did a solid job as far as acting goes with this and there was still some solid creep factor.

I felt this one had a lot more potential that it didn't quite tap into but was not overwhelmingly unsuccessful. Would recommend but not fervently.

Not a movie for everybody or indeed anybody but if you want something different then it is worth a watch.. Like it or not, it's admirable that the movie is totally weird and refuses to follow any formula but it's own. It does not even care about alienating people, it is that daring.

During the short run-time it takes all sorts of twists and turns and you never know what will happen. It might at the end of the day try to much and gets lost in it's own story. But Kate Dickie is as usually great in another eccentric unhinged lady role. Going all in, she knows exactly what kind of movie it is....

There's a really great core idea here and an overall solid story that with just a few minor tweaks could've made an absolute classic, but there's something hard to define that's not quite worked.

I can't figure out if it's the characters, the acting, the editing, or what, but for some reason I couldn't connect and wasn't absorbed on an emotional level - there was no character I was rooting for, none I was rooting against. Someone died and it was acknowledged, but I didn't care.

And if I'm not feeling something emotionally, it loses a major part of the battle for me. The brain parts of the people behind this got everything just about right, but the heart parts I think got left at home.

Wasn't sure what to make of this, and in many ways it's a few different films put together. It's a mother/daughter relationship drama, it's an addiction drama, it's a folk horror and it's a body horror.

The actors are tremendous - Kate Dickie is always good value and is deliciously insincere.

Jemima Rooper manages to make a pretty unsympathetic character somewhat likeable, though that is a bit of a flaw in the film.

The cinematography is lovely - the British countryside has never looked so desolate or haunting.

The music and sound design is incredibly atmospheric, and works in conjunction with the editing to really keep you uneasy throughout.

Perhaps by the end of the film one too many ideas have been thrown into the pot, but I really enjoyed the journey and would happily recommend it.