Elevator

Take a look at the title: Elevator. What do you think this movie will be about? Well, you're probably right. Pretty much the whole film is set in the elevator. If you think you'll like a film that simply and deliberately stays put, then give it a go.

Many comparisons have been drawn to the film 'Devil,' which is also primarily set inside an elevator (the only major difference is that Elevator is not supernatural).

The story is about nine people, trapped in an elevator with a bomb. When you have a film that writes itself into a corner with its location, you need to establish the characters pretty quickly. Here, we mostly have stereotypes. In some ways it's good because we can basically read each and every one of them straight away. In others ways it smacks of lazy writing.

Elevator can best be described as a 'thriller.' However, some may question how 'thrilling' a film can be set inside a box. It's basically about their attempts at escaping. If you think you can stand the whole ninety minutes in a box with them, it may be for you. It certainly won't be to everyone's tastes, but I didn't feel like I'd completely wasted ninety minutes of my life.

Nine diverse people get stranded in an elevator of a corporate building after the head honcho's spoiled daughter hits the emergency button. Soon a person with a makeshift bomb makes his or her devious intentions known.

This movie, while filled with movie clichés, still manages to be somewhat tense and pretty watchable due to fairly competent acting from almost everyone involved (I personally didn't care for either the kid nor Joey Slotnick, the latter I can't recall anything good he's been in). It's not the best movie about people stuck in elevators but it's not the worst either.

Look at the title. You see that one word title, now tell me, what do you expect from a movie like that? I actually think it provides exactly what it is supposed to. Maybe a bit more. Not a lot more, but I did like the (obvious) characters. It's not amazing or earth shattering, but it is more than decent.

A few things are over the top of course, but still kudos to the actors, they did a good job on this. Things are predictable of course, but that doesn't change the fact, that you can enjoy the movie as it is. The inciting incident is of course something that would drive everyone mad in real life. Try to take the movie in, as it was intended if you can

I liked the movie Devil (2010) and also liked the movie Blackout (IV) (2008)

All three of these have on thing in common, is that most of movie takes center stage in the Elevator and they all very different in a way

This movie was a lot better then I thought it would, it had some decent cast, some were not likable.

I thought the movie flowed really well from to start to end,even it just one location.

There one really bloody moment in this movie, which wasn't to much.

i Thought the movie was Entertaining

ELEVATOR has a decent set-up: a group of characters are trapped in a stuck lift, and one of them holds a secret that's going to put them into a dangerous situation. It's a clear copy of the recent Shyamalan-produced horror movie DEVIL, except this one's non-supernatural. The box proclaims that it's the film that DEVIL could have been, but that's a downright lie.

Because ELEVATOR is a disappointment. Sure, the set-up is fine and the character mix is okay. You can't really fault the acting, either, even if most of the cast are unrecognisable aside from THE FLY's John Getz playing a typically jerkish character. Everyone puts in solid, if unspectacular performances, and I did like Joey Slotnick as the loud-mouthed comedian despite his character's brash, irritating nature.

The problem with this is the script. It's fair to say that nothing really happens in ELEVATOR, and there's certainly nothing here to make this unmissable viewing. I can think of two good, suspenseful sequences in the entire movie, and the rest of it is just endless build-up leading to a pay-off that never arrives. I actually enjoyed the first half more than the second, purely because of the expectation value. The ending is particularly disappointing and lightweight.

This should have been much better than it is, because Stig Svendsen does a good job of shooting within the claustrophobic confines of his small-scale set and there are all the right ingredients; it's just that they don't amount to much in the end. And the incredibly irritating girl in it should have been killed; it was criminal that she never got punished for her daft actions.