Hunky Dory

I defy anyone who grew up in the 70's, especially those who remember the long hot summer of 76, not to love this film. Maybe its just me but it seems to capture perfectly the mood and music of the time. Minnie Driver is superb (and gorgeous, and Welsh) as the drama teacher of a typical 70's comprehensive struggling to direct the end of term school performance, a musical version of Shakespeare's 'The Tempest'. It is a beautiful, gentle film with great performances, great characters and great music. I recommend watching late night with a few beers.

Set in 1976 Swansea, "Hunky Dory" follows charismatic drama teacher Viv (Minnie Driver) as she attempts to stage a rock-opera version of Shakespeare's "The Tempest", set on Mars. Predictably, the play serves as a catalyst to examine and solve some of the students' problems, such as broken families and burgeoning homosexuality, and as a point of confrontation between liberal Viv and other sterner and more classically minded teachers.

What the "Freedom Writers", cum "Glee", cum "School of Rock" plot lacks in originality is more than made up for by the stellar ensemble cast. Driver provides a strong, believable lead performance, supported by the frankly superb rising star Aneurin Barnard, as troubled student Davey, and backed by a surprisingly good cast of relatively unknown young actors.

Without a doubt, the best thing about "Hunky Dory" is the great soundtrack, which is performed entirely by the talented, young cast. The film features a staggering selection of classic 1970s rock artists, such as Pink Floyd, The Who, The Beach Boys, with an emphasis on David Bowie, whose album the film takes its title from.

Overall, "Hunky Dory" is a film that would appeal to the younger "Glee-generation", had it not been awkwardly clashing with a classic rock soundtrack, and a more adult storyline. Nonetheless, it is an entertaining, if schmaltzy and clichéd, film.

A half decent film in terms of plot and a good film in terms of acting. The only thing that annoyed me slightly with the acting was Kristian Gwilliam who I thought was awful. Interesting to see how many actors from this film have now gone on to appear in Stella, I think that shows how well the cast worked as a unit.

The pace did feel a little off at times where you get a sudden change of direction before reverting to the original pace of the film almost as if a scene had been cut out.

I would have liked to have seen a bit more of some of the characters back stories in the first half of the film and I think the film should have been made a bit longer to accommodate that. The character of Lewis in particular who was well played by Adam Byard seemed to feature a lot more prominently in the second half of the film compared to the first. I also thought that some of the cast were a bit under used with Di Botcher particularly taking a very minor role and given her past experience in Twin Town and that she has since gone on to be in Stella I was surprised to see her in such a minor role. Overall a decent film which im giving 6 out of 10 which isn't a bad rating off me considering I don't usually go for musicals.

I thoroughly enjoyed this movie. The storyline and the music brought back fine memories (I was almost the same age in the same time period--and oh how the music took me back). In this the script was VERY successful in conjuring a specific time and place.

Although I was in the United States rather than Wales, I would have to say our general teen experiences of the times were pretty similar on both sides of the Atlantic. We certainly experienced that same raging uncertainty of being a teen of any time period, but ours was greatly amped up by the extraordinary social upheaval of the 60s and 70s, which could only serve to exacerbate the general fear of what comes next in anyone's teens. This anxiety would be even more potent in a region with rampant unemployment and open class warfare (not to mention the ongoing clash in Ireland of the time).

The excellent use of music in this film brought out qualities in the songs that were lost when streamed out on the radio waves among the popular playlist of the day, and certainly threw them into a new light, with nuances I'd never before considered. Very effective and in some places, positively poignant. I thought the choices of music were excellent; so much so that I could have easily enjoyed much more of it and more of the film in turn, just on that alone.

To be truthful, the movie really could have used another half hour or more, just to flesh out the more important characters. There were some interesting people here, but the length of the film gave them-- and in truth the storyline, short shrift. While that could have been addressed by reducing the number of main characters or focusing less on the more extraneous of the story lines, I don't know if I would have in fact enjoyed the film more by doing so. I would have like more of everything to be truthful; more exploration of the characters and their relationships that we were exposed to; more of the film's interpretation of the music put through the lens of of hindsight; and more development and rehearsals of their play--when juxtaposed and compared with the daily lives of the film.

Certainly not everyone will agree with me, but it was a terrific little film--and I'd like to see more of it. Just more. Not the Hollywood treatment, no, that would alter it's character too much I fear, but just more of what we were given all too briefly. Yes I admit, I may be biased by my own familiarity and nostalgia of the times, but I am not going to apologize for that. I simply Loved it. Loved it. Loved it.

Oh for.... they wouldn't allow me to capitalize that I "love it". L.O.V.E.D. I.T. I don't understand how anyone can consider this shouting for god's sakes, it's only a voice in your own head powered by your own imagination. No one is shouting! If anything that exclamation point conveys shouting more than capitalizing an entire word. Capitalizing only emphasizes the word or words. Emphasis, not shouting. I would italicize it but that doesn't W.O.R.K. on IMDb's website. If you italicize or even bold letter a word it just comes out with ampersands and all kinds of mixed symbols--but no italics or bold letters. If they fixed that then I wouldn't be tempted to S.H.O.U.T.! Moderators? Do you read these?????

Set in the 70s in South Wales, this film/musical doesn't disappoint. Not only is there a spectacularly eerie arrangement of music but the characters stories are relatable. The problems these teenagers face range from Homosexuality to peer pressure to family tension. What makes it more interesting (though it's a simple idea) is that it's a musical about making a musical. This gives the excuse for the atmospheric soundtrack, sung by the cast themselves. Completely different to any other musical I have seen. The only thing I didn't like were the predictions of the characters lives at the end of the film. This seemed like a desperate attempt to make the film more believable when it already was quite so. Although, I am willing to overlook this as the film is such a good one.