Father's Day

I have not a clue as to why Troma would set half a dozen DVD release dates for this film, which would come and go with nothing. Not a single explanation given. Just another release date. After a year of being jerked around, I was convinced that this film couldn't possibly be worth this kind of wait. But finally, the real release date came, and I finally got to see Father's Day! And I'd just like to say that I was dead wrong. Father's Day was definitely worth the wait.

Considering the worthlessness we've seen outta Troma the last few years, I'd say acquiring Father's Day was the smartest move they've made in forever. Father's Day is simply amazing! In what begins as a slightly less than normal, yet serious crime-drama, slowly becomes an outrageous, and often insane homage to the B-cinema of the good old days. Thankyou Astron-6. And thankyou Troma for making a wise decision

It seems as if there's a killer out there that fancy's raping dads. Chris Fuchman is the Father's Day Killer. And Ahab is the man who sets out to end him. But it won't be easy. Especially since the only help this ex-convict has is his prostitute sister, an eager priest, and a disgruntled teen hustler named Twink. Together, they just might be able to put this rape-happy Fuchman fellow in his place. On the way, these characters give us the most epic B-movie experience in Troma history. And when it's all over, and the dust settles, it is no longer the same film it once was.

This film has it all! Sleazy characters, gore, stupid, yet subtle humor, grainy screen quality, and incest. Like I said. Father's Day has it all. Over the last decade, I've seen a lot of these old school B- movie throwbacks. Stuff like I Spit Chew On Your Grave, Jessicka Rabid, and the truth is, nothing of the kind that I've seen can compete with this magnificent film. As far as pseudo-Grindhouse flicks go, it don't get no better than this! 7/10

A one-eyed vigilante with a troubled past, a teenage rent boy and a disillusioned priest team up against a demonic, father-raping killer from hell.

With all the faux-grindhouse movies being made these days it was only a matter of time before someone got the great idea of parodying them. Father's Day, from legendary producers of low-budget trash Troma, takes all of the conventions and clichés we know and love and mercilessly exaggerates them, and in the process, actually manages to replicate the look and feel of genuine exploitation movies far better than most serious attempts at doing so.

The directors, of which there are five, have the look and feel spot on—from the fake 'recorded off late-night TV' intro, to the distressed, gaudily lit imagery (flickers, lines on the picture, hairs caught in the camera gate) and the excellent lo-fi electronic score—and the cast all do a great job (even Lloyd Kaufman is bearable).

As is the case with many a Troma movie, good taste isn't very high on the agenda, meaning that the film more than delivers the goods when it comes to offensive material: forced buggery, genital mutilation, and incest all get a look in, and there is enough nudity and splatter to satisfy even the most jaded of trash movie fans. Even though the studio's typically puerile humour is a little hit and miss, and the finale in Hell perhaps stretches things a touch too far, Father's Day is a whole lot of fun that shouldn't be missed by any self-respecting movie deviant.

7.5 out of 10, rounded up to 8 for IMDb.

I went into this viewing cold having never heard of it before, wasn't really expecting much. I was completely blown away. First off you will want to get in the correct frame of mind for it so break out the tent and hiking boots because this is 100% camp from start to finish. Now imagine you are camping with Kevin Smith and Quentin Tarantino and spend the weekend frying on acid and watching Roger Corman and gay porn. So you get home, talk your aunt into loaning you 10K and hit a couple friends and a few strangers with the 'you want to be in a movie?' line and start filming. This would be that movie. The FX are what they are, the CGI adheres to the 'less is more' model and works very well. The stop motion is adequate much like the claymation in Evil Dead was but much better technically. This movie also boasts one of the best 'well what did you think was going to happen?' endings I have seen ever! I give it 10 stars from the shear amount of pleasure I got from watching (something I think gets lost in the mix at times). Is this for everybody? Most assuredly not. But if Hobo with a Shotgun sits in a place of honor in your collection this is an absolute must see!

On a serious note it is easy to see this studio/team has some genuine skills.. real quality work to the point of being sublime.

It's hard to mention "Father's Day" without talking about the controversy surrounding it. It all started in 2010, when it was announced that Troma was going to help finance a movie based on a mock trailer made by a Canadian collective known as Astron 6. The movie eventually got released in festivals and midnight screenings-and when it came time for a DVD/Blu-Ray release, word got out that there were problems between the two. Apparently, Lloyd was selling bootleg copies of the movie, and that the Astron 6 logo was not included on the poster. I don't know if this is true, but if it is, then that really sucks. Especially when the end result is probably my favorite Troma movie, and is the best thing they've done in forever (I'm not a "Citizen Toxie", "Terror Firmer" or "Poultrygeist" fan to be honest.)

The story is one we all know well: As a kid, Ahab saw his father become raped and murdered by serial killer Chris Fuchman (Mackenzie Murdoch), who has a thing for dads. Years later, the spree continues, and Father John Sullivan (Matthew Kennedy) and a gay street hustler named Twink (Conner Sweeney) want a now adult Ahab (Adam Brooks) to stop this father rapist once and for all. However, things are going to be hard, as Fuchman also has his eyes set on Ahab's sister Chelsea (Amy Groening.) To make matter worse, it turns out that this killer isn't all he seems to be.

First things first: This is not a movie for the squeamish. There's multiple scenes of male rape, tons of male nudity (some of it comical, though there's also plenty of female nudity to go with it), graphic gore and even genital mutilation. In spite of all that, this is actually a comedy that serves as both a homage and a satire of exploitation films. Think what would happen if a Canadian sketch comedy troupe like The Kids in the Hall did a horror/comedy, and you might be close. Thankfully, it's also frequently funny, with at least 98% of the jokes hitting their target. Next to "Black Dynamite", this is the funniest Neo-Grindhouse movie I've seen. Plus, it has the best Lloyd Kaufman cameo ever, as he shows up as both God and Satan.

On top of that, it's also very well made. The direction is top notch throughout, and actually manages to do what most micro-budget (this cost $10,000) movies can't do and makes it look at least 10 times it's budget. The acting is also good, with everyone hitting the right tone and managing to make their characters interesting (Twink is my favorite. Dude's hilarious.) Add a dead on score, great make-up and gore effects, great one liners and tons of enthusiasm and literal blood, sweat and tears to make it, and you have yourself a winner.

"Father's Day" will not be for everyone. Those who are easily grossed out or offended (hell, even those of hardened sensibilities will find themselves cringing) will most likely avoid it. For me though, this is one of the best exploitation tributes I've ever seen, and is a must for fans of Troma or warped comedy in general.

FATHER'S DAY is a gory, disgusting, perverted mess... in a good way!

After several years, the notorious Chris Fuchman (Mackenzie Murdock) is back to rape and mutilate anyone in his path. Especially dads. No kidding, this guy is one of the most nauseating killers to ever (dis)grace the screen!

Now, it's up to an unlikely trio of would-be crimefighters (Adam Brooks, Matthew Kennedy, and Conor Sweeney) to track down this odious monster and do what must be done.

This movie goes out of its way to be offensive and revolting, hitting just about every red button along the way. It's also hysterically funny. If you enjoy absurd, crackpot cinema with bite, then you can't go wrong here!...