Chillerama

From some of this generations most innovative filmmakers comes a film that pushes the boundaries of good taste and endeavors to bring the good ol' style of the drive-in right into your living room. Does it succeed? For the most part, yes! Segment One, Wadzilla, features star/director Adam Rifkin (Detroit Rock City)as a timid businessman who is given experimental medicine to increase his sperm count, only to unleash a monster of immeasurable horror! The effects are charmingly horrible but it is quite a funny ride.

Segment Two, I Was a Teenage Werebear is, unfortunately, the proverbial black sheep of the family. Tim Sullivan (2001 Maniacs) is a real talent but the short's taboo pressing plot line only serves to alienate this movie's target demographic (straight males). It is a rousing musical about a sexually confused young man who is bitten by a were-bear (long story) and struggles to keep his morality.

Segment Three, Adam Green's (Hatchet, Frozen)The Diary of Anne Frankenstien, is a real treat. Although admittedly a little short on the horror aspect, it is actually quite funny. The Nazi's, led by Joel David Moore as Hitler, attempt to use Anne Frankenstien's journal to build a monster to help in the war effort. This segment is shot in a sublime old fashioned style and is subtitled as everyone speaks authentic German except for Hitler himself, who comes off as quite a bumbling fool.

Segment Four, Joe Lynch's (Wrong Turn 2) Zom-B-Movie, serves as the wraparound story and as the finale and it is just righteously over the top fun enough to completely win over this reviewer. A zombie outbreak threatens the people who had to sit through the last three shorts only to be threatened by a pack of sexually charged zombies. The real highlight is character actor Richard Riehle who gets to brandish a shotgun and quote more movies then any character in history.

For this reviewer's money, this movie succeeded at becoming exploitation without falling prey to insincerity like the similarly themed Grindhouse.

It's the closing night at the last drive-in theater in America and Cecil B. Kaufman (Richard Riehle) has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons.

I had moderately high hopes for this film, and for the most part they were met. "Wadzilla" was better than I expected, and "Diary of Anne Frankenstein" far exceeded my hopes... it was, without a doubt the highlight of the film (the fake German was hilarious, Joel Moore plays a great Hitler, and Kane Hodder as a golem? Perfection). I also enjoyed "Deathification".

The problem comes with "I Was a Teenage Werebear". This is the segment I had the most hope for, and it was just boring. It slowed down the pace of the movie and made the overall film seem much too long. I appreciate the concept and the throwback to 60s beach films, but I think they blew it. I just did not find it very well developed.

I still recommend this one to all horror fans. If nothing else, watch the "Anne Frank" segment. Just downright hilarious. And see how many references to classic films you catch (some horror, some not). It is no secret that Joe Lynch and Adam Green are passionate about horror, and this film proves it.

Each of the four segments has its moments. The tributes are appreciated and there are a few laughs to be had. The Hitler/Frankenstein segment was probably my favorite. All that said, the grossness extends to a level where you cringe and want to throw up. This film makes you laugh as quickly as you want to forget. I would never willingly watch this film a second time.

The best segment in this is Wad-Zilla. The rest is really hit or miss, especially the too-long, unfunny Were-Bear segment. The Diary of Anne Frankenstein, if it had been cut down a bit would have been way better. The end bit, with the Zombies was really quite lame and nearly pornographic. It could have been a lot funnier if it hadn't been written by people who must always daydream about sex constantly.

Horror-comedy can be a very entertaining sub-genre. I can be a big fan of it. But... it can be the very best, or it can be the very worst. This film 'Chillerama' is the very worst, and not in a good way. I had this title on my Watchlist for quite sometime, because seeing the poster, the title and the description, I thought, that HAS to be something that I'm gonna love. Well, as it turns out, that is not a guarantee.

This is definitely not my kind of Horror/Comedy. A good Horror/Comedy in my opinion, first of all should be a decent watchable film. Just because you are doing the potentially fun and pretty crazy combination of comedy and horror (for some people not the most obvious combination of atmospheres) doesn't mean you can get away with everything. Just because you are making a parody of something, does not mean you can throw all seriousness overboard. In all reality, you are combining two genres in their own rights, something that the makers of Chillerama do a magnificent job at misunderstanding. You're combining Horror and Comedy, two potentially great genres, maybe even the greatest ones for a lot of film fans out there. But just because you are combining a genre that takes itself pretty seriously with a genre where apparently everything goes, does not mean you can get away with doing everything in a bad way. Campy does not equal bad. And parody does not equal being ridiculous. Good comedy is a serious business.

The 'cringe' is so strong here as to make the film totally unwatchable. You literally want to look away at how campy and unfunny everything is. You start questioning your own sense of humor, looking at how much fun the makers apparently had creating 'Chillerama', while you find yourself unable to produce even a single smile.

The segments in this anthology were just the worst combinations of bad taste, far-fetched plot, generally unlikable characters, cringy acting and unfunny jokes. Some of those elements can work well when done right, sometimes even combinations of them. But you have to see this film if you want to find out how they can NOT work in the most spectacular way.

Generally I think a Horror/Comedy works great if they manage to keep the fun, enticing subjects of a horror film and the exciting, spooky atmosphere, and combine it with genuinely funny jokes. Jokes that seem to be up for grabs when looking at horror, because let's face it, in general it's a pretty crazy genre with lots of clichés and elements that are easy to poke fun at, while still doing it in a way that respects the genre and the characters. Bus as with everything that seems easy and up for grabs, it generally isn't...

Also, a good Horror/Comedy should be more exhilarating than the average non-horror comedy film (because hey, there's monsters, suspense, murder, spooky locations and what not), while having such a great atmosphere that they can measure themselves with, even be an homage to the great films of the Horror genre. Besides not being very funny, this film lacks any kind of horror atmosphere that makes you love Horror. The Horror atmosphere is totally lacking. Yeah, it's superficially there because there's blood and screaming, but literally everything is done so badly that... it just doesn't work on any level. Instead, it manages to make you hate both Comedy AND Horror at the same time.

That's just my opinion, my attempt at putting into words what makes this Horror/Comedy genre work, potentially. All I'm sure of is that whatever the X-factor is, it is NOT to be found here, but there are plenty of genuine masterpieces in the genre to be found elsewhere.

If I may recommend some Horror/Comedy films that DO work: * Shaun of the Dead * Killer Clowns From Outer Space * Zombieland * Young Frankenstein * Dracula, Dead and Loving It * Return of the Living Dead * Fido * Once Bitten * The Little Shop of Horrors * Mad Monster Party * Nightmare Before Christmas * Corpse Bride * Rocky Horror Picture Show, which I guess you could call a Horror/Comedy crossover.

... and let's not forget films like Ghostbusters and Beetlejuice!