London Town

Greetings again from the darkness. The late 1970's in London were filled with political, social and labor discontent. Director Derrick Borte (The Joneses, 2009) and writer Matt Brown (The Man Who Knew Infinity, 2015) use this backdrop, along with some cutting edge music of the era, to tell a coming-of-age story that is enjoyable despite its predictability.

Daniel Huttlestone (Into the Woods) plays 15 year old Shay (not Che) who carries the burden of babysitting for his sister Alice (Anya McKenna-Bruce) and cooking for his two-job dad Nick (Dougray Scott), as he dreams of meeting up with his free-spirited mom Sandrine (Natascha McElhone) who lives a bohemian lifestyle in London. Things start to change for Shay once he receives a package from his mom … his first taste of music from The Clash.

Soon enough, Shay finds himself chatting it up on a commuter train with wild girl Vivian (Nell Williams), who generously shares her own music from The Clash, as well as some insight into the band, and even a ticket to their next concert. After the best night of Shay's life, a work accident puts his dad in the hospital, requiring the son to take on even more responsibility.

More than a coming of age story, this is what I call "the teenage awakening". Once the world starts opening up to Shay, he begins to question everything. A serendipitous night in the clink with Joe Strummer (Jonathan Rhys Meyers) brings some surprisingly grounded philosophy and guidance. "Some people just burn bright" is a spot-on description of Shay's mom and a lesson to Shay that parents are people too.

The movie belongs to Huttlestone, who bounces between responsible young man, bullied teen, and anti-establishment rebel. Ms. Williams is delightful in her role, and JRM brings the necessary hard edge to Strummer. Director Borte has a really nice eye for scenes, but probably was a bit too stingy with Clash tunes. The timing for the film is a bit unfortunate, as it's released in the same year as the similar but superior Sing Street. Still it's an enjoyable little film with enough philosophy sprinkled in that we don't even mind the predictable ending with "I Fought the Law" carrying us to closing credits.

England in the late 1970s was not a pleasant time for much of the country. Unemployment began to rise, and the government didn't do much to respond (this probably contributed to Margaret Thatcher's rise to power). Derrick Borte's "London Town" focuses on a working class boy who gets into The Clash while his father is in the hospital.

The movie is both about hope for the future, and about love of music. One scene features people debating The Sex Pistols vs. The Clash. Jonathan Rhys Meyers plays Joe Strummer, who enters the boy's life. It's not a masterpiece, but worth seeing. The rest of the cast includes Dougray Scott and Natascha McElhone (of "The Truman Show").

This is a fabulous coming of age story, set against the back drop of London in the 70's and the music of The Clash. The film is cleverly put together with a great mix of humour, emotion, gritty reality and music of The Clash.

The acting is superb particularly Daniel Huttlestone as Shay, although little Alice steals the show more than once! Jonathan Rhys Meyers could be Joe Strummer, with his attitude and great voice. It's a movie that makes you think, laugh and cry.

A real British film, I have already seen this twice and will happily watch again!

I really enjoyed this movie, it's a light drama about a complex subject and era and a kid living a difficult time in it. It's true that it feels a bit naive and unrealistic in many ways, but the good acting, likeable characters, bit of humour and the music (I'm not even a fan of punk music or The Clash, but it was a plus for me) made me forgive the lack of realism and enjoy a light-hearted adventure. Also, as I've been living in London for the last 8 years, I really enjoy watching movies portraying the city as it was before I got here, so this is an interesting aspect of the movie for me. Great movie, not as serious as some may wanted it to be, but very enjoyable.

Coming of age tale about a young boy who discovers the Clash via his estranged mother and a girl on a train.

From the opening minutes you can perceive a nice tale which frankly is pretty unbelievable from some wooden acting, a poor portrayal of Joe Strummer and a teen romance than frankly is a bit wishy washy.

The whole punk scene is frankly pretty badly portrayed, the Anti Nazi League concert is mixed with some footage from the Clash's own rude boy film, factually incorrect as far as timelines are concerned for the die hard Clash fan but frankly all a bit dull and predictable.

Is one one for the DVD bargain bin in months to come, shame as The Clash still stand up as one of Britain's best bands shoulder to shoulder with The Whos of this world and expected a little more in the Quadrophenia or Sid and Nancy mould, this more a twee film that a 14 year old would find sweet more than a tale of 1978 and punk rock.