London Town

Coming of age tale about a young boy who discovers the Clash via his estranged mother and a girl on a train.

From the opening minutes you can perceive a nice tale which frankly is pretty unbelievable from some wooden acting, a poor portrayal of Joe Strummer and a teen romance than frankly is a bit wishy washy.

The whole punk scene is frankly pretty badly portrayed, the Anti Nazi League concert is mixed with some footage from the Clash's own rude boy film, factually incorrect as far as timelines are concerned for the die hard Clash fan but frankly all a bit dull and predictable.

Is one one for the DVD bargain bin in months to come, shame as The Clash still stand up as one of Britain's best bands shoulder to shoulder with The Whos of this world and expected a little more in the Quadrophenia or Sid and Nancy mould, this more a twee film that a 14 year old would find sweet more than a tale of 1978 and punk rock.

Every once in a while a little film, with a tiny budget and a whole lot of heart, comes along and knocks you off your feet. London Town fulfills all the aspects of that category.

I won't bother to give you a blow by blow description of the story, that's easily found elsewhere. I will tell you I was more than thoroughly entertained and, since it was a 48 hour rental via my VOD system, I took the opportunity to watch it three times because it was just that good! The film is endearing, funny and the performances are stellar, especially the youngsters. Huttlestone is already on his way as a multi-talent, but Nell Williams was a new revelation for me and she shines here.

If for no other reason, you need to see this film for the incredibly brilliant work of Jonathan Rhys Meyers as Joe Strummer. He is simply mesmerizing and delivers a musical performance equal to that of any contemporary or historical rock star. (As a veteran of 7 Stones and 14 WHO concerts, I feel justified in that statement.) Derrick Borte managed to assemble a superb group of musicians to portray the rest of the band and the results are magical.

London Town is a special film, with something for everyone to love. Don't miss it!

Not strictly terrible, but low grade and forgettable. It aims at being intense, but didn't arrive there, in my opinion.

I was drawn in to borrowing it from the Library, because I mistook it to be a film about Joe Strummer, who I'm a fan of. I didn"t realize that it was a family drama, with Joe Strummers character, coming in as a sort of punk angel.

Whike watching it, I found myself distracted over and over again, and checking my Facebook. Which is a sort of red flag as far as a movie, and whether I find it interesting.

I gave it 4/10, which is my way of saying, not horrible but not worth watching either.

This film tells the story of a teenage boy who faces a series of misfortunes, and ends up having to make a living while taking care of his young sister. He perseveres through the hardship, and meets the famous rock star from The Clash, and his life is changed for the better.

People say this film is about music, but I view this film as a film that chronicles how hard life is for people who are not well off. When misfortune strikes, prior don't even lens a hand of support. The boy faces adversity with striking resilience, which I think is a good example to people. I enjoyed watching the film because of this resilient character.

Greetings again from the darkness. The late 1970's in London were filled with political, social and labor discontent. Director Derrick Borte (The Joneses, 2009) and writer Matt Brown (The Man Who Knew Infinity, 2015) use this backdrop, along with some cutting edge music of the era, to tell a coming-of-age story that is enjoyable despite its predictability.

Daniel Huttlestone (Into the Woods) plays 15 year old Shay (not Che) who carries the burden of babysitting for his sister Alice (Anya McKenna-Bruce) and cooking for his two-job dad Nick (Dougray Scott), as he dreams of meeting up with his free-spirited mom Sandrine (Natascha McElhone) who lives a bohemian lifestyle in London. Things start to change for Shay once he receives a package from his mom … his first taste of music from The Clash.

Soon enough, Shay finds himself chatting it up on a commuter train with wild girl Vivian (Nell Williams), who generously shares her own music from The Clash, as well as some insight into the band, and even a ticket to their next concert. After the best night of Shay's life, a work accident puts his dad in the hospital, requiring the son to take on even more responsibility.

More than a coming of age story, this is what I call "the teenage awakening". Once the world starts opening up to Shay, he begins to question everything. A serendipitous night in the clink with Joe Strummer (Jonathan Rhys Meyers) brings some surprisingly grounded philosophy and guidance. "Some people just burn bright" is a spot-on description of Shay's mom and a lesson to Shay that parents are people too.

The movie belongs to Huttlestone, who bounces between responsible young man, bullied teen, and anti-establishment rebel. Ms. Williams is delightful in her role, and JRM brings the necessary hard edge to Strummer. Director Borte has a really nice eye for scenes, but probably was a bit too stingy with Clash tunes. The timing for the film is a bit unfortunate, as it's released in the same year as the similar but superior Sing Street. Still it's an enjoyable little film with enough philosophy sprinkled in that we don't even mind the predictable ending with "I Fought the Law" carrying us to closing credits.