11

11:11 seems to be a real phenomenon, but this movie has no correlation to those beliefs or possibilities. In that sense, it was poorly researched. I Think the idea is good, but here it was almost thrown together and poorly thought-out. The movie seems jumpy and quite random, the characters have no depth,and scenes lack flow. With bad make-up/costume design, low budget special effects, and sometimes pointless dialogue, I was almost distracted from the story. There was enough monotone content, with a few attempts to startle the audience, to keep me until the fairly predictable end. I really wouldn't recommend this to anybody... maybe a study on "How we could have made this movie better" for film students.

The successful American writer and atheist Joseph Crone (Timothy Gibbs) participates in a support group to accept the death of his beloved wife Sarah (Salomé Jiménez) and their son Diogo. Joe befriends Sadie (Wendy Glenn) in one of the meetings and she helps him when he has a car accident.

When Joe's estranged religious brother Samuel Crone (Michael Landes) tells him that their father is terminal, he travels to Barcelona to stay near the death bed of his father. Joe has visions of demons and with the number 11 and he finds that something evil will happen with Samuel and him on 11 November 2011.

"11-11-11" is a film with a promising premise, but with a messy and disappointing execution. The screenplay is boring and confused; the scary atmosphere with demons repeats several times along the film and becomes irritating; and the predicable plot point is hard to believe, disclosed in very fast pace and annoying. My vote is three.

Title (Brazil): "11-11-11"

Personally, being obsessed to the whole repetitive numbers made me very excited about this movie. I was really waiting for it to be released! And that's probably why it was a big disappointment for me. The idea of the repetitive numbers was a new unexplored theme and unfortunately it got spoiled with this movie. Very weak acting with obvious predictable flow of the story, combined with cheap visual effects and make up, all built for the failure of this movie. Not to mansion the off topic ending which was a hopeless trial to give a lasting final impression. Seriously the whole religion thing in those movies is a pathetic try from their writers to utilize people's passions towards their beliefs to make free advertisement for the movies! P.S. the only reason I gave the movie 2 stars out of 10 is for it's title nothing more nothing less.

OK first of all this is my first time reviewing any movie on IMDb since this was so terrible I felt compelled to let people know how awful this was. I usually turn to IMDb for all movies Netflix, RedBox, or theatrical release and the reviews are usually pretty spot on. Anyways don't waste your time seeing this movie it has been done over and over to death. The visual effects were very poor being that Halloween just passed I saw scarier costumes on kids. Hollywood just please let these type of movies die already especially if your not going to put any creativity into the script. The acting is horrible it felt like a direct to video release (at least should be) all in all is a very predictable movie not scary whatsoever. If you don't mind wasting your time and money go see this, however if you are smart and must see this movie wait till it's on Netflix I promise you will thank me later.

The film has a great look, but the emphasis on numerology just wasn't substantial enough for my taste; it felt somewhat rushed, and the scares didn't get to me, but overall it was disturbing. I'd like to see his next film be a bit more focused and a slow-burn, as opposed to feeling jumbled at points. This movie could have easily been close to 2 hours, and could have really delved into the atmosphere. Again, I enjoyed the look and the acting was there, and I'm a big fan of his work, and the killer twist at the end makes up for other elements which were underwhelming in the film. Overall, it's a highly satisfying movie, and very different from any of Bousman's previous work.