Swordsmen

DRAGON, a Chinese remake of Cronenberg's A HISTORY OF VIOLENCE with added martial arts action, is a fine-looking film. The period setting is brought vividly to life and the plot moves at a fair old whack, always avoiding cliché in its exploration of a former gangster attempting to lead a decent life as an ordinary family man. Of course, it's a Donnie Yen film, so there are the inevitably lengthy and detailed martial arts sequences which are typically strong and help to lift the movie's entertainment value immeasurably.

Elsewhere, the material does feel a little strained at times and the story seems to fall apart as it progresses. The second half is noticeably inferior to the first, and the film seems to be merely treading water up until the final confrontation between anti-hero and villain. Still, the producers deserve kudos for casting martial arts star and genre icon Jimmy Wang Yu (completely unrecognisable these days, it has to be said) as the chief bad guy.

In addition, there's a serious and finely-tuned performance from Takeshi Kaneshiro as a detective investigating Yen's background. Kaneshiro's character is somewhat incongruous given the provincial nature of the rest of the movie but Kaneshiro can always be relied upon to deliver carefully mannered performances and his role here proves no exception to that rule.

Come the roll of the final credits, I was left feeling mildly entertained by the material, but also slightly dissatisfied, purely because the quality of the action isn't on par with the highs of IP MAN 1 & 2, FLASH POINT and other Yen classics. I've been spoilt by such films, and as a result Dragon felt a little lacklustre, more watchable as an interesting curio than a full-blooded fight flick.

An attack on a butcher's shop in a small rural area, unleashes all hell for those involved, the authorities and our screens.

The story unfolds after an police investigator becomes perplexed as to how an ordinary shop worker fends off an orchestrated attack by two ruthless criminals. Being unprepared to simply accept that the quiet family man, simply got lucky he tries to dig deeper and reaches a point where the revelations is more than he could even handle.

Beautifully made and nicely told, this a film with hidden might, where the audience goes from one surprise to another between scenes of true human warmth as well as spectacular fighting sequences. Yes, they go over the top but it is done in such a refined manner that you could forgive them.

One of the best modern Wu Xia movies with overwhelming combats and spectacular scenes . Being well set during China's Imperial dynasty , and spectacular and colorfully directed by Peter Chan . It deals with a sinful martial arts expert called Liu Jin-xi (Donnie Yen) wants to start a new tranquil life, only to be hunted by a determined Detective called Xu Bai-Jiu (Takeshi Kaneshiro of House of flying daggers) who investigates his dark past and his former master (Wang Yu) . Liu lives almost anonymous until two robbers enter their village to rob a provision store and defends himself and kill them . Later on , the village is attacked and in order to seek vengeance Liu uses his extraordinary martial art skills .

This classic Wu Xia flick displays lots of violence , action filled , thrills and fierce combats . This luxurious martial arts film was marvelously filmed with good production design , colorful cinematography and breathtaking scenes . The flick displays lots of violence, action filled , thrills and fierce combats . This is a colourful, China set and quite budget movie ; leave no cliché untouched , though the fighting are magnificently staged . The picture is full of tumultuous sequences with frenetic action , surprises , fierce combats and groundbreaking struggles . Amid the grandeur of the scenarios and impressive fights is developed an intrigue about a villager who bears dark secrets and stubborn Detective exploring his hidden side using C.S.I methods . The picture is starred by three myths of Wu Xia and Chinese martial arts such as Donni Yen who starred "Seven Swords" , ¨Hero¨ , ¨Yip man¨ saga , Takeshi Kaneshiro who acted in ¨Warlord¨ ¨Chungking Express¨, ¨Red Cliff¨ and Wang Yu who starred classic Kung-fu movies for Shaw Brothers as "The Chinese Boxer" , the 1st real movie non-swords, only bare hand and kicks fighting, a new genre in HK action movies , he gained super stardom status as the "One-armed Swordsman" and ¨ Master of flying guillotine¨ ; Wang paved the way for the future Bruce Lee and Jackie Chan for such a genre.

The motion picture was compellingly directed by the Chinese Peter Ho-Sun Chan who has established himself firmly as a distinguished filmmaker/producer whose last 4 films have generated millions in China box office . In as early as the nineties, Chan already scored a string of critically acclaimed box office hits, including his award-winning directorial debut ¨Between Hello and Goodbye¨ (1991) and following ¨He's a Women, She's a Man¨ (1994) and ¨Comrades, Almost a Love Story¨ (1997), those produced by his own United Filmmakers Organization (UFO), among which Comrades has won a record 9 Hong Kong Film Awards and was named one of the Ten Best Movies of 1997 by Time Magazine. In 1998, Chan directed his first Hollywood picture ¨The Love Letter¨ for Steven Spielberg's Dreamworks SKG and starred by Spielberg's wife : Kate Capshaw. In 2000, he established Applause Pictures dedicated to quality co-productions aimed at audiences across Asia. In 2005, foreseeing the ever-growing market in China and its fast expanding audiences, Chan decided to take on the China market with the musical extravagance Perhaps Love (2005), Shot entirely on location in Mainland China, it became one of the year's top-grossing films in China, Hong Kong and Taiwan, and received a record 29 awards. Chan next directed ¨The Warlords¨ (2007) with Takhesi Kaneshiro and produced Derek Yee's ¨Protégé¨ (2007). The two films were the two highest grossing Hong Kong-China co-productions of 2007. And of course , this successful ¨Wu Xia¨ (2011) . Rating : Above average . The motion picture will appeal to Donnie Yen fans , he's a complete show .

I loved this! Kara Hui, Jimmy Wang Yu and Donnie Yen all give absolutely terrific performances, with Yen's perhaps being the best of his career. Lots of wire assist in the martial arts, but it works in the context of the film, and besides... Hui and Wang aren't exactly spring chickens, so its great to see them in anything, much less doing such fine work in such a fantastic film! Plus, as one or two others have noted, though there are martial arts in this movie, I would not exactly call this a martial arts film. Regardless, it is easily among director Peter Chan's best, Chan - of course - also being responsible for HE'S A WOMAN, SHE'S A MAN / COMRADES: ALMOST A LOVE STORY / the GOING HOME segment from THREE / and Jet Li's THE WARLORDS).

The film also stars Takeshi Kaneshiro. He portrays an investigator who humorously refuses to believe that it was simply accidental, bumbling, good luck that allowed Yen's country bumpkin, Jinxi (intentional wordplay?), to win out in a battle with two notorious murdering thugs. Instead, he believes Jinxi is hiding his martial arts skill (much as TV's Columbo would hide his intelligence), though each time he puts Jinxi to a cruel and painful test, the result is the same... Jinxi proves to be less than he seems, not more. But that's when Kara Hui and Jimmy Wang Yu enter the picture, and they too think that Jinxi is hiding his true identity, and they're willing to murder or maim his loved ones in order to force him to reveal his hand. And speaking of hands, there's a very nice homage to Wang Yu's ONE ARMED BOXER and ONE ARMED SWORDSMAN in the final chapter of this funny and dramatic film.

Before watching Director Peter Ho-sun Chan's latest movie, Wu Xia, starring Donnie Yen, I expected to watch a typical martial arts movie. Contrary to my expectations, the movie is a fascinating fusion of a detective story, forensic science, action, humor, politics and family drama.

Wu Xia is a gripping story about the dark side of human nature. There are several intriguing things that are worth nothing. First, Detective Xu Baijiu believes that the law is more important than humanity. His blind obedience to the law contrasts sharply with the corrupt officials accepting bribes, which is a political satire. Please note what happens to the villain at the end, which ridicules the unscrupulous legal system invented by humans. Second, the difference between humans and animals is highlighted. Please note that cows, horses, flies and worms are shown in the movie and respect for animals is emphasized. Moreover, in a fighting scene, Kara Hui's character can be seen through a cow's eye, which symbolically shows her ruthless character. Third, in some scenes, the candles glimmer in the darkness, which symbolically shows the struggle between good and evil in a human being.

Peter Chan and Oi-wah Lam have grasped the key to writing a good story. Indeed, three-dimensional characters are more important than fancy fight scenes, so they take their time developing the characters in the movie. Thanks to the capable cast, the well-crafted script, the restrained costumes and the breathtaking setting, most characters are lifelike. In the movie, Takeshi Kaneshiro gives the most memorable performance, considering his dual role as his good self and his dark self. Detective Xu Baijiu, whose biggest battle lies within, is torn between his conscience and his blind faith in the law. Also, his attempt to speak the Sichuan dialect is comical. As for Donnie Yen, he is charismatic and his action is well-choreographed. Still, he slightly underacts in the crying scene and the one in which he kills the butcher and his children. Playing ruthless villains, Yu Wang and Kara Hui deliver flawless performances. Their characters, albeit monochrome, look eerily menacing.

As for my suggestions for improvement, some insignificant details can be trimmed and Liu Jin-xi's change can be further developed. Despite these minor flaws, the movie grabs me from beginning to end, not only because of the adrenalin-pumping action, but also the well-developed characters that the audience cares about. Featuring a creative mix of different genres as well as a fine balance between drama and action, Wu Xia is so far the best Hong Kong movie I have watched in 2011.