Gimme Danger

So what is this? A quite conventional musical documentary embedding a bands history within a bigger history of society and musical appearances and hereby constantly arguing the uniqueness, the coolness and the relevance of The Stooges and their professional anti-professionalism. It has the same sort of bohemian snobbish feeling to it I already found disgusting in ONLY LOVERS LEFT ALIVE: all this bitter mystifying praise of the „real", „authentic", „good", „true", etc., artistic stuff within a devilish sell-out Disneyland world is just soo much emphasized that it's actually ridiculing itself.

But at the same time it is a fanboy work and a work of friendship, a film not only about the band, but a film in dedication for the band, a gift, an openly political and explicitly personal attempt to immortalize the musicians, communists, existentialists, drug users and drug abusers around Iggy Pop: „The Stooges Forever!", it says on the gong starting and finishing the film. And this is basically the sole purpose the film is made for and this is what adds quite a bit of intimidating intimacy to it, making it more like a letter to Iggy only masked as this educational musical documentary it is trying to be at its surface. This is no offense: The naive and sincere face under the mask is what turns the film into touching cinema, after all. And the sound, well, the sound made me heart jump around hard every once in a while.

I just saw this at Melbourne International Film Festival in my home town, and It completely lived up to my expectations. I am a big Stooges fan and first heard of this documentary collaboration between Iggy Pop and Director Jim Jarmusch a few years back and could not wait to see it. As a fan of the band and some of the Director's work, they are the perfect marriage to tell this tale. The documentary, told by most of the band themselves but primarily Iggy, covers the bands early inception and up to the 2003 reunion. Iggy is a fascinating interview subject, as are all The Stooges that offer insight,wit and humour in recreating the journey they shared. There is a definite brotherhood between these guys, that was at times as destructive as it was touching. The tributes paid to the fallen Stooges are moving in its unique way, and the documentary as a whole really captures the lasting impact this band has had on music and their influence they have left in their wake. Any fan of this incredible band, that were a statement that pre-dated punk and shocked so many at the time, will love this film. If you aren't a fan, then it also serves as a very entertaining document on a band that are unmistakable in their impact,the fascinating characters and is a chronicle of a turbulent time in music and the world that The Stooges so brilliantly encapsulated in their sound.

"Gimme Danger" (2016 release; 108 min.) is a documentary about the Stooges. As the movie opens, we are in 1973, with the band in a free fall and ready to call it a day, as we get Iggy, Steve MacKay, and other to comment about how bad it was. Pop, then 24 years old, moved back in with his parents in their trailer, After the movie's opening credits, we then go back in time, and we see the humble Ann Arbor roots of these guys, and the even humbler beginnings of the Iguanas and later the Stooges.

Couple of comments: this is the latest movie directed by indie film maker Jim Jarmusch. Here he brings the story of the Stooges, as told to us by the band members themselves, although let's be clear: Iggy gets most of the screen time. Turns out Iggy is quite funny and self-depreciating, certainly as to the early years, when he switch from drums ("I got tired of looking at butts", ha!) to singer and front man. It is quite amazing how the Stooges' sound evolved from the early avant-garde sound (Iggy: "it was like an airplane taking off") to the punk sound of the latter days (the "Raw Power" album). The footage is okay but there is surprisingly not much high quality concert footage (one of the better clips is the classic from their 1970 set at the Cincinnati Pop Festival where Iggy smears peanut butter all over himself while he is crowd-surfing). The lack of high quality footage is more than compensated by the gazillion pictures, which frankly suit the legacy of the Stooges better than the archival footage. The documentary thankfully spends little to no time explaining the 3 decades between the 1973 demise and the 2003 "reunification" (as Iggy terms it, "it's NOT a reunion"), and even the years since 2003 are dealt with in 10-15 minutes. The documentary smartly focused on the key years in the late 60s and early 70s, and that is what makes it so enjoyable to watch. No major revelations, just a solid look at the Stooges. As of course Iggy has the documentary's last words: "I don't wanna be metal, I don't wanna be alternative, I don't want to be punk. I just wanna be".

"Gimme Danger" premiered at the Cannes film festival earlier this years, and finally opened at my local art-house theater here in Cincinnati this weekend. I couldn't wait to see it. The Friday early evening screening where I saw this at was not attended well (2 other guys besides myself), but I know this: all three of us laughed a lot and thoroughly enjoyed ourselves, Hopefully "Gimme Danger" can find a wider audience via Amazon Instant Video and eventually on DVD/Blu-ray. If you are a fan of music and music history, you don't want to miss this. "Gimme Danger" is HIGHLY RECOMMENDED!

A friend of my recommended this documentary to me. Just randomly heard about it and was enough of a Jim Jarmusch fan to want to try it out, and he loved it, despite not being a fan of the Stooges, or having it change his mind about their music. As much as it was an in-depth look on Iggy Pop and the Stooges, it's just as much an in-depth look on Rock and Roll, and every Rock and Roll Documentary should be.

I gave it a shoot, as I am a fan of the Stooges and what they have done. After all, I'm sure a lot of the music I listen to they directly or indirectly are responsible for.

Going into the movie, I was expecting somewhat an adaption of the book Please Kill Me, which was an in-depth look at protopunk, which I herd the Stooges be described as before, plus they take up a big chuck of the book, but that's not what this doc is at all. It was so focus on the Stooges that it rarely expanded outside of the band members and those really close to them.

As the only original surviving member at the time of this release, Iggy does a lot of the talking, but not in an egotistical way. He seemed very genuine in his stories about The Stooges and their history. Not that the other Stooges did not get to chime as it looks like Jarmusch had been working on this for a while with the drummer of the Stooges also able to tell his stories before his death.

It is all about rock and roll and all about the music. I can see why Jarmusch selected and loves this band as they seem uncompromising to their love of the music. It's a great message on sticking with it. It also a great message about how it never dies within you, as the doc tells the story of the Stooges second guitarist James Williamson, who rolled with the band and Iggy until they dissolved got himself a pretty square life, but when Iggy calls to say come Jam with the band like 40 years later, he did just that.

Not Just for those people who love the Stooges, it's for those who love a really good rock and roll story. This is one!

A look at the Stooges career from their first albums to eventual reunion years later with interviews from the surviving members and lots to hear from Iggy Pop.

I expected more from this documentary I guess because I was a little let down. Yeah it had talking heads and archival footage but not that much of it really. It also spent most of the time talking to Iggy, which makes sense since most of the others are dead, but it gives you only one view. I guess because the band had so short a career there wasn't much to work with, but for a legendary crew, this felt too shallow. But it's not terrible or anything, so fans will eat it up.