Or noir

It has a good story (historically irrelevant) about the beginnings of oil exports from the middle east. The leading role is played marvelously while for some obscure reason the accompanying major characters are a bit swallow.

Other than that, it is consistent, the film and the story flow without tiring the audience and with awe inspiring scenes of desert battle.

Baring in mind that I gave a 9 to the film because I really enjoyed it and that's what films are about, I have to address the fact that either my knowledge of the Arab world is far lesser than i thought or the film for some reason follows some ill-thought clichés... Half of the people shown on the film would never pass for Arabs... really never... it's more likely that i would pass for an Arab and I'm Greek than half of the cast of the movie... moreover the "heaviness", if it can be a valid term, of the language reminds me more of Persians and less of Arabs ...

Anyways other than that, it is a good film worth seeing, it will make you worth the time.

In the beginning of the Twentieth Century, in Arabia, Emir Nesib (Antonio Banderas) of Hobeika defeats Sultan Amar (Mark Strong) of Salma after years of war between their tribes and they make a peace treaty creating "The Yellow Belt", a large no man's land that would separate their lands and would not belong to neither of them. Further, Nesib demands the sons of Amar, Saleh and Auda, to be raised together with his children Tarik and Leyla by him in Hobeika as a guarantee of their agreement.

Fifteen years later, representatives of the Texas Oil find oil in the Yellow Belt and the modern and liberal Emir Nesib sees the opportunity to improve and modernize the life of his tribe, building hospitals and schools, and the American Company begins the exploitation of the oil field, violating the peace pact.

Nasib sends a representative to make an agreement with the fundamentalist Sultan Amar, but he does not accept the offer. Saleh decides to travel to Salma to talk to his father and kills his two companions, but he is captured and murdered by Tarik. Prince Auda (Tahar Rahim) and Princess Leyla (Freida Pinto) are in love with each other since they were children and they get married with the full permission of Nesib. Auda travels to Salma expecting to convince his father to associate to Nesib, but the conservative Amar does not accept the proposal and decides to fight against Nesib. Now, Prince Auda shall decide in which side he will pick and fight.

"Black Gold" is another wonderful epic adventure by the French director Jean-Jacques Annaud with a great international cast and wonderful cinematography in an environment of "Lawrence of Arabia". The story is entertaining, the soundtrack is very beautiful and the DVD has magnificent Extras showing the Making Of and the Special Effects. My vote is eight.

Title (Brazil): "O Príncipe do Deserto" ("The Prince of the Desert")

I remember when Lawrence of Arabia came out, long ago. The most stunning things about it were Peter O'Toole, the haunting music, and the hard won shots of the desert. I would have traded it all to learn the details of desert warfare, but it failed to do more than offer a glimpse. Instead it wallowed in Lawrence's tortured mind to little purpose, creating a deeply dissatisfying movie. Now, years later, my antidote has come in the form of a real story, the kind I longed for as a kid, but seldom found.

If you consider the people of the Arabian desert savage, superstitious barbarians, you won't be able to enjoy this movie. But if you can suspend your prejudice long enough to be convinced, they do a fine job of conveying how a totally foreign and ancient culture can make more than a little sense in today's world.

Is it all fantasy, these unusually noble men with their deep distrust of western values? I doubt it. There are always ineffable things about a people's true dreams and character that have little to do with their actual history, that can only really be expressed in art. If I were Arab I'd be very happy to see a movie like this about how my forefathers reacted to the first oil wells and the riches they promised.

The lead, Tahar Rahim, is spot on as the bookish Prince Auda, turned fighter. His father Mark Strong as the Sultan Amar has some of the best lines and is a strong and welcome presence throughout. Antonio Banderas worked for me as Emir Nesib and I admire his entire career. There's no doubt in my mind he was fully committed to this movie though some apparently found his performance distracting; I did not. As others have pointed out, Freida Pinto and Liya Kebede, as the female leads, are both fairly wasted here though there's something true about how minor their roles are given this is mostly a story about change, war and father-son relations.

No, I might forever be labeled a low brow for writing this, but I enjoyed this film much more than I did the highly acclaimed Lawrence of Arabia. This is a far more earnest and effecting film and deserves a great deal more praise than it's likely to get in the west given our politics. That's truly a shame as we could use a little sympathy and insight into these people.

Jean-Jacques Annaud's "Day of the Falcon" (also known as "Black Gold") attempts to deliver an epic historical drama set against the backdrop of the Arabian oil boom. While the film boasts undeniably stunning cinematography, capturing the vast beauty of the desert landscapes, and features an ambitious scope with large-scale battle sequences, its narrative often struggles. The dialogue can feel stilted and unnatural, and the performances, despite a talented international cast including Antonio Banderas and Mark Strong, sometimes lack the necessary emotional depth to fully engage the audience. The pacing can be uneven, and the film's attempt to blend historical commentary with a personal love story occasionally feels forced, resulting in a visually impressive but ultimately less impactful cinematic experience.

Is it worth watching? If you appreciate grand historical visuals and sweeping desert epics, it might offer some enjoyment. However, if you prioritize strong character development, natural dialogue, and a consistently engaging plot, you might find it a somewhat tedious watch.

It draws you in slowly as most great movies do and delivers an unusual punch and caress in places you don't expect. Also, an unusual softness of direct male sentiment that is surprisingly well communicated in parts without being preachy or too sentimental. And, in this fashion, is quite scarce in movies today. It has all the sweetness, drama, brutality and humor many movies rarely do without crossing lines or insulting your intelligence. The dialog and acting is exceptional and the cinematography (among other things) is quite reaching in its ability to paint a truly encompassing picture. The shortcomings in this movies are rather few and I tend not to dwell on negatives. I honestly recommend it and will indeed watch it again.