Snowpiercer : Le Transperceneige

Snowpiercer was a surprise to me. I thought it would be just another "social commentary" dystopian film trying to ride the coattails of The Hunger Games craze. Instead what I ended up getting was one of the best post-apocalyptic films I've ever seen. A smooth roller coaster of action and quiet, dark dialogue.

And don't get me wrong, it is another "social commentary" dystopian film, and yes, perhaps it's riding The Hunger Games craze just a little bit. But, when that riding ends up producing a film of this quality, is it a bad thing? And it's not like The Hunger Games invented the idea of alternative future where the poor are trying to usurp the rich people that are controlling them from their towers of ivory. These are both just variations of Orwell's 1984, which draws heavily from the age old tale of the underdog, David versus Goliath.

It's the execution of an idea that makes or breaks a film and here that execution is nigh flawless. Everything from the design of the train to the A-list cast of actors to the storyline that keeps up the relentless pace, but still has time to reflect on the motives, histories and moods of the characters.

Snowpiercer is simplistic art. It doesn't try to win you over with limitless of details, high explosives or flashiness. Rather it takes a central idea and fills it with as much quality as possible. Highly recommended for all fans of science fiction out there.

The opening scene was psychedelic and the ending was insane. It was a great black humorous movie. The resonance of the kindergarten song burst into flames, satirizing the instant sensation. The rule of the old class needs the maintenance of cockroach protein. The change of the new class begins with the awakening of cannibals. If it were you, how would you choose?

Snowpiercer could've been a great film (and it is probably a good story), but it turned out to be a 2hr long collection of weird scenes, pointless action, overacting and slo-mo.

The ideas are there. And...well, at least 2 characters are in the film. Can't really say about other 5 people who we know nothing about even in the end. It looks like a lot was lost in the adaptation for the screen. I mean, some characters are distinctive enough to be memorable, and they are probably important for the story, but since we have no time for them they just mostly die and we can't care cause we don't know anything about them. It's like they wanted to show all the important characters from the reference material but they had no time for them anyway.

This could've worked on a purely thematical level if they would go a little more symbolic on this.

Buff the run time a little, make it somewhat more boring, remove the pointless action (leave only the starting one to reference revolution and violence). Make each of the cars count (some of them were significant, like the education part, the aquarium had important dialogue and stuff but the sauna one was just a waste of time). Dwell more on interesting dialogue (which is there), develop the characters, make us care.

Instead a miscast Chris Evans embarks on a journey that never really affects him, tells his life story in an expository monologue and ends up taking stupid decisions that lead to horrible consequences. No interesting twists, nothing. The Korean guy barely even talks, the girl is supposed to represent a younger generation but she has nothing to do in this film.

I think the above mentioned is the only way this film could've worked. Going grounded and realistic with this can never work, there's just too many plot holes to take.

For all the great production design and value, this film ends up being a waste of 2 hours of your time.

I just came across it again after-hours on TV and rewatched the whole thing, although i have seen it twice back in 2013. For the ones who'd want to check it out and dont mind a dark violent social commentary this is a treat. Good cast, good acting (Chris Evans and Tilda Swinton are a highlight), good action and relentless pace. Probably most are familiar with the story of snowpiercer, the train that holds the last of humans and keeps going around the world, while its people are split in sections in the train. That story itself constitutes a great -but not new- metaphor about society. I would keep the metaphor in the background as the backbone of the story and focus on the other exciting elements of the film, which are very rewarding. Good film, 8/10

This film reminded me of many lost occasions in cinema where script themes were extremely compelling but poorly executed (think about In Time). The smart idea behind the movie (which comes from the graphic novel La Transperceniege) representing capitalism as a self fuelling train riding across a desert world where no alternative could survive is mostly shadowed by bold action sequences and cliches. This trend reaches the climax in the last 30/40 minutes, as the ending shows us the trite scene of the "final encounter with the villain" along with very predictable events. The characters are hollow, rigid and stereotypical as their dialogues are. Differently from his masterpiece Parasite, neither personal nor societal introspection is here elaborated. Unfortunately, Mr Joon-Ho had a visionary novel that he decided to transpose in an average Hollywood style action movie.